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更新時間：2023-08-10 19:07
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Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice” and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love. Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters. Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman; her disappointment in love; and the family’s poverty following the death of her father. Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died. Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.
長篇影評
1 ) The Real Jane Austen
The Real Jane Austen
About cast:
Drama-documentary exploring the life of Jane Austen. Actor Anna Chancellor, a distant relative of
該戲劇式紀錄片探索了簡·奧斯汀的一生。女演員Anna Chancellor作為簡·奧斯汀的遠親，她通過
Jane Austen, discovers the woman behind the acclaimed novels through readings and
大量讀物和重塑發(fā)現(xiàn)了那個一直默默站在飽受贊譽的小說背后的女人。
reconstructions. Location shots of her homes in Steventon and Chawton and extracts from
影片的拍攝地點分別位于簡·奧斯汀在Steventon（是簡·奧斯汀創(chuàng)作《傲慢與偏見》的地方）和adaptations of her work are also featured.
Chawton（簡·奧斯汀度過她最后的8年的地方）的家中，并且那些關(guān)于她工作的改編本中摘取的摘要也同樣起著至關(guān)重要的作用。
The Real Jane Austen : Trivia
紀錄片“真實的簡·奧斯汀”中的趣聞瑣事
The tan and black gown with striped sleeves and black crepe bow on the bodice
劇中褐色和黑色的長袍被剝?nèi)チ诵渥?，Wendy Craig（Lefroy夫人）所穿的黑色縐紗緊身
worn by Wendy Craig (Mrs.Lefroy) is the same costume worn by Penny Do
上衣與Penny Downie（Judith Milbanke小姐）在電影“拜倫”中Annabella返回她父母
(Lady Judith Milbanke) at dinner after Annabella returns to her parents' house in
家后晚餐那一幕的戲服是同一件。 Francesca Annis（Ludlow小姐）也同樣在英劇“克蘭
"Byron", Francesca Annis (Lady Ludlow) wears in "Cranford", Gemma Jones 弗德”穿過，同樣Gemma(Mrs. Dashwood)Jones（Dashwood夫人）也在“理智與情感”
wears playing cards at Barton Park in "Sense and Sensibility",
中在巴頓公園玩牌的那一幕穿過它，Jemma Redgrave（Bertram小姐）將這身衣服作為
Jemma Redgrave (Lady Bertram) wears in the final scene in "Mansfield Park",
了“曼斯菲爾德莊園”最后一幕的戲服，
and Rosemary Enright wears at dinner in "The Regency House Party". Rosemary Enright在“攝政統(tǒng)治家庭聚會”中的晚宴上也穿過,
The costume is also worn by an extra at the Netherfield Ball in "Pride & Prejudice".
這一套戲服也同樣在“傲慢與偏見”中被一位臨時演員在尼日斐舞會上穿過。
The red print gown worn by Catherine Bigg is the same costume worn by Susan
Catherine Bigg所穿的紅色印花布禮服與Susan Fleetwood（拉塞爾小姐)在“勸導(dǎo)”
Fleetwood (Lady Russell) at the party at Camden Place in "Persuasion", Sheila
中卡姆登廣場的聚會上所穿的是同一件戲服，在“曼斯菲爾德莊園”中當(dāng) Fanny 大聲
Gish(Mrs.Norris) while Fanny reads the newspaper aloud in "Mansfield Park", a
讀報紙的那一幕中Sheila Gish（諾里斯夫人）也穿了這一件，
guest at a London ball in "Byron", Elizabeth Devonport to dinner in "The Regency
英劇“拜倫”中一位賓客在倫敦舞會上也同樣身穿此衣， Elizabeth Devonport 在“攝政
House Party", Hayley Atwell (Mary Crawford) in "Mansfield Park", Daisy Haggard
統(tǒng)治家庭聚會”中晚餐過程中穿過，同樣英劇“曼斯菲爾德莊園”中Hayley Atwell（Mary
(Anne Steele) to the London ball in "Sense & Sensibility", and Alex Kingston
Crawford）也穿過，Daisy Haggard (Anne Steele)在英劇“理智與情感”中參加倫敦舞會穿了
(Mrs.Bennet) in "Lost in Austen".
