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更新時(shí)間:2023-08-10 23:28

詳細(xì)劇情

  生活在Volhynia的波蘭女孩Zosia,愛(ài)上了一個(gè)烏克蘭男孩,但是她的父母決定讓她嫁給一個(gè)波蘭鰥夫。不久,二戰(zhàn)爆發(fā),局勢(shì)緊張,身處戰(zhàn)亂中的Zosia,為了生存必須竭盡全力

 長(zhǎng)篇影評(píng)

 1 ) 搬運(yùn)一個(gè)比較全的劇情介紹(英文

有很多細(xì)節(jié)沒(méi)大跟上,然后去補(bǔ)了一下課hhhhh,來(lái)自Wikipedia,對(duì)于一些臉盲的地方有幫助。

The movie tells the story of a young Polish girl, Zosia G?owacka, from Volhynia's a village settled by Ukrainians, Poles and Jews.The story begins shortly before the outbreak of World War II in 1939 with the marriage of Zosia's sister to a Ukrainian. During the wedding, Zosia's father decides that she has to marry an older village administrator and a widower, Maciej Skiba, despite her being deeply in love with a young, local Ukrainian boy, Petro. The local Ukrainian population shows a lot of resentment towards Polish officials, as they favor the Polish minority in Volhynia. Because of that, some Ukrainians carry out terrorist attacks against Polish authorities and Ukrainian collaborators. These attacks are met with severe actions from the Polish government, including closing Orthodox churches and the humiliation of the Ukrainian population. Despite that, some parts of the Ukrainian and Polish populations try to reconcile with each other.

When the war begins, Maciej gets conscripted to the Polish Army to fight against the Germans in the September Campaign. When the campaign is lost, Maciej and other survivors try to return to their homes. On their way back, all members of the group, except Maciej, are captured by local Ukrainians, tortured and killed.

Maciej manages to get to the village thanks to disguising himself as a Ukrainian. The village is in the eastern part of Poland, which gets occupied by the Soviet Union, and communist rule is established in the village. The local Ukrainian and Jewish populations co-operate with the Soviet authorities, replacing prewar Polish authorities as governors.

In the meantime, Zosia gets pregnant, most likely by Petro, but wants Maciej to believe that the child is his. As a part of a massive deportation of the Polish population carried out by the Soviets in 1939–1941, Zosia, Maciej and his children, are about to be sent to Siberia or Kazakhstan to do forced labour. Zosia and the children are rescued in the last moment, just as the train is about to depart. Petro bribes the guard with vodka. When they come back to Petro's home, Zosia gets contractions. While she is giving birth to her child, the guard arrives and kills Petro. Zosia then takes care of Maciej's home and children during his absence. The children are sent to a school organized by the Soviets.

The plot then switches to 1941, when the German Army is conquering Volhynia during Operation Barbarossa. The Germans begin to kill the local Jews and organize local police units from Ukrainian collaborators, who actively participate in the Holocaust. However, Zosia and other Ukrainians still try to help the Jews by hiding them in safe places.

In the meantime, Maciej comes back home after he manages to escape deportation. The family tries to organize its life in the changed reality, as the Poles face increased hostility from their Ukrainian neighbours, resulting in an increase of murders of Poles committed by the latter. One day Maciej sets out to the local market despite Zosia's protests motivated by her fearing for his safety. She is proven right, as the other Polish neighbours arrive some days later with Maciej's head cut off.

Zosia tries to get by the best she can while she takes care of the children. However, one day, she defends herself against an attempted rape by a Ukrainian policeman, and the presence of the Jews hidden by her is revealed. The Jews, an old couple and a young unrelated boy, escape and find shelter for the winter in the home of a local Ukrainian, who agrees to help after the Jew promises him a large amount of money. When the Jew's wife dies and winter comes, the Ukrainian demands a payment. When he asees that the Jew cannot pay him, he murders him in the forest. The young Jew is rescued by the Ukrainian's son.

