還是被震撼了，綿密的感動(dòng)如水紋漾開，如同某次在影院看《中央車站》下淚一樣。愛情，政治，所謂人高貴的本性。北愛獨(dú)立和易裝癖牽連在一起，但被導(dǎo)演表達(dá)得如此詩(shī)意而深刻。如果你是如假包換的直男，你會(huì)愛上一個(gè)比女子還嫵媚的男孩嗎？超越性的愛在世間是罕見的，只有高貴無(wú)私的心靈才可能做到。

看的第一部尼爾喬丹的電影是夜訪吸血鬼，當(dāng)時(shí)就被它曲折的劇情和華麗的風(fēng)格吸引了，那部電影至今都是我最愛的吸血鬼電影。然后在無(wú)意中買到了一部傲氣蓋天，和這部哭泣的游戲一樣是一部共和軍題材的電影，講的是共和軍創(chuàng)始人之一邁克柯林斯的傳奇一生，很有些20年代勇敢的心的味道，非常的喜歡。之后特意找到這部電影，想看看尼爾喬丹早期的時(shí)候是什么樣子。總的來(lái)說(shuō)是一部披著政治外衣的另類愛情片。不如那兩部好，不過(guò)也不錯(cuò)，值得一看，尤其那“女”的，夠意外。不過(guò)片子的結(jié)局似乎太完美了，該死的都死了，該活的都活著，感覺和這部電影整體的現(xiàn)實(shí)風(fēng)格不太協(xié)調(diào)。

The Crying Game offers a rare and precious movie experience. The film is an unclassifiable original that surprises, intrigues, confounds, and delights you with its freshness, humor, and honesty from beginning to end. An unlikely kind of friendship develops between Fergus, an Irish Republican Army volunteer, and Jody, a kidnapped British soldier lured into an IRA trap by Jude, another IRA member. When the hostage-taking ends up going horribly wrong, Fergus escapes and heads to London, where he seeks out Jody’s lover, a hairdresser named Dil. Fergus adopts the name “Jimmy” and gets a job as a day laborer. He also starts seeing Dil, who knows nothing about Fergus’s IRA background. But there are some things about Dil that Fergus doesn’t know, either. The Crying Game is really two plots in one, the plot with the IRA and the plot with Dil forming separate stories. It begins as a typical civil war thriller and transmutes into an alluring and strange love story. To me, this isn't really a love story in the typical sense. This story is more about loyalty and atonement than it is about anything else.

The black elements in the film:
A. Setting and Atmosphere:
The background of the film is during the British civil war. As we can easily see that violence, death, terrorist, and assassination are the primary mood of the film. In the same way, much of The Crying Game takes place around dingy London streets that are lined with loneliness rather than paved with gold. Dil drinks margheritas in The Metro where, in what is almost a parody of a seedy England, a second-rate singer intones The White Cliffs of Dover. Sexual identity becomes part of this scenario.

B. Character:
Jody: the black British soldier is lured by Jude into an IRA trap, stays in the mind not as a military presence but as a man with savored memories, and real fears of death, which suggest his sad, gloomy, and pessimistic mood.
Jude: the typical femme fatale, the IRA woman (in the second half of the film she resembles a gangster's moll), who uses her beauty to induce Jody in the bar at the very beginning of the film. In the whole story, as we can find that Jude’s brutal treatment towards Jody and her sudden appearance in London reflect her double-crossing, unloving, mysterious and desperate characteristic.
Fergus: the IRA Solider, whose kind natural is encourages by Jody. After the British troops’ attack, he escapes form the IRA in Ireland and ends up in London. He changes his name and wants to have nothing to do with the IRA, but found and asked to do another mission by Jude. Despite the alienation, his kind natural helps he to transform from dilemma to disenchantment.
Dil: Jody’s “girlfriend”, the only good woman is not a woman at all. He is a transvestite, and paranoia.

C. The Black humor in the film:
As the title indicates, music is important in the film as, indeed, it is an essential element in Jordan's work. The song from which The Crying Game takes its name was a Sixties’ hit. Other songs play a central role that becomes more apparent as the film goes on. They include “When A Man Loves A Woman and, in a neat touch at the end, Stand By Your Man . That last song leaves the audience laughing. The film has many other moments of humour and the script is often hilarious. One such moment occurs when Fergus helps Jody, whose hands are tied, to pee. Dil’s friends celebrated in the barber’s as Dil finds a boyfriend. Etc.

To sum up, this film is wonderful on so many levels. The storyline is heartbreaking and suspenseful, and it tugs at your heart too. Keep an open mind - there's a lot more to it than the "secret" that you probably already know about.

