Title: Sexy Beast
Year: 2000
Country: UK, Spain
Language: English, Spanish
Genre: Crime, Thriller
Director: Jonathan Glazer
Writers:
Louis Mellis
David Scinto
Music: Roque Ba?os
Cinematography: Ivan Bird
Cast:
Ray Winstone
Ben Kingsley
Ian McShane
Amanda Redman
Cavan Kendall
James Fox
Julianne White
álvaro Monje
Rating: 7.4/10
Let’s assume you are a casting director, there are two roles: one is Gal, a retired safe-cracker enjoying the life of Riley in a beatific villa in Spain with his wife and friends; and the other is his former criminal associate Don Logan, a browbeating, invective-pelting psychopath who wills to recruit him to a new job and will not take no for answer. Then you are given two candidates: Mr. Gandhi himself, Sir. Ben Kingsley and a bovver heavy Ray Winstone, the choice is rather self-evident.
However, that is not the case for UK scenester Jonathan Glazer when he begins to work on his feature film debut SEXY BEAST, who does the obverse, fingers Mr. Winstone for the hapless Gal and Mr. Kingsley for the rivetingly menacing Don Logan, a delectable volte-face rewardingly earns him an Oscar nomination, meantime, Winstone also magnificently brings about an incarnation very different from his usual image, a rough diamond type, graced by the lovey-dovey intimacy between him and his wife DeeDee Dove (Redman), an erstwhile porn star.
It is a taut iteration in the UK gangster genre, the story is nothing too sparkling, it is Glazer's swift and impressive execution takes the full credit. The harbinger arrives in its opening, a boulder falls right in into the swimming pool of Gal’s villa (which betrays a sloppy CGI burnished effort), while he is sunbathing under the blistering heat, this portends an impending threat which will disrupt the placidity and imperil those who cannot get away, Don Logan is coming to visit, and he will not be in a pleasant mood if he knows that Gal determines to decline his very generous offer. So sparks fly, but not without a droll war of (swearing) words and things will inevitably get physical, Kingsley’s intimidating presence deviously pays off the looming dread simply elicited by the mention of his name, and after an ironical turn of events, he does manage to press-gang Gal into partaking in the action however reluctant he is, to break into a bank vault via water pressure, The suspense isn’t swelling during the action, but after, when the head of the criminals, Teddy Bass (McShane, another great villain, less showier but infallibly lethal), a character turns out to be far more ruthless than Don Logan, bluffly tells Gal that “he knows what they did in Spain” and promises he will come to visit in the due future. Well, why there isn’t a sequel to this?