In the summer of 1943, news about the killings committed by Ukrainians spreads among the Poles in the village. At the time, a young Polish man who is seriously injured arrives at Zosia's home. When he recovers, he settles there as it makes Zosia feel safer. He contacts the local Home Army unit, which, by orders of the Polish government in the United Kingdom, does not protect the Poles from Ukrainian attacks but prepares to fight the Germans in the future. When the young man is asked to be a guide for members of the Home Army on the way to a meeting with the Ukrainian Insurgent Army (UPA), Zosia desperately tries to discourage him from going. She failed to stop him. When two members of the Home Army arrive at the meeting, as agreed without weapons, they get surrounded by the UPA soldiers, captured, and then dismembered by horses. The men from the UPA then hunt for the rest of the Home Army group. They find only Zosia's friend, who has escaped and is hiding in a church that is full of Poles. During the ceremony, the Ukrainians enter the church, killing everyone in the way, but Zosia's friend. She runs to the church's tower and somehow survives the attack.

In the meantime, the local Ukrainian population, the former Ukrainian policeman and his friends join the UPA in the forest. They gather and call to eradicate the lands from Poles. There are two ceremonies from the Ukrainian Orthodox priests shown: the first one preaching about loving neighbours and the second one calling to kill all Poles to achieve pure Ukrainian lands at last.

Soon, the first survivors of the pogroms arrive to the village and tell the story of Ukrainian neighbours killing Poles and everybody who protested against the killings. The local Ukrainian village administrator arrives at Zosia's home to ensure her that she and her children can stay at home, as they would not be harmed by their Ukrainian neighbours. Also, other Polish people are reassured about their safety. However, those are only deception tactics to allow Ukrainians to kill as many Poles as possible.

The killings in the village begin at night. Zosia escapes with her child, but as she runs away, she sees Poles being tortured, including pregnant women being stabbed in womb, people getting disemboweled and getting their eyes gouged out. Zosia's stepson is murdered during this massacre. Her stepdaughter, however, is rescued by a Ukrainian peasant. On their way to escape from certain death, Zosia and her child arrive to Petro's previous house, where they get rescued by Petro's mother.

As Zosia runs away with her child from place to place, she encounters the corpses of mutilated Polish infants, women and elderly in every village. In one place, she runs into a unit of the German Army, which saves her from certain death, just moments before Ukrainians are about to kill her and her child. The Germans are astonished at first as to why she walks alongside them, but when they find more and more stacks of murdered Poles on their way, they feel sorry for her and escort her to the place where her sister, Helena, lives. She is welcomed there, as Vasyl, Helena's Ukrainian husband, is friendly to Poles. Zosia hides in their shed with her son. As most of the village's population is already involved in killings, Vasyl's brother tries to convince him to join the nationalists and to kill his Polish wife so that he can save himself and the children. As they wrangle, Vasyl kills his own brother with an axe.

The next night, the whole family is attacked by Poles who seek revenge on Ukrainians. They condemn Helena for living with a Ukrainian. They slaughter her newborn in front of her eyes, kill Vasyl and behead her. Zosia observes everything from the shed. Terrified, she escapes again and is now afraid of both Ukrainians and Poles. She hides in the woods with her son. Subsequent scenes show the UPA rushing through the forest, exultantly celebrating while leading a cart occupied by the Poles who killed Helena's family and other Ukrainians, but now disfigured, mauled and visibly tortured as punishment for the retaliatory attacks. A young, blond man with obscured features places Zosia's son on a horse-drawn cart, before approaching Zosia's resting place in the forest. The film then alternates between shots of an unconscious Zosia on a cart, Zosia and her son walking through a German checkpoint at a bridge, before finally settling on an unconscious Zosia lying on the cart, her son sitting at the front of the wagon with the young man, who looks exactly like Petro, making their way through the wide green fields of Volhynia.

