這個(gè)應(yīng)該定位于驚悚懸疑電影 涉及政治陰謀 看封面劇照詞條啥的我以為這是個(gè)二戰(zhàn)愛情電影呢 前半部分看起來(lái)挺正常 優(yōu)美的英國(guó)田園風(fēng)光 幸福和諧的貴族一家人 女主也有一個(gè)英俊瀟灑的愛人 甚至有些無(wú)聊 當(dāng)我以為要開始重點(diǎn)講愛情了 結(jié)果畫風(fēng)從抱孩子哪里開始變得恐怖 然后事情越來(lái)越變得驚悚嚇人 真相越來(lái)越撲朔迷離 那種壓抑感一點(diǎn)點(diǎn)累積真的很難受
女主好慘 不是親生的終究不是一家人 小雀斑和那個(gè)姨媽的一些話 看似彬彬有禮非常正常 比如吉普賽女兒 刮鞋子泥土啥的 孩子丟了 那些人一個(gè)個(gè)說(shuō)她出了問(wèn)題 這些話其實(shí)其實(shí)誅心于無(wú)形 包括好幾次都是讓她讀書 讀書也挺累人的 女主也沒抱怨什么 大家氛圍也挺和諧 這些點(diǎn)看似沒什么 實(shí)則悄悄的埋下了伏筆 一家人就讓她當(dāng)演員 關(guān)于家族正在密謀參與的事業(yè)卻不讓她接觸一點(diǎn) 打心眼里就沒看起她把她當(dāng)一家人 其實(shí)告訴她又何妨呢 她未必不會(huì)跟家人站在一起 她又不是什么丘吉爾支持者 沒什么太多政治立場(chǎng) 可是這家人就是不告訴她 包括前面姨媽走掉留她一個(gè)人看孩子 仆人突然推門把諜打碎 姨媽不讓她一個(gè)人聽留聲機(jī) 這些前面疑惑的點(diǎn)到后面似乎有了合理解釋 并不是我感覺錯(cuò)了 而是這些就是刻意為之 太嚇人 這個(gè)家所有人都在監(jiān)視她 拿她當(dāng)外人 她還傻傻的僅僅懷疑弟弟一人 殊不知所有人都背叛了她
唉 太慘了 女主就是小男孩那句話他們根本不愛你 最后一點(diǎn)安慰就是女主角還活著還很長(zhǎng)壽 一直還想著另一種可能是不是女主真的精神有病臆想了家族欺騙囚禁她的那些事 可是最后結(jié)尾女主出現(xiàn)告訴我們這一切就是真的 也就是說(shuō)那個(gè)前來(lái)拜訪的男孩從女主那兒得知故事又來(lái)求證兩位老人 說(shuō)明這一切就是真實(shí)發(fā)生的 總體感覺這個(gè)故事真的很嚇人 像是我內(nèi)心深處最恐怖的夢(mèng) 你以為家人父母都是你最親近最值得信賴的人 沒想到到頭來(lái)他們的糖里都帶毒 他們從來(lái)沒愛過(guò)你 你只是用來(lái)消遣的寵物 隨時(shí)都可以被拋棄被處死 跟那些貓沒什么區(qū)別 在那些貴族眼里 女主這個(gè)吉普賽人沒有他們的血統(tǒng)就是局外人 這個(gè)故事里看似最關(guān)心女主的父親其實(shí)是最大的幕后boss 一次次的用溫柔關(guān)懷的語(yǔ)言欺騙女主 而對(duì)女主最好的竟然是一個(gè)僅僅見過(guò)幾次的小男孩和一直整理花園不怎么和她說(shuō)話的媽媽 真是細(xì)思極恐 平時(shí)對(duì)你最關(guān)懷跟你相處最多的人反而欺騙背叛你最深 反而看似不正常的媽媽和行為怪異小男孩反而對(duì)你最好最關(guān)心 這個(gè)故事真的太恐怖了
女主化濃妝后很漂亮,側(cè)面比正面好看,服飾搭配很時(shí)髦俏皮。 突然出現(xiàn)的小男孩,進(jìn)場(chǎng)出現(xiàn)的騎自行車的人。如果是黑白片,我會(huì)以為是希區(qū)柯克的作品。 電影情節(jié)有點(diǎn)不能理解。1.這家人為了阻止她泄密用盡手段,但是她孤身在他們面前逃跑卻沒人去阻止。2.她名字是安娜,可弟弟卻叫她格洛麗亞。3.幾十年后回到家長(zhǎng),只見到當(dāng)年的小男孩和嬰兒,還說(shuō)什么我們是一家人,她和小男孩和嬰兒有什么愛恨情仇???順便問(wèn)一下嬰兒是誰(shuí)的孩子?養(yǎng)父弟弟妹妹那些有情感糾葛的都不在了。戰(zhàn)爭(zhēng)早就結(jié)束了,為什么不早過(guò)去面對(duì)他們了結(jié)一切?