Parlaying his reputation as an eclectic music video director into this breakout debut, Glazer has concocted up a stunning-looking fare seeped with robust characterization, pulsating rhythm of montage, scintillating chromatic disposition and optimal pop taste, ultimately transmogrified it into a beguiling conglomerate ofromanticism, perversity absurdity and bloody gallows humor like an arch cautionary take:there is no easy way of going straight, so think twice before you get your feet wet!
ps. accompany pieces: Glazer’s UNDER THE SKIN (2013, 8.2/10); Guy Ritchie’s LOCK, STOCK AND TWO SMOKING BARRELS (1998, 7.9/10), SNATCH (2000, 7.1/10).
第八屆黑眼圈電影節(jié)在這個(gè)特殊的年景比較早的開(kāi)幕了,第一觀影日為我們帶來(lái)的是英國(guó)導(dǎo)演喬納森.?格雷澤的《性感野獸》。 片子一開(kāi)始很有地中海風(fēng)情的,非常適合我們這個(gè)在暑期開(kāi)幕的非主流電影節(jié)的時(shí)間節(jié)點(diǎn),作為開(kāi)場(chǎng)小菜,就憑片頭和開(kāi)始一段基本完成了他作為開(kāi)幕影片的作用。 開(kāi)頭兒的地中海風(fēng)情再加上這個(gè)片名,我以為這片子要走熱帶風(fēng)情性感大趴體的路線(這也是我們特別期待看到的)。不過(guò)后面情節(jié)顯然也證明了黑眼圈電影節(jié)選片的調(diào)性注定不會(huì)那么可愛(ài)的乏味。感情這片子是一反高潮的非主流黑幫片,片名“性感野獸”斷句兒不是你想當(dāng)然的“性感的野獸”,而是“性感和野獸”,或者是“一點(diǎn)兒也不性感倒霉催的曾經(jīng)的野獸”。 片子用大篇幅描寫(xiě)了搪瓷盆洗手的前江洋大盜怎么憋憋屈屈的又被拉下水的故事。黑幫傳話人本?金斯利表演奔放,令人印象深刻。故事刻意把怎么被拉下水作為重點(diǎn)的安排也很有意思,緊張感制造的不錯(cuò),讓我想起了福爾摩斯探案集中的《四簽名》。兩個(gè)女演員風(fēng)韻猶存,也是片中亮色。不過(guò)總體來(lái)講要是推薦的話我更推薦格雷澤的另一個(gè)片子《重生》。 開(kāi)胃小菜表現(xiàn)尚可,清涼爽口為后面的片子打打底也挺好。拍黃瓜怎么就不能當(dāng)頭盤(pán)兒上,畢竟人家可沒(méi)擱芝麻醬,而是點(diǎn)了幾滴芥末油兒給你端上來(lái)的……
2020.7.15
裝腔作勢(shì)...注意結(jié)尾還真有個(gè)beast
人物陷入一種莫名其妙的癲狂,導(dǎo)演應(yīng)該是MV出身幾段音樂(lè)和交差剪輯做的不錯(cuò),故事做的很單薄。
山坡落石砸泳池驚艷開(kāi)場(chǎng),中段嘮叨啰嗦,提供兩大實(shí)力男星大飆演技空間,臺(tái)詞也還算有趣,然后就泄氣了。。。套路般的爆竊,無(wú)聊無(wú)稽的結(jié)尾。。。
開(kāi)始的大石頭還蠻吸引我的
這才是我的型,夠短夠簡(jiǎn)單,Ben Kingsley帥呆,ray叔還是很可愛(ài)><
兩個(gè)主演太棒了,電影是部短小精悍的英式黑幫片,從頭到尾的臟話...
看男人罵罵咧咧,看男人犯罪盜竊,看男男女女曬太陽(yáng),故事簡(jiǎn)單,氛圍獨(dú)特,節(jié)奏了得。
陽(yáng)光下曝曬的男人肉體。。。
神馬啊~!故弄玄虛半天,,還以為有神馬爆點(diǎn)呢。。。結(jié)果弄這么個(gè)破故事,還能拍出部電影?你太給黑幫片丟臉了~~~~不過(guò)這種形式感不錯(cuò)。。。只是沒(méi)有故事性。。
不知所云——
對(duì)Ben Kingley 連續(xù)罵N個(gè)fucking的那段臺(tái)詞太有記憶了...... bloody hell... the accent is just too sexy
Let's have a big round of applause for BEN KINGSLEY! Such a damn hot f**king tough! 黑幫西西弗斯,偷天換日卻盜不回金盆洗手后的西班牙悠長(zhǎng)假日。格雷澤的反類(lèi)型處理是如此輕盈熟稔,對(duì)話密度之大、節(jié)奏之爽利,令人難以想象他日后會(huì)拍出《皮囊之下》這種黑洞般沉默而迷人的作品。不過(guò)可以看到,從首作開(kāi)始,他就已經(jīng)喜歡把謎底寫(xiě)在開(kāi)頭了。滾落的巨石砸出塵封的心魔,簡(jiǎn)單的象征域,映射成人世界無(wú)法擺脫的危險(xiǎn)渴求。
冥冥中的偶然,時(shí)空交錯(cuò)的隧道,看似突如其來(lái)的,實(shí)則命中注定。格雷澤也是拍一種電影的人,如同鮑姆巴赫,非常獨(dú)立與堅(jiān)持。預(yù)見(jiàn)《皮囊之下》將是一頭完美的性感野獸!
年紀(jì)大了就不要攪基了
What's the fucking ending?What's the fucking title??What a fucking freak?。nd all speaking the funny English??!
也就用來(lái)學(xué)學(xué)英國(guó)臟話....
本片獲第74屆奧斯卡最佳男配角提名。要不是不時(shí)地冒出一些無(wú)厘頭的幽默,真的很難把影片堅(jiān)持看完。影片是典型的文不對(duì)題,標(biāo)題與影片內(nèi)容沒(méi)有半點(diǎn)關(guān)系。
define SEXY 張狂的剪輯鏡頭色彩最適合黑幫 看似荒誕的生活段落只是冰山一角 一切都不放在眼里最后張狂地往心魔臉上吐口水 所有元素能上升到之后的皮囊之下 太驚人了
ben kingsley萌翻了;砸墻需要對(duì)人選精挑細(xì)選嗎?
沖著劇情來(lái)的可以略過(guò)了,本片只適合鏡頭控和演技控影迷觀看,本·金斯利一個(gè)人提高全片檔次,演得是真好,據(jù)說(shuō)其他演員都怕自己的表演被他比下去,而事實(shí)也的確如此。全片每個(gè)角色都偏冷靜,只有Don是最神經(jīng)的,自然也就搶眼了許多,沒(méi)有他的部分則有些平淡。故事很簡(jiǎn)單,但也算得上有趣,劫金庫(kù)的段落還影響了后來(lái)的神作GTA5。