 2 ) 可怕的不是曾經(jīng)發(fā)生過(guò),而是之后還會(huì)發(fā)生

在觀影前建議百度“西烏克蘭”。影片前半部分對(duì)歷史背景交代得過(guò)于簡(jiǎn)略,作為外國(guó)觀眾只好自己補(bǔ)課。

17世紀(jì)以前這一地區(qū)即歸屬波蘭,其中涉及到波蘭、俄羅斯和立陶宛公國(guó)極其復(fù)雜的歷史糾葛。其間當(dāng)?shù)馗缢_克部落曾幾次聯(lián)合外方,想要擺脫波蘭統(tǒng)治,均未成功。

1772~1795年,波蘭被俄普奧三國(guó)瓜分,西烏并入俄羅斯。沙皇政府在當(dāng)?shù)貙?shí)施去波蘭化政策,推行俄語(yǔ)教育和東正教,使得后來(lái)一百多年里,這里的烏克蘭人口大大增長(zhǎng)。但當(dāng)?shù)貫蹩颂m人主要是農(nóng)民,波蘭人集中在城市和社會(huì)上層,仍掌握大部分文化和社會(huì)資源。

一戰(zhàn)后波蘭復(fù)國(guó)時(shí),波、烏、蘇三方因領(lǐng)土爭(zhēng)奪,導(dǎo)致蘇波戰(zhàn)爭(zhēng)。戰(zhàn)后簽訂《里加條約》,將包括沃倫在內(nèi)的西烏領(lǐng)土再次劃分給了波蘭。波蘭政府接管后對(duì)當(dāng)?shù)貫蹩颂m人也實(shí)施了強(qiáng)制性的同化政策,因此開(kāi)頭的婚禮上才會(huì)出現(xiàn)“烏克蘭學(xué)校和東正教堂被關(guān)”“烏克蘭學(xué)生需宣誓效忠波蘭才能上大學(xué)”“烏克蘭婦女被迫害”“土地只賣給波蘭村長(zhǎng)”這類消息。

這些做法當(dāng)然等于給自己挖坑,但波方也是如鯁在喉。除了烏克蘭自身的民族意識(shí)強(qiáng)烈,當(dāng)時(shí)中東部烏克蘭已并入蘇聯(lián),蘇方借此便利進(jìn)行滲透,使西烏一直有各種反波活動(dòng)。39年二戰(zhàn)爆發(fā),按蘇德協(xié)議,蘇聯(lián)出兵占領(lǐng)西烏。這就是女主丈夫從潰敗的波軍中逃亡,沿路看到東正教神父鼓動(dòng)烏克蘭人拿起武器,清算波蘭人,搶走莊園財(cái)物的背景。然而蘇方滅掉波蘭人的目的,是要將整個(gè)烏克蘭歸入蘇聯(lián),進(jìn)行集體化改造(丟掉國(guó)旗和流放富農(nóng)的情節(jié))。

很快蘇德翻臉,德軍東進(jìn),占領(lǐng)烏克蘭。吃了集體化苦頭的烏克蘭人決定聯(lián)德抗蘇,尋求獨(dú)立(猶太人妥妥地被賣了)。但第三帝國(guó)認(rèn)為他們跟波蘭人一樣,都是需要消滅的“劣等人”。直到斯大林格勒戰(zhàn)役后,德軍開(kāi)始敗退,波蘭人和烏克蘭人都希望在戰(zhàn)后得到西烏地區(qū),于是血淋淋的互撕開(kāi)始……一般史實(shí)認(rèn)為烏方先動(dòng)手,之后波方也有所報(bào)復(fù),但傷亡數(shù)量以波方為大多數(shù)。

二戰(zhàn)期間,在中東歐多民族地帶,這種一邊被納粹碾壓一邊自相殘殺的情況并不罕見(jiàn)。巴爾干地區(qū)當(dāng)時(shí)也出現(xiàn)了塞、克、阿三族之間的血腥仇殺,其陰影和傷痕一直延續(xù)到當(dāng)代。因此比起堆砌大量強(qiáng)烈的感官?zèng)_擊,如何嚴(yán)肅深入地反思這些歷史悲劇,才是這類影片需要面對(duì)的問(wèn)題。