它，不僅如此Alex Kingston（本尼特夫人）在“迷失奧斯汀”中也穿過。
-------松鼠字幕 Ivy2303 譯
About cast:
Drama-documentary exploring the life of Jane Austen. Actor Anna Chancellor, a distant relative of
該戲劇式紀錄片探索了簡·奧斯汀的一生。女演員Anna Chancellor作為簡·奧斯汀的遠親，她通過
Jane Austen, discovers the woman behind the acclaimed novels through readings and
大量讀物和重塑發(fā)現(xiàn)了那個一直默默站在飽受贊譽的小說背后的女人。
reconstructions. Location shots of her homes in Steventon and Chawton and extracts from
影片的拍攝地點分別位于簡·奧斯汀在Steventon（是簡·奧斯汀創(chuàng)作《傲慢與偏見》的地方）和adaptations of her work are also featured.
Chawton（簡·奧斯汀度過她最后的8年的地方）的家中，并且那些關(guān)于她工作的改編本中摘取的摘要也同樣起著至關(guān)重要的作用。
The Real Jane Austen : Trivia
紀錄片“真實的簡·奧斯汀”中的趣聞瑣事
The tan and black gown with striped sleeves and black crepe bow on the bodice
劇中褐色和黑色的長袍被剝?nèi)チ诵渥?，Wendy Craig（Lefroy夫人）所穿的黑色縐紗緊身
worn by Wendy Craig (Mrs.Lefroy) is the same costume worn by Penny Do
上衣與Penny Downie（Judith Milbanke小姐）在電影“拜倫”中Annabella返回她父母
(Lady Judith Milbanke) at dinner after Annabella returns to her parents' house in
家后晚餐那一幕的戲服是同一件。 Francesca Annis（Ludlow小姐）也同樣在英劇“克蘭
"Byron", Francesca Annis (Lady Ludlow) wears in "Cranford", Gemma Jones 弗德”穿過，同樣Gemma(Mrs. Dashwood)Jones（Dashwood夫人）也在“理智與情感”
wears playing cards at Barton Park in "Sense and Sensibility",
中在巴頓公園玩牌的那一幕穿過它，Jemma Redgrave（Bertram小姐）將這身衣服作為
Jemma Redgrave (Lady Bertram) wears in the final scene in "Mansfield Park",
了“曼斯菲爾德莊園”最后一幕的戲服，
and Rosemary Enright wears at dinner in "The Regency House Party". Rosemary Enright在“攝政統(tǒng)治家庭聚會”中的晚宴上也穿過,
The costume is also worn by an extra at the Netherfield Ball in "Pride & Prejudice".
這一套戲服也同樣在“傲慢與偏見”中被一位臨時演員在尼日斐舞會上穿過。
The red print gown worn by Catherine Bigg is the same costume worn by Susan
Catherine Bigg所穿的紅色印花布禮服與Susan Fleetwood（拉塞爾小姐)在“勸導(dǎo)”
Fleetwood (Lady Russell) at the party at Camden Place in "Persuasion", Sheila
中卡姆登廣場的聚會上所穿的是同一件戲服，在“曼斯菲爾德莊園”中當(dāng) Fanny 大聲
Gish(Mrs.Norris) while Fanny reads the newspaper aloud in "Mansfield Park", a
讀報紙的那一幕中Sheila Gish（諾里斯夫人）也穿了這一件，
guest at a London ball in "Byron", Elizabeth Devonport to dinner in "The Regency
英劇“拜倫”中一位賓客在倫敦舞會上也同樣身穿此衣， Elizabeth Devonport 在“攝政
House Party", Hayley Atwell (Mary Crawford) in "Mansfield Park", Daisy Haggard
統(tǒng)治家庭聚會”中晚餐過程中穿過，同樣英劇“曼斯菲爾德莊園”中Hayley Atwell（Mary
(Anne Steele) to the London ball in "Sense & Sensibility", and Alex Kingston
Crawford）也穿過，Daisy Haggard (Anne Steele)在英劇“理智與情感”中參加倫敦舞會穿了
(Mrs.Bennet) in "Lost in Austen".
它，不僅如此Alex Kingston（本尼特夫人）在“迷失奧斯汀”中也穿過。
-------松鼠字幕 Ivy2303 譯
2 ) The greatness of Jane Austen
“Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree. The pen is in their hands.”
