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更新時(shí)間：2023-08-10 18:55
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When phony stage mentalist Triton mysteriously acquires supernatural powers of precognition, he becomes frightened and abandons his act to live of anonymity.
長篇影評
1 ) Cinematic Hokum (By BOSLEY CROWTHER)
If somewhere along in the beginning of this patently fancilful tale about a man who can foresee the future the audience were taken aside and told it was just so much nonsense, it might be acceptable. And even if all the antique business which clutters up the ènd were put on a strictly burlesque level, it might wind up tolerably.
But no. From the very beginning to the very end of the film, we are asked to believe that a fellow might really have supernatural sight—that an ex-vaudevillian might forecast not only what horses will win but who will be killed in accidents and what attempts will be made on peoples' lives.
Now, this sort of thing could be charming — or funny, at least — if done in a spirit of thinly veiled fooling or out-and-out fantasy. But here it is done in somber fashion, with Edward G. Robinson playing the gent as a figure of tragic proportions, fatefully chained to a crystal ball. And Gail Russell plays the young lady whom he vainly forewarns against peril in a mood of distinct melancholia, with her face all the way down to here.
But no. From the very beginning to the very end of the film, we are asked to believe that a fellow might really have supernatural sight—that an ex-vaudevillian might forecast not only what horses will win but who will be killed in accidents and what attempts will be made on peoples' lives.
Now, this sort of thing could be charming — or funny, at least — if done in a spirit of thinly veiled fooling or out-and-out fantasy. But here it is done in somber fashion, with Edward G. Robinson playing the gent as a figure of tragic proportions, fatefully chained to a crystal ball. And Gail Russell plays the young lady whom he vainly forewarns against peril in a mood of distinct melancholia, with her face all the way down to here.
與前一年的玉面情魔有著同樣的職業(yè)背景——表演天通眼，與后一年的大鐘有著同樣的導(dǎo)演——約翰法羅，米婭法羅她爸。但主宰整部影片情緒和氛圍的那個(gè)人叫作——愛德華羅賓遜。"there are things on earth still hidden from us, secret things, dark and mysterious."
天啊最后被女主和伙伴蠢死了行吧劇本安排的。
神秘主義，羅賓遜把人物的焦慮、恐懼和憂愁演的入木三分。
靈異神秘主義noir，強(qiáng)烈的宿命感！編劇牛逼！ 愛德華·羅賓遜演的太好了！
超能力黑絲，無法打破的宿命
就整個(gè)設(shè)定來說很吸引人，我太喜歡這種懸疑加超自然的題材了，跟同類風(fēng)格的《玉面情魔》比起來，這一部走的更像是通靈神探的路線，主人公由原來的懼怕和逃避命運(yùn)到最終和命運(yùn)抗?fàn)?，阻止了自己ex的女兒的死亡，短短的一個(gè)小時(shí)多的故事，充斥著大量的信息和內(nèi)容，勾起了我足夠的興趣，Edward的演技毋庸置疑，直到最后，片子還是留下了一連串對于未知領(lǐng)域的疑問，讓人意猶未盡
超能力系黑影，有the Twilight Zone內(nèi)味兒了
玄幻類黑色電影, 愛德華·羅賓遜演技依然過硬-進(jìn)組第六部譯
大多數(shù)人再回首往事時(shí)，都會看到命運(yùn)觸動他們生命的那一刻：一份新工作、一份意外的繼承、一個(gè)快速的決定。命運(yùn)不知不覺降臨到我的身上，就像窗玻璃上第一滴細(xì)雨，但直到第三滴、第四滴或第五滴水時(shí)，我才意識到這場雨即將吞噬我的生活。
懸疑與黑色結(jié)合在一起的Noir，氣氛做的不賴，有幾處地方還蠻驚悚的。羅賓遜的演技很精湛。又一冷門佳作。
作家范兒人文主義劇作的巔峰時(shí)期作品啊。男主悲劇，無辜的女性。來自日常生活的精致的轉(zhuǎn)述和神秘化，很像化身博士的對科學(xué)有限性的思考。挺可愛的。
這一切，真的有可能發(fā)生嗎？
想起許冠文《神算》里的青蛙燈，如何避免都逃不掉的命運(yùn)。
約翰·法羅營造的懸疑氛圍很不錯(cuò)，靈異事件和謀殺吊足人胃口，羅賓遜這張老臉就是演技的保證，再說句題外話，即使是二流的黑色電影都很好看
三星半。黑色電影引入超自然未知力量的題材挺少見。愛德華羅賓遜扮演一位能預(yù)知未來的psychic。既然是篤定發(fā)生的事，何不為愛人勇敢挑戰(zhàn)一次命運(yùn)？好可惜。。警探也太笨了，不相信他卻又按他所說的“未來”放松了警力漏掉了嫌疑人。
EGR獻(xiàn)出精彩的、haunting的旁白與演出，soothing的嗓音把一切講得引人入勝，除了困惑與恐慌，更可貴的是先知empath帶來的痛苦，也被他演繹得真實(shí)動人。前半段很好看，幾場馬戲和報(bào)童那場戲拍得好。后半段調(diào)查墜機(jī)事件開始劇本一路犯蠢，越來越像一個(gè)CW的單元?jiǎng) ail憂郁的眉眼溫柔美麗，John Lund的存在感還不如精美的攝影高。
氛圍營造得很好，能預(yù)知未來卻改變不了宿命，這樣的能力到底是福是禍……
懸疑
3.5 騙子還是瘋子，中后段在這懸而未決中沒找著情節(jié)重心
多年后你會知道是不能欺騙死神的～挺有趣。