實(shí)際在霍布斯鮑姆眼中這個(gè)“極端的年代”,再慘絕人寰的場(chǎng)景對(duì)人類也難以起到“長(zhǎng)記性”的作用。野蠻和殘忍原封不動(dòng),一次次永恒復(fù)歸:1948年的印巴;1975年的柬埔寨;1988年的阿塞拜疆;1992年的波黑;1994年的盧旺達(dá);1998年的印尼……人們不但操起砍刀就去剁掉老鄰居的腦袋,而且如《殺戮演繹》中所展示的,當(dāng)事情平息之后,他們回家照常吃飯睡覺(jué),仿佛那些被他們大卸八塊的人從來(lái)就沒(méi)存在過(guò)。

這種瘋狂各有各的來(lái)由。像本片這種情況,起因甚至可以追溯到中世紀(jì)乃至更遠(yuǎn)?,F(xiàn)代的國(guó)族意識(shí)陰差陽(yáng)錯(cuò),給原有的歷史恩怨加了猛料,使已經(jīng)既成事實(shí)的人口混居地區(qū)陷入無(wú)解的死結(jié)。加之某些官方的不當(dāng)做法:或搞“特殊化”過(guò)度偏袒或打壓某一方,或強(qiáng)行抹平差異以制造虛假的一團(tuán)和氣,或在出現(xiàn)問(wèn)題時(shí)沒(méi)有原則地“和稀泥”,結(jié)果反而激怒了所有人。

最糟糕的是,防止瘟疫爆發(fā)的前景并不樂(lè)觀。幾十年文化多元主義的“政治正確”,使強(qiáng)調(diào)族群差異的趨勢(shì)越來(lái)越大于培養(yǎng)認(rèn)同感,并由此再度出現(xiàn)了沖突的跡象。而大部分在這類問(wèn)題上持溫和態(tài)度、主張彼此尊重寬容的人,現(xiàn)在都成了圣母和白左,快沒(méi)人搭理了。同時(shí)現(xiàn)代傳媒工具又把傳統(tǒng)“教堂輿論”的效率升級(jí)了無(wú)數(shù)倍,只要有一條不知真假的消息被病毒式轉(zhuǎn)發(fā),事態(tài)就可能在幾小時(shí)里急劇惡化。

有時(shí)很懷疑,那些嘴炮越來(lái)越狠,或認(rèn)為非懟不可的人,有沒(méi)有考慮過(guò),在無(wú)法避免地必須繼續(xù)朝夕相處的前提下,把對(duì)方說(shuō)成愚昧無(wú)知的異類有什么意義(如果已經(jīng)定居國(guó)外的人這么干,那更是徹底的不負(fù)責(zé)任)?一旦真的啟動(dòng)互撕模式,為什么被滅的一定是對(duì)方而不是己方?有些人一有了點(diǎn)話語(yǔ)權(quán),就把自己的言論和立場(chǎng)看得高于一切,甚至忘乎所以地玩火,覺(jué)得反正燒不到自己。還有些人的強(qiáng)硬態(tài)度只是為了不讓別人說(shuō)自己慫,等將來(lái)有人說(shuō)你不上就是慫,他們也照樣會(huì)立刻就上,理智這東西從來(lái)就不在他們的腦回路范圍內(nèi)。

所以又回到了原點(diǎn):在獲得了現(xiàn)代文明賦予的自由之后,有些人卻只想重復(fù)原始社會(huì)的觀念和行為——黨同伐異。因此“巫婆的大鍋”總是不會(huì)熄火,稍不留神,還會(huì)越燒越旺。里面那些充滿仇恨的大雜燴,挑動(dòng)著每個(gè)人的“蠻荒本性”,隨時(shí)可能召喚回一場(chǎng)超乎想象的腥風(fēng)血雨。