Jane Austen changed all that.
Great writers take us by surprise. Never married, never rich, Jane Austen wrote with precision and passion of dream lovers and brilliant marriages. She armed her herorines with wit and courage to take on a world ruled by men and money.
As she did, she herself, a women, single and poor, became one of the world’s great novelists.
Jane Austen changed all that.
Great writers take us by surprise. Never married, never rich, Jane Austen wrote with precision and passion of dream lovers and brilliant marriages. She armed her herorines with wit and courage to take on a world ruled by men and money.
As she did, she herself, a women, single and poor, became one of the world’s great novelists.
3 ) The Real Jane Austen《真實的簡·奧斯汀》
The Real Jane Austen《真實的簡·奧斯汀》
簡·奧斯汀是有史以來最偉大的作家之一。在她去世將近200年后，她的小說（如《傲慢與偏見》和《曼斯菲爾德莊園》）依舊遍及世界各地，吸引著一代又一代的讀者?！墩鎸嵉暮啞W斯汀》這部電影粉碎了人們對奧斯汀的一系列猜測 — 她本人并非與她筆下的女主人公一般，生活在優(yōu)雅的攝政時期，出生名貴、生活舒適，并且最終找到了自己的真愛。
Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice”and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love.
相反，它向我們展示了真實的簡·奧斯汀。相比她小說中的描述和當(dāng)前影視的改編傳達，在她所生活的攝政社會階層，人們對待女性的態(tài)度更為殘酷，當(dāng)時的經(jīng)濟現(xiàn)實也更為嚴峻。這部電影向我們展示了奧斯汀悲慘的個人感情生活，即她本人并沒有享受到她的女主人公們的“圓滿結(jié)局”。
Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters.
通過解讀和戲劇性的重組，《真實的簡·奧斯汀》完美地拼湊了奧斯汀的現(xiàn)實生活，其中包括她作為一個牧師的七個孩子之一在漢普郡受到良好教育的片段，還包括她對愛情失望以及她父親死后家境衰退的片段。
Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman; her disappointment in love; and the family’s poverty following the death of her father.
通過寫作，簡不必結(jié)婚，就實現(xiàn)了經(jīng)濟上的獨立。可悲的是僅僅四年后（1817年7月），簡·奧斯汀去世了，那時她在寫《勸導(dǎo)》。
Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died.
《真實的簡·奧斯汀》的拍攝地點與奧斯汀的出生地史蒂文頓以及她后來的居住地查頓密切相關(guān)，該片還從奧斯汀的作品的影視改編中引例，《真實的簡·奧斯汀》描繪了英國文學(xué)中最偉大的才子之一的生動寫照。
Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.
--松鼠字幕組 橙子 譯
簡·奧斯汀是有史以來最偉大的作家之一。在她去世將近200年后，她的小說（如《傲慢與偏見》和《曼斯菲爾德莊園》）依舊遍及世界各地，吸引著一代又一代的讀者?！墩鎸嵉暮啞W斯汀》這部電影粉碎了人們對奧斯汀的一系列猜測 — 她本人并非與她筆下的女主人公一般，生活在優(yōu)雅的攝政時期，出生名貴、生活舒適，并且最終找到了自己的真愛。
Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice”and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love.
相反，它向我們展示了真實的簡·奧斯汀。相比她小說中的描述和當(dāng)前影視的改編傳達，在她所生活的攝政社會階層，人們對待女性的態(tài)度更為殘酷，當(dāng)時的經(jīng)濟現(xiàn)實也更為嚴峻。這部電影向我們展示了奧斯汀悲慘的個人感情生活，即她本人并沒有享受到她的女主人公們的“圓滿結(jié)局”。
Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters.
通過解讀和戲劇性的重組，《真實的簡·奧斯汀》完美地拼湊了奧斯汀的現(xiàn)實生活，其中包括她作為一個牧師的七個孩子之一在漢普郡受到良好教育的片段，還包括她對愛情失望以及她父親死后家境衰退的片段。
Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman; her disappointment in love; and the family’s poverty following the death of her father.
