I don't know how accurate this movie is on the Manson Family. So I would just see it as a movie.
When I found Charlie and the family, I got nowhere else to go. Well, not actually, if parents and relatives could be 'somewhere'. No, anywhere I go, I just don't fit in. Charlie told me that I was valuable and I was the most beautiful creature. He couldn't be meaning it, or could he? Maybe I AM valuable just no one else ever noticed. They took over all my belongings as soon as I got there. At first I felt a little insecure without anything MINE. But do I really need those stuff, if everything belongs to everyone? Then the stealing and the killing. Technically, killing people is easy, really. The only thing you need is the belief that killing is not a crime, not a sin. That's easy too, because that's what Charlie says, and he must be right, he has to be right. He's our saviour, we're all brothers and sisters, and we love each other, we'd do anything for each other, for Charlie.
After a while, I felt somehow uncomfortable. Am I not used to living with love? Am I tired of love or what? I think I know what Manson Family means. It means it's a family. Yeah, a family, like other millions billions of families, where all members claim they love each other only because they can't face the fact that they don't. But Charlie can't be wrong, can he?
Then we got nicked. Here's my father asking 'Why?!' with tears in his eyes, as if he could understand, as if he would listen at all. 'WHY' is always so important though no asker really wants the answer. At that moment, I suddenly felt it all worthwhile, even only for confusing and upsetting him.
Of course I went back to my old family at last. A convenient choice. So that's what I did in all those years, running away from a family, joining another, and running back, as a rebel, a traitor and a lost child. I didn't say much to my parents. The good thing about parents is that you don't have to explain everything to them, you'd better not.
Sometimes, when people get annoying, I sort of miss my life with Charlie, wish I was still in his family. Then I laugh at myself thinking one family is better than another. But it's such a fun to imagine how these people would feel if I stab their families to death, leaving them wondering why. Such fantasy is pathetic I know, but 'pathetic' is THE truth about real life, isn't it?
useful links:
http://www.charliemanson.com/ http://www.crimelibrary.com/serial_killers/notorious/manson/murder_1.html Helter Skelter
by The Beatles
When I get to the bottom
I go back to the top of the slide
Where I stop and turn
and I go for a ride
Till I get to the bottom and I see you again
Yeah, yeah, yeah
Do you don't you want me to love you
I'm coming down fast but I'm miles above you
Tell me tell me come on tell me the answer
and you may be a lover but you ain't no dancer
Go helter skelter
helter skelter
helter skelter
Yeah, hu, hu
I will you won't you want me to make you
I'm coming down fast but don't let me break you
Tell me tell me tell me the answer
You may be a lover but you ain't no dancer
Look out
Helter skelter
helter skelter
helter skelter
Yeah, hu, hu
Look out cause here she comes
When I get to the bottom
I go back to the top of the slide
Where I stop and turn
and I go for a ride
Till I get to the bottom and I see you again
Yeah, yeah, yeah
Well will you won't you want me to make you
I'm coming down fast but don't let me break you
Tell me tell me tell me the answer
You may be a lover but you ain't no dancer
Look out
Helter skelter
helter skelter
helter skelter
Yeah, hu,
Helter Skelter
She's coming down fast
Yes she is
Yes she is
coming down fast
真實(shí)事件更可怕
也就是個(gè)隨便一看的電影,絕對(duì)不能當(dāng)紀(jì)錄片看待,而且主線好沒重點(diǎn),導(dǎo)演的問題。不知道曼森本人是不是神態(tài)動(dòng)作也這么猥瑣== 還有那鄉(xiāng)土味的美音真的好難聽。。。不過那些神叨的女嬉皮們都相貌出眾,長(zhǎng)發(fā)超美,打扮也好看~~~
可以當(dāng)做好萊塢往事的番外篇,曼森家族角度而非偵探角度的影片。案件還原的細(xì)節(jié)很到位。
看過,都已經(jīng)忘了
這是個(gè)眾人皆知的真實(shí)故事,迷幻嬉皮的年代里,垮掉的一代們做著任何讓人意想不到的“創(chuàng)舉”,而標(biāo)新立異與創(chuàng)造,也是那個(gè)時(shí)代的特征。搖滾樂與時(shí)代共同發(fā)展,在年輕人中起著關(guān)鍵的風(fēng)向?qū)Ш阶饔?,曼森家族的事件,就是整個(gè)一個(gè)社會(huì)背景的寫照,是必然的現(xiàn)象。搖滾樂,在那時(shí)候從精神上達(dá)到了巔峰。
本劇改編自真人真事,取材于大導(dǎo)演羅曼·波蘭斯基妻子被殺害的真實(shí)事件。1969年8月的洛杉磯,在曼森的領(lǐng)導(dǎo)下,他的信徒于兩天內(nèi)連環(huán)屠殺了7人,并于案發(fā)現(xiàn)場(chǎng)發(fā)生的寫上恐布的信息
Clea DuVall+Allison Smith+Mary Lynn Rajskub+Crystal Rivers+Marguerite Moreau+Elizabeth Ann Bennett+Danielle DiCerbo
我無(wú)語(yǔ)~~不能忘記那個(gè)女孩神經(jīng)質(zhì)的笑容
可憐的波蘭斯基
九區(qū) 優(yōu)視覺D5
不如看紀(jì)錄片
對(duì)曼森家族謀殺波蘭斯基之妻莎倫.泰特一案有完整的呈現(xiàn),不過過于平實(shí),大衛(wèi).芬奇真該拍拍這個(gè)題材。曼森總是鼓吹愛,但根本不知道何謂愛,他距離愛太遠(yuǎn)了,死亡才是曼森之路。
http://www.youtube.com/watch?v=epdVyK02dTE&feature=PlayList&p=068C0043F4E1913E&index=0__http://video.google.com/videoplay?docid=-6196520446
波蘭斯基這個(gè)事兒 電影相關(guān)的我看了三部 新聞資料也看了好多 可以說是每看一次就覺得曼森值得以暴制暴這件事 讓他活了這么久 還成了名人 甚至監(jiān)獄里結(jié)婚 就特么離譜
怨念的歷史。
這都成信仰了,還有啥干不出來(lái)的
發(fā)生在1960年代嬉皮士之夏的真實(shí)事件比遠(yuǎn)電影本身精彩。殺人王曼森就是瑪麗蓮.曼森的偶像也是他名字的由來(lái)。
一般吧,不喜歡這類
拍的事事的一片子
翻拍之作