在那樣的地獄模式里,善意和勇氣都是徒勞的。無(wú)論是女主情人出于舊愛(ài)救下母子,還是女主對(duì)猶太人的憐憫藏匿,都閃現(xiàn)著難得的希望和人性。但當(dāng)他們自己被一槍爆頭、被四處追砍的時(shí)候,并沒(méi)有誰(shuí)來(lái)拯救他們。人們殺掉他們,仿佛踩死一只螞蟻一樣隨隨便便。沒(méi)有主角光環(huán),沒(méi)有開(kāi)掛,也沒(méi)有神跡。無(wú)數(shù)普通人就這樣被毫無(wú)痕跡地吞沒(méi)在歷史的洪流中,變成一個(gè)數(shù)字的一部分。多少年后,世人還要為了這個(gè)數(shù)字到底是幾爭(zhēng)吵不休。

也包括那些玩火的人——《蘇菲的抉擇》中寫(xiě)到,波蘭戰(zhàn)前那些鼓吹反猶的教授,照樣被納粹槍斃在校園墻下。You did it to yourself.沒(méi)有人能成為仇恨和惡意的玩家,留下的只是吞噬所有人的黑暗深淵。

 3 ) 你知道電影都是假的,但你同時(shí)也知道歷史是真的

比恐怖片還恐怖的戰(zhàn)爭(zhēng)片。
講述二戰(zhàn)期間一個(gè)波蘭少女的遭遇,讓觀眾了解到Volhynia這個(gè)地方曾經(jīng)發(fā)生的可怕的歷史。
Volhynia二戰(zhàn)前是在波蘭人統(tǒng)治之下,但這個(gè)地方的多數(shù)民族是烏克蘭族,第三種人是猶太人,二戰(zhàn)開(kāi)始前猶太人就已經(jīng)被兩個(gè)民族的人歧視了。二戰(zhàn)剛開(kāi)始,蘇聯(lián)紅軍來(lái)了,波蘭人被流放。后來(lái)德軍占領(lǐng)了Volhynia,波蘭人回來(lái)了,猶太人被清洗。再后來(lái),烏克蘭起義軍(UPA)成立,烏克蘭民族主義抬頭,波蘭人和猶太人被烏克蘭人無(wú)差別屠殺。
應(yīng)該說(shuō)在蘇聯(lián)或者德國(guó)控制Volhynia的時(shí)候,事情已經(jīng)變得非常糟糕了,但是女主還能勉強(qiáng)生存下去。但是UPA統(tǒng)治下,也就是電影的最后二三十分鐘,烏克蘭人被煽動(dòng)起來(lái),對(duì)所有其他民族的人進(jìn)行的屠殺,簡(jiǎn)直殘暴得令人恐懼。
曾經(jīng)的鄰居、朋友、鄉(xiāng)親,甚至夫妻,昨天還一起喝酒聊天、下地干活,今天就拿起斧頭要了你的命。電影最后展示的砍頭、剝皮、挖眼、人體火把、兩馬分尸……真的慘絕人寰。關(guān)鍵的問(wèn)題是,你知道電影都是假的,但你同時(shí)也知道歷史是真的。
電影一開(kāi)始婚禮時(shí)的民俗,門檻上砍掉新娘的頭發(fā)以示嫁為人婦,以及圍著圓圈接力扔燃燒的木樁的傳統(tǒng)游戲,與后來(lái)門檻上砍掉婦人的頭和小男孩火把,都是諷刺的對(duì)比。
女主從青春美麗的少女變成精神崩潰的行尸走肉,到底最后女主活下來(lái)了沒(méi)有?一說(shuō)是最后已經(jīng)死去的初戀趕著馬車來(lái)接她說(shuō)明她已經(jīng)死了,另外一種理解是這是她精神崩潰后的美好幻想。其實(shí)已經(jīng)不重要了,遭遇了這么多恐怖的事情,死去也未嘗不是一種解脫。
看電影比較難分清角色到底誰(shuí)是波蘭人、烏克蘭人和猶太人,斯拉夫人長(zhǎng)得都差不多。