通過寫作，簡不必結(jié)婚，就實現(xiàn)了經(jīng)濟上的獨立。可悲的是僅僅四年后（1817年7月），簡·奧斯汀去世了，那時她在寫《勸導(dǎo)》。
Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died.
《真實的簡·奧斯汀》的拍攝地點與奧斯汀的出生地史蒂文頓以及她后來的居住地查頓密切相關(guān)，該片還從奧斯汀的作品的影視改編中引例，《真實的簡·奧斯汀》描繪了英國文學(xué)中最偉大的才子之一的生動寫照。
Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.
--松鼠字幕組 橙子 譯
4 ) 對抗意味不自由
看完 Jane Austen Regret, 我覺得有句話非常對， 一認真你就輸了。
不要擰巴。
不要擰巴。
5 ) 理想與現(xiàn)實的差距
其實沒看過這個電影，看的是《Jane Austen Regrets》.看完就覺得太傷感了，不想再去追溯所謂真實的奧斯汀。沒有想到，她筆下那么多唯美的愛情無非是她的幻想。她現(xiàn)實的生活是那么的拮據(jù)，那么的悲慘。我不懷疑，如果她嫁給一個貧窮的男人，甚至是一個富有的男人，她的寫作事業(yè)可能都不會繼續(xù)。我暗自慶幸，她終身未嫁，才留下了這么多美麗的作品。可是從她個人的角度而言，我為她的人生與情感感到惋惜。如果我有種魔法，我希望把簡帶到現(xiàn)在的世界，讓她品嘗到自己的才華能給自己帶來多大的榮耀與財富。她富有才氣，有幾分超前，她的時代給了她創(chuàng)作的靈感也限制了她。
我多么希望簡可以遇到一個Mr.Darcy或者Mr.knightly.她應(yīng)該得到一份完美的愛情?？墒撬粫?，可能這個世界上也不會有Darcy或者Knightly。雖然技術(shù)在進展，世界在變化，可是門當(dāng)戶對，社會地位的觀念難道不是根深蒂固的植根于每一個社會中嗎？確實，大家都會斥之為庸俗，可這是現(xiàn)實，難以改變的現(xiàn)實。只有有一天，當(dāng)社會財富多到人人都不再為之拼搏的時候，真正的純粹的愛情才會出現(xiàn)。
我多么希望簡可以遇到一個Mr.Darcy或者Mr.knightly.她應(yīng)該得到一份完美的愛情?？墒撬粫?，可能這個世界上也不會有Darcy或者Knightly。雖然技術(shù)在進展，世界在變化，可是門當(dāng)戶對，社會地位的觀念難道不是根深蒂固的植根于每一個社會中嗎？確實，大家都會斥之為庸俗，可這是現(xiàn)實，難以改變的現(xiàn)實。只有有一天，當(dāng)社會財富多到人人都不再為之拼搏的時候，真正的純粹的愛情才會出現(xiàn)。
許多個馨暖的午后與寂冷的深夜，那個孤獨而靈慧的女子靜靜地展開書卷，用那支素白的鵝毛筆描繪她想象中的愛情故事，每個故事都喜劇結(jié)尾，而她自己的卻是個悲劇。
JA家人講述的她的經(jīng)歷。有意思。但是不太喜歡這個節(jié)目的標(biāo)題。難道家族后人就比別人更有權(quán)威講述她的“真實”一面了？
又想有高貴的情操，又不想變成poor unmarried man，我真是想太多了。
不管是哪個年代，作出不婚的決定都是孤獨的?？赐曛挥X得這個世界沒有太多改變。而能有一件喜歡的事情，可以一直做下去，才是人生最大的快樂