不管是人之初的性本善論是正確的還是本惡論是對(duì)的，我覺得人的本性是無(wú)法改變的。無(wú)論存在哪一種環(huán)境里面。就好像《哭泣游戲》中出現(xiàn)了兩次的同一個(gè)關(guān)于青蛙和蜥蜴的故事。蜥蜴的本性是蟄別人，無(wú)論結(jié)局怎樣，蜥蜴都控制不了本性；青蛙的本性是太過(guò)于善良，無(wú)論有什么危險(xiǎn)等待在前面?！犊奁螒颉返墓适虑楣?jié)不是很復(fù)雜，由兩個(gè)故事組成，講述了喬迪和弗格斯，弗格斯和迪爾的兩段關(guān)系。

前一段類似友誼的關(guān)系本來(lái)不應(yīng)該發(fā)生，因?yàn)閱痰虾透ジ袼故翘幵趦蓚€(gè)相反的組織，并且喬迪隨時(shí)都會(huì)被殺害。人總是有感情，當(dāng)我們看到一條臨死的狗都會(huì)產(chǎn)生些許憐憫，那又何況人。弗格斯對(duì)喬迪產(chǎn)生了憐憫，并且覺得這個(gè)大兵為什么需要被殺害，這種事情可以發(fā)生在任何人身上，但就是由于喬迪的男人性欲望，這個(gè)每個(gè)男人都有的欲望而被殺害，是否太過(guò)于悲劇以及不公平了。弗格斯產(chǎn)生了憐憫，喬迪知道弗格斯的本性就是如此，想要乘此在弗格斯執(zhí)行槍決的時(shí)候逃跑。他非常好的利用了他人的憐憫之心，不幸的是喬迪夠聰明，運(yùn)氣不佳，在快逃出的時(shí)候就被車撞死了，出乎我的意料，但是也覺得故事必須得這樣安排才有第二段弗格斯的徘徊猶豫。弗格斯和一群冷血的人生活在一起，他們把喬迪看成一件物品，但是無(wú)論處在什么樣的環(huán)境，弗格斯的本性使他關(guān)注起這個(gè)人，并且還設(shè)法實(shí)現(xiàn)喬迪死前的愿望。

第二段，弗格斯為實(shí)現(xiàn)對(duì)喬迪的承諾，到一個(gè)新的城市找迪爾，竟然迪爾真的存在。弗格斯喜歡上了這個(gè)身為女人的迪爾，很快兩人就開始了約會(huì)并發(fā)生了第一次性關(guān)系。但是誰(shuí)能夠想到在第二次做愛的時(shí)候弗格斯發(fā)現(xiàn)了迪爾其實(shí)是個(gè)男人，弗格斯覺得和一個(gè)男人發(fā)生過(guò)的那次關(guān)系惡心到了極點(diǎn)，趴在廁所嘔吐。這深深得傷害了迪爾。弗格斯本來(lái)應(yīng)該就此離去。但是他的本性就是充滿了憐憫，充滿了同情心，他不愿意迪爾受到傷害。一方面不讓迪爾叫他親愛的，一方面和迪爾保持著這種矛盾關(guān)系，試圖保護(hù)迪爾。弗格斯不愛男人的迪爾，但是喬迪的死以及迪爾的生活現(xiàn)狀把弗格斯陷在了兩難里面，讓弗格斯進(jìn)退不得。最終弗格斯選擇了替迪爾坐牢，他告訴迪爾，這是自己的本性。不知道迪爾是否在探監(jiān)的時(shí)候清楚明白到為什么弗格斯要說(shuō)這一些，但是我能夠明白弗格斯還在和自己抗?fàn)幍耐纯?。因?yàn)槿獭?br>
忍，每個(gè)人都有忍的因子在。弗格斯參加了暗殺活動(dòng)，先是綁架喬迪，可以說(shuō)在喬迪眼里這是一個(gè)壞人，因?yàn)樗麩o(wú)故地被綁架了。但是喬迪卻在弗格斯地行動(dòng)語(yǔ)言中看到了對(duì)生命的尊重，看到了弗格斯設(shè)身處地地為他人在想，比如說(shuō)布袋蒙住的臉讓喬迪無(wú)法呼吸了，是他申請(qǐng)讓喬迪拿掉布袋。

我們看見有人在欺負(fù)小狗總是會(huì)路抱不平；我們總是不愿看見別人流淚；我們有法律遵循著法律；我們不愿意看到即使萬(wàn)里之外發(fā)生戰(zhàn)爭(zhēng)；我們不愿意看到海豚灣的海豚被這樣殺死，例子仍舊可以舉下去，想說(shuō)的就只有一句，這所有的一切都是因?yàn)槲覀儾蝗绦摹?br>
我們是社會(huì)上的人，同時(shí)也是地球上的動(dòng)物。每當(dāng)我看到孔雀開頻，總是覺得大自然是多么奇妙，有時(shí)候不需要語(yǔ)言就傳遞了一切信息。因?yàn)榇笞匀唤涛覀冇眯娜タ词澜缟系囊磺猩铩Ｈ祟惡蛣?dòng)物有時(shí)候步和平相處，但是我相信我們有著本性善良的人們將會(huì)喚醒沉睡中的人們，制止一切屠殺，禍害，傷害。即使只是語(yǔ)言上的傷害！

哭泣遊戲基本上看完感觸挺大的。
那個(gè)年代，那個(gè)人物反映人基本上是沒什麼自由的。
總是有一大堆一大堆的組織來(lái)控制人的思想。
挺久以前看的了，都不太記得當(dāng)時(shí)的感覺。
只是覺得挺有味道的，這部影片。

另一個(gè)層面上也反映了，
愛情真的是無(wú)國(guó)界，無(wú)年齡，哪怕是怕別的差異。
不管載爾是男生否，
但她的愛是真的。