 4 ) 別怪斯拉夫二毛子殘忍,其實(shí)是人類進(jìn)化史上根深蒂固的殘暴基因

最恐怖的恐怖不是妖魔,不是外星生物,而是人類文明史之間的互相殺伐,長(zhǎng)平之戰(zhàn),揚(yáng)州十日,蒙古入侵,十字軍東征,納粹猶太人,盧旺達(dá)屠殺,南京,紋革等等都是赤裸裸血淋淋的人間地獄,他們能找出各種正當(dāng)理由,資源土地,意識(shí)形態(tài),階級(jí)沖突,宗教信仰,民族仇恨,本片讓我想到零九年烏魯木齊,昨天還是一起吃飯喝茶嘮嗑的鄰居,今天就舉起屠刀向你全家而來(lái),只不過(guò)本片表達(dá)過(guò)于直白殘忍,剝皮,肢解,屠殺孕婦嬰兒,R級(jí)都別想過(guò),諾不是真實(shí)歷史真的會(huì)被介入禁片,看下來(lái)負(fù)能量爆棚,已經(jīng)超過(guò)我的闕值,導(dǎo)致現(xiàn)在寫(xiě)影評(píng)都思維混亂。。

 5 ) 與《我們來(lái)自未來(lái)》一起看

波蘭電影《沃倫》和俄羅斯電影《我們來(lái)自未來(lái)2》,放在一起看有好處。 烏克蘭和白俄羅斯西部有一塊領(lǐng)土,原來(lái)都是俄羅斯沙皇統(tǒng)治,十月革命后的蘇維埃與波蘭戰(zhàn)爭(zhēng),波蘭把這塊地方搶過(guò)去了,有20萬(wàn)平方公里。這塊地方住著烏克蘭人和波蘭人。 二戰(zhàn),德國(guó)入侵波蘭,蘇聯(lián)也趁機(jī)入侵,把這塊地方搶回去了,其中就包括一個(gè)叫沃倫的地方。一些文章常說(shuō)的德國(guó)和蘇聯(lián)夾擊波蘭,實(shí)際蘇聯(lián)不過(guò)是拿回了1920年被波蘭占領(lǐng)的土地。 沃倫這里的烏克蘭人和波蘭人,無(wú)力抗拒強(qiáng)大的德國(guó)人和蘇聯(lián)人,但是互相打來(lái)打去,以及配合德國(guó)欺負(fù)猶太人,還是有兩手。于是有了波蘭人受害的沃倫慘案。 《我們來(lái)自未來(lái)2》,講的是兩個(gè)仇視俄國(guó)人的西部烏克蘭人,經(jīng)歷了時(shí)空穿越,發(fā)現(xiàn)他們與俄羅斯人曾經(jīng)并肩戰(zhàn)斗,抗擊德國(guó)入侵?;氐浆F(xiàn)實(shí)后,改變了對(duì)歷史的看法。 想了解烏克蘭與波蘭、烏克蘭與俄羅斯關(guān)系,看這兩個(gè)電影,會(huì)快一些。

 6 ) 美女掩蓋下的丑陋

看之前完全不知道是什么類型的片子,一部?jī)蓚€(gè)半小時(shí)的電影抽了半盒黃皖,最后的鏡頭實(shí)在是看的心驚膽戰(zhàn),夾煙的手指都在發(fā)抖。不知道人性怎么可以這樣丑惡!在這之前還對(duì)遍地大長(zhǎng)腿、金發(fā)、美麗、廣袤美麗的農(nóng)莊田野的東歐各種想象,看完之后就覺(jué)得這不是一片化外之地嗎?野蠻、愚昧,不知道對(duì)比納粹,侵華日軍會(huì)怎樣?