英國(guó)社文課的一次作業(yè)
The main story is set in the year before World War II, drew out by the narration of an old man who is a relative of the heroin Anne and who at that time was a little boy.
Anne was an adopted child of an aristocrat family. She was a popular actress before the War started. Her father Alexander and brother Ralph were all working for the government. The family seems to live a tranquil and idyllic life. However, after the death of an old friend of the family, the peace life was gone forever. Anne accidentally found a record which contained the evidence that Alexander and Ralph were arranging an action to assassinate their political opponents in order to keep Britain out of the war. And she later found out that whoever knew about the existence of this record was killed or commit suicide. Trying to dig out the truth, she met with strong resistance. And eventually, as she was getting closer to the truth, the family grounded her in a country villa. Being secretly released by her mother, Anne chose to leave the family forever.
The movie presents three common attitudes the British people held towards war.
One is represented by the father who had gone through the World War I. They had seen the cruelty of war and chose to do their best to keep the peace, even at the cost of that the Britain might be Nazified although they did not approve Nazism. From today’s perspective, their approach was least inadvisable, but this judgment is based on one premise that we already knew the course of history. Although the policy of appeasement is doomed to fail, this attitude still enjoyed great popularity before the war broke out. Because it not only corresponded to the country’s inherently conservative bias but also met people’s requirements of avoiding mass casualties. No wonder why the father in the movie, together with the whole family, would resort to extreme measures to stop Anne. Objectively speaking, Prime Minister Chamberlain’s appeasement policy was not useless at all for it bought Mr. Chamberlain some time for updating the Air Force and the defense radar system, which set the foundation for the Churchill government.
The second attitude is represented by Anne and Hector in the movie, and Winston Churchill in reality. On the one hand, Anne was driven by her sense of justice that people should never commit atrocity even it is for the interests of the country. On the other hand, she did realize that blindly making compromise to Germany was in vain.
The last one is represented by the mother, an inconspicuous member of the family. Compared to her husband and children, she showed little enthusiasm in politics and stayed out of the whole action towards Anne. Every time she appeared on the scene, she was doing gardening. Let things drift if they do not affect one personally. This is also a feasible way to save oneself during the war time, but it is the most passive method among the three.
I think the director shows clearly in the story which attitude he favors. In the end, all the other family members died. Except Walter and his brother who was just a baby when things happened, Anne was the only one survived, which symbolizes the victory of bravery and justice.