#公開探索BBC# 229 看哭了。父母兄弟們都很暖,還有一直相伴同樣終身未婚的姐姐卡珊德拉,所以她筆下的姐姐們也都善良美好得到幸福呢！至少生前有4部書出版,并取得巨大成功。充斥著舞會的巴斯歲月竟然是段痛苦時光,各色人等不正是汲取寫作靈感的好素材嗎?我想因為她深深覺得這是被趕出家門強行推上婚姻市場吧。39歲身體抱恙,享年41,推測病因是至今難治愈的淋巴癌,不算是被當(dāng)時的亂七八糟醫(yī)療知識禍害了,這么想想還好過點兒。枕在最親愛的姐姐膝上離世,墓碑沒有記載她的偉大成就,一個充滿智慧的獨立女性畢竟太超越于攝政王時代。豆瓣沒演員表真是捉急，主持人是95版P&P的賓格萊小姐(飾演各色配角每次都有彩的一位),她還是奧斯汀家族后裔??！也正因如此,想問,這呈現(xiàn)的家族關(guān)系一片祥和真的 真實 嗎？
hin煽情了，而且用詞也比較容易理解。比舞會那一個滿口專業(yè)術(shù)語和各種高大上的奇怪口音要親民多了……
Anna Chancellor你竟然是Austen家族的后人！?。。?/p>
這個紀錄片的記敘方式有點像現(xiàn)在被廣泛議論的《黃金時代》，古代與現(xiàn)代雙線交織營造出間離效果，通過各處搜羅來的資料和不同的表達方式還原和再現(xiàn)簡·奧斯丁的生平。人們總愿意將奧斯丁的生平想象成和她筆下的故事一樣傳奇，但缺乏資料，一切只能是推測。很多唐家屯的演員在啊，Mrs.Hughes很年輕。
Jane果然炒雞討厭Bath。真是個少女心爆棚的獨立女子放現(xiàn)在也是好姑娘。演她母親的是唐家屯的Mrs Hughes簡直太出戲了。
難以想象這是02年的紀錄片，大牌云集，走進真實的奧斯汀世界。
隱隱戳了一下Jane過繼長兄Edward在父親去世后對母姐不聞不問的事，但不明顯，忽略過去幾乎不覺。其實Jane生活并不平穩(wěn)，父親患病開始數(shù)次搬家，一次比一次差，后期更是看兄嫂面色做人，但關(guān)于她的紀錄片較少提到這點，Edward的聲音很少出現(xiàn)，其實很值得挖掘和玩味。
終身未婚，一生貧困，死于疾病。
紀錄片原來還可以這么拍……
【演員很到位，讓人從感性和理性上對那個人了解地更多
解說詞寫得真好，而且敘述方式很贊。
她的紅木寫作臺。家里人不反對她看書閱讀。關(guān)于那個響著的門，她不修，不讓任何外人發(fā)覺她在寫作（很早就讀過反復(fù)讀到過的一段）。姐妹的情誼，終身未婚的兩姐妹，早逝的她，讓姐妹燒掉信件的她。在那個女性不能受教育（女校教的那些不算教育）的時代，不能保有財產(chǎn)的時代，她看到了婚姻真相，然而有些人類到了互聯(lián)網(wǎng)時代，有那么多文本可閱讀的時代，還看不到她所看到的呢。所以她是唯一的永遠的簡奧斯丁。補充閱讀，繁體版大腦里的珍奧斯汀（給盛贊她的角度奇特的作者點贊）
演員情景再現(xiàn)的部分還蠻棒的，里面穿插影視作品的部分也很不錯，而且JackDavennport出來的時候有彈幕蘭斯洛特的地方真是笑死我了wwwwwww說到底JaneAusten還是個選擇愛的女人，好在她還有寫作的天賦，不然生活將多么凄苦。不過真這樣也不會有這種想法了吧……
沒提在devon遇到的心動卻很快病逝的男士。。
在《傲慢與偏見》出版同年的一封家信中，她說：“我狂野不羈，是因為我不能自主。這不是我的錯?！鄙涫肿男愿?，凸現(xiàn)其中?！度?lián)生活周刊》“簡·奧斯汀在這個時代的IP” Tom Lefloy真愛Dublin Law Degree Lord, Chief Justice of Ireland. Harris Bigg in Hampshire求婚者Oxford.
很細膩，溫和，平淡的紀錄片，質(zhì)樸而真實。簡奧斯汀生于一個普通的牧師家庭，因為家中多子而貧困，她早年的生活雖拮據(jù)但也有著自己的小幸福：閱讀。因為失敗的戀愛而投入寫作，從此一發(fā)不可收拾。她一生貧困但她安于此，她聰敏而感情豐富，內(nèi)心細膩，她厭惡燈紅酒綠的社交生活。她是一位優(yōu)雅的女隱士。