對(duì)東歐的歷史一點(diǎn)不通,但是很好奇。電影中的村莊應(yīng)該是烏波交接的地方吧,本來(lái)兩族人和平相處,生活也安逸,可是戰(zhàn)爭(zhēng)釋放了仇恨和人本惡,把這美麗的土地化成一片焦土。

現(xiàn)在想想身處和平年代真是幸福了,相比動(dòng)亂的戰(zhàn)爭(zhēng)年代哪有人性公平可言,那殘酷血腥的畫(huà)面鏡頭卻是人本身制造的。戰(zhàn)爭(zhēng)不是歐洲人獨(dú)有的,我想人類歷經(jīng)幾千年的文明發(fā)展,這樣的戰(zhàn)爭(zhēng)不計(jì)其數(shù),發(fā)生在我們這片土地的類似的事情肯定不勝枚舉,說(shuō)近的如南京大屠殺這樣的畫(huà)面就不敢想象,可是中國(guó)關(guān)于這段歷史的電影也不在少數(shù),可是沒(méi)有一個(gè)能有如此深刻的揭露戰(zhàn)爭(zhēng)可惡的作品。

巴拉巴拉說(shuō)了沒(méi)頭沒(méi)腦的,還是希望有了解東歐歷史的能給補(bǔ)補(bǔ)腦,網(wǎng)上也沒(méi)有找到相關(guān)的東西。

建議青少年慎觀影,鏡頭太血腥!

求輕噴,處女評(píng)。

 短評(píng)

切辮切頭,火束活人,墻頭草奪權(quán),伏特加換命,偷雞割臂,桶中斷頭,鄰里兄弟相殘屠殺,讀過(guò)你的詩(shī)歌亦五馬分尸。波蘭姑娘在非常時(shí)期的三個(gè)情人,無(wú)解的極端民族矛盾,太恐怖……導(dǎo)演Wojciech Smarzowski最高杰作

2分鐘前
  • kylegun
  • 力薦

拋開(kāi)劇作層面上的問(wèn)題,這片子在還原歷史方面還是挺震撼的,這位導(dǎo)演對(duì)于還原生活或事件的細(xì)節(jié)一直很嚴(yán)謹(jǐn),這部電影里的屠殺場(chǎng)面,雖然比不上真實(shí)歷史,但絕對(duì)比我們看過(guò)大多數(shù)戰(zhàn)爭(zhēng)片震撼,細(xì)節(jié)在于殺人場(chǎng)面的花樣百出。http://mp.weixin.qq.com/s/N1DZZVlWZwBR

4分鐘前
  • 褻瀆電影
  • 還行

4.5 后半段一度干嘔,真實(shí)的極端影像,足以堪稱與《索爾之子》并列的近幾年二戰(zhàn)題材神作。相比烏克蘭土匪,德軍真算文明人了。結(jié)局玩了一手對(duì)臉盲患者不大友好的陰陽(yáng)兩隔套路。

5分鐘前
  • 徐若風(fēng)
  • 推薦

曾經(jīng)好好的民族融合地區(qū)由于戰(zhàn)爭(zhēng)政治民族宣傳搞起了無(wú)差別大屠殺 比一切恐怖片都真實(shí) 滿屏幕的血肉模糊 比南京大屠殺更窩心 因?yàn)椴淮嬖谇致园?!看這種電影哭都哭不出 所以我一直說(shuō)人類是世界上最殘忍最沒(méi)人性的生物對(duì)國(guó)人來(lái)說(shuō)的冷門片 大導(dǎo)演殘酷再現(xiàn)歷史的十分之一

7分鐘前
  • 完顏穆?tīng)柕歉?/li>
  • 力薦

民族主義者,慘絕人寰的種族清洗罪行,警鐘長(zhǎng)鳴!

