This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
外掛射手中字/制作:KEVIN
這狗男女前夫妻真是標準渣男賤女…中間過程也算曲折起伏 結(jié)尾天道好輪回舒了口氣 當個狗血片看看還行其實
倫齊的第三部卡羅爾·貝克主演的片子。比他1969年同名作品更沒有g(shù)iaollo味道,就是低配版希區(qū)柯克。
蛇蝎男女
比起這版,更加喜歡69版的
這個故事里有我一輩子都遇不到的美好青春和甜蜜愛情,夜場游樂園的焰火,太陽快落山的教室... 展開
渣男倒是老中青通吃啊。ps片中用活鴿打靶挺殘忍。
連環(huán)套
一場感情漩渦,情節(jié)設置的撲朔迷離??_爾貝克很迷人~
想看69版 結(jié)果看成了這版...這版不是那么鉛黃
懸疑氛圍不錯,最后轉(zhuǎn)折還行,一切都因為“活好”
哈哈哈這個結(jié)尾,就在你以為Sorel要扳回一城的時候……仍是連環(huán)套。殺戮和性,沒點tension沒點意淫就那么干脆付諸行動還真是挺無趣的。
比上一部甜蜜的邪惡好一點
和69年的那部都翻譯成《偏執(zhí)狂》,故事也挺像的,有錢遺孀陷入遺產(chǎn)情殺,只不過這次貝克演得是莫名卷入殺人嫌疑的前妻,時隔一年,她衰老的比較明顯,一下就被演女兒那位比下去了,但她的裸戲更坦蕩了。貝克前夫的有錢妻子邀請貝克,原來是想和貝克一起殺掉花花公子老公,這種被欲望控制的身不由己,但又想要反擊邪惡男性欲望對象的女性角色,上一部《偏執(zhí)狂》里也有所涉及。貝克和前夫沖動殺了有錢妻子,妻子的女兒緊咬不放調(diào)查真相,貝克神經(jīng)緊繃的戲演得不錯,她作為女賽車手的身份也貢獻了一場緊張的山路飆車戲,雖然也有大家一起看膠片、前夫和妻子女兒通奸等小高潮,但電影整個節(jié)奏比較平,片尾也是兩次連續(xù)翻轉(zhuǎn)。和上部一樣不合時宜的配樂讓人出戲
藍1080p magnet:?xt=urn:btih:089979D75ED4C0DB83C0E6445EDE1972B0864CB2
我反正是沒看出來前夫有何魅力可以迷倒眾生,也許像蘇珊這樣的女子才能真正制住他,結(jié)局還是印證了法網(wǎng)恢恢疏而不漏。
好
作為翁貝托·倫齊和卡羅爾·貝克合作的Giallo三部曲終章,講述一位女賽車手海倫突然被前夫邀請去一所豪宅,事實上事情并沒有那么簡單。本片的劇情可謂跌宕起伏,緊張至極直到康斯坦斯的女兒蘇珊的出現(xiàn),三人之間的關(guān)系進入了白熱化階段,可惜結(jié)尾實在太倉促,雖然出人意料。
“命運之錨”牢牢鎖住了流氓魅力無產(chǎn)者與叛逆毀滅富二代的篡位換代野心!反映了六零七零年代歐洲統(tǒng)治階層的集體焦慮。不過還是某些鉛黃片的敘事操縱上的老問題:把完全失控的意外情景專門演給觀眾看,誘其不去做與真相更為接近的揣測,最后卻告訴他們這是通盤連環(huán)陰謀之中的一個環(huán)節(jié)?可你怎么知道那一瞬間ta不會選擇……射出魚叉?!
貌似還有上一部,但男主不是同一個人,不知道是否有連貫的劇情。女主不錯,稍微有些老。男主像小李子。本片的本質(zhì)就是平庸的罪案片包裹著情色的內(nèi)核,最后再來點男主與養(yǎng)女間的亂倫。說實話這片能看下去全靠男女主的魅力再撐。