故事比較牽強(qiáng)。男演員們普遍比較帥,結(jié)果都是來(lái)打醬油的。
2010.07.03感覺一般,情緒渲染似乎不夠到位。印象最深的角色么,一是那位不得志的龍?zhí)?,二是出?chǎng)極為有限的母親。
居然非常,非常驚悚,后面都快喘不過(guò)氣來(lái)了,結(jié)果結(jié)尾畫蛇添足毀一半。開戰(zhàn)消息傳來(lái)時(shí)導(dǎo)演說(shuō)先繼續(xù)拍戲等人送無(wú)線電來(lái),平淡的處理但有種暗暗的沖擊力;女主自始至終都和寵物等價(jià),在許多構(gòu)圖中站在外圍;RG妹子在這里的演繹簡(jiǎn)直超神了。
色彩與服裝無(wú)比美麗,細(xì)膩舒暢的鏡頭與畫面,永恒不變的對(duì)英國(guó)country house的熱愛,DTT驚鴻一瞥,雖然無(wú)論是bill nighy還是其他人都有沒有發(fā)揮暢快的感覺,但是還是有綿長(zhǎng)的詩(shī)意在其中。
歷史沒有絕對(duì)的對(duì)與錯(cuò),于是所有糾纏其中的感情都變得模糊不可分辨。其實(shí)這是驚悚片(正色)
為什么都在說(shuō)無(wú)聊?難道就我窒息了將近1個(gè)半小時(shí)?風(fēng)景服裝很唯美,主題很深遠(yuǎn)。只要是撿來(lái)的就別相信所謂的親人會(huì)對(duì)你多好,情感是虛偽的,到最后還是會(huì)像寵物一樣無(wú)情地把你扔掉。
贖罪. 70年過(guò)去,重逢時(shí)只是一句“你好”。
英劇最大的特點(diǎn)在于也許你不覺得特別精彩,但無(wú)形中被故事催眠,這個(gè)故事確實(shí)稱得上驚悚。
飛機(jī)上裸看的。太多細(xì)節(jié)沒聽懂,于是注意力分散在歪嘴女的婊情和肢體以及漂亮的服裝上——就算是傻不拉嘰的假發(fā)簡(jiǎn)愛帽大濃妝,也讓人覺得像emma一樣好萌。Garai演技大漲,奴家特別稀飯丫被軟禁以后發(fā)狂的大爆粗口,每一句都爆破有力,爽死了。gilbert死后詭異的影片和獸醫(yī)診所挺寒的。
封面深深的吸引了我。。。女主角很有布蘭切特的感覺,那種二戰(zhàn)前夕的種種爭(zhēng)執(zhí)從一個(gè)貴族家庭上演出來(lái),但是總感覺有些過(guò)于不真實(shí)
今天推薦這個(gè)電影,里面的toby很受阿
這種rebecca式的陰謀論懸疑片,前面一百多分鐘華麗麗的鋪墊,不就是等一個(gè)精彩有力的結(jié)局嘛。結(jié)果等半天出來(lái)一爛尾,害我一口氣岔在那里連覺都沒睡好!
萌的演員N多,但故事很牽強(qiáng)。ps,帥哥們?cè)谄永锏牡匚唤醮蜥u油。
知道的越多越危險(xiǎn),步步驚心!演技很出彩!
BBC出品必屬精品!絕對(duì)屬于《傲慢與偏見》同等級(jí)的精品。英國(guó)貴族風(fēng)范十足,各種細(xì)節(jié)體現(xiàn)著家族歷史沉淀的底蘊(yùn)。到最后,那母親的一句:go!以及女主的一句:we are all family,讓人心中一顫。
我不知關(guān)于此人,我的所愛總是那服裝,畫面,還是那總是帶一點(diǎn)詭異氣味的敘事…… 但我的確曾很愛很愛
Toby只在開頭和結(jié)尾出現(xiàn)了一下而已,當(dāng)然美麗如故。居然這片子也有Juno Temple……都跟Toby合作2部電影了,不會(huì)擦出什么奇怪的火花吧?!那個(gè)神出鬼沒的小男孩Walter每次出現(xiàn)我都覺得我看的是鬼片……最后他們把女主放了是什么原因啊到底。。。英國(guó)人奇怪死了
從故事到拍攝手法都非常粗糙,表意不清,毫無(wú)章法。只能看到人們都在為堅(jiān)持自己認(rèn)為對(duì)的事情,做出堅(jiān)持。
BBC出品,服化道和鏡頭畫面一如既往的精致優(yōu)秀。鏡頭以大女兒安的視角推進(jìn)劇情,烘托氣氛,后期氣氛營(yíng)造很不錯(cuò)。不過(guò)前半部電影畫面劇情銜接有些生硬,顯得過(guò)于碎片化,如果不是因?yàn)榉里@示著這部電影的用心還是很容易讓人放棄的。此外??送性诓妥郎系囊淮伍L(zhǎng)篇大論算是第一個(gè)高潮——小十的死亡語(yǔ)速……之后他死后安偷聽唱片時(shí)他在唱片里的嚎叫算是第二個(gè)點(diǎn)。這種隱忍壓抑中的小爆點(diǎn)更突出隱忍壓抑。之后便是阿爾伯特那段詭異的錄像。至此之后劇情走向流暢。
「It's not always a good place to go, the past.」「This little war makes everything uncertain.」