8分鐘前
  • 沛。
  • 力薦

二戰(zhàn)后期烏克蘭人對(duì)波蘭人血腥屠殺,其中還夾雜著蘇聯(lián)人清洗波蘭地主、德國(guó)人滅絕猶太人、波蘭人報(bào)復(fù)烏克蘭人。全片極為血腥極為殘忍,可謂慘不忍睹,只有人類才會(huì)對(duì)同類做出如此可怖勾當(dāng)。一個(gè)強(qiáng)有力的政府可以約束不同種族,防止他們仇殺,一旦政府垮臺(tái),種族仇殺就很難避免,南斯拉夫、盧旺達(dá)都是這樣。

10分鐘前
  • 似是故人來(lái)
  • 力薦

看的是差不多150分鐘的版本(A站還是B站有閹割版本,心理承受能力較弱就去看閹版吧),部分鏡頭會(huì)有不適感,過(guò)于真實(shí)、殘忍,血腥,反人倫。 沃倫大屠殺的遇難人數(shù)超過(guò)八萬(wàn)。

14分鐘前
  • 鹿不鹿
  • 推薦

不清楚這段歷史,但并不懷疑人性如此冷酷、卑劣、丑陋。

16分鐘前
  • 朱芳文
  • 力薦

愿世界和平!真的太慘了,人間煉獄,大過(guò)節(jié)的我為什么要看這么喪的一部電影!

19分鐘前
  • 朝陽(yáng)區(qū)陸依萍
  • 推薦

再現(xiàn)戰(zhàn)爭(zhēng)殘酷的波蘭電影,B站和諧版,血腥暴力依舊讓我觀影中有很多不適感。烏克蘭民族對(duì)波蘭屠殺也是基于極端的種族主義煽動(dòng)起來(lái)的,人比猛獸更加可怕,因?yàn)閯?dòng)物之間不會(huì)無(wú)故自相殘殺,反而是身為高智商的人類卻有那么多人性的弱點(diǎn),人類是多么可怕的物種!所有還原戰(zhàn)爭(zhēng)歷史的電影都堪比恐怖片。

24分鐘前
  • kiki204629
  • 推薦

太慘了,戰(zhàn)爭(zhēng)陰云與民族主義下的人性黑暗面,屠殺以及各種各樣的屠殺和清洗。人性泯滅后究竟會(huì)有多么殘忍,多么令人反感與厭惡。不忘歷史,珍惜和平,或許是不少人看完該片后的最大感受,畢竟戰(zhàn)爭(zhēng)帶給人們的傷痛太大了?!皷|部的波蘭人被屠殺兩次,先是被斧子砍,第二次卻是死于沉默。”3.6

29分鐘前
  • 方槍槍
  • 還行

還是形式大于內(nèi)容了吧,不得不說(shuō)剪輯很混亂,零碎無(wú)厘頭的鏡頭,加上女主活不起的表情,讓我無(wú)數(shù)次放棄觀看

31分鐘前
  • 困難總比辦法多
  • 較差

敘事基本上是徹底失敗的,凌亂的剪輯更是雪上加霜。唯一值得稱道的就是這個(gè)無(wú)比凝重的題材,可惜這么拍真是暴殄天物。

36分鐘前
  • 豬頭妖怪
  • 還行

寧做太平犬,不做亂離人。還能說(shuō)什么呢?一切堅(jiān)韌,勇敢,果決,在大歷史面前根本不值一提。巨大的輪子碾過(guò),你連粉末都不剩。

39分鐘前
  • frozenmoon
  • 還行

8 歷史反復(fù)證明 民族混居與信仰沖突的地區(qū)積攢的矛盾一旦爆發(fā) 后果將是萬(wàn)劫不復(fù)的人性深淵;波蘭和烏克蘭 兩個(gè)夾雜在德國(guó)和野蠻俄狗之間的悲情國(guó)家無(wú)法擺脫的命運(yùn) 相比波蘭 烏克蘭更不走運(yùn) 今日烏之現(xiàn)狀能看做是歷史的報(bào)復(fù)嗎;德軍:早知道你們斯拉夫人內(nèi)斗這么狠 干嘛還親自動(dòng)手

40分鐘前
  • 東郷柏
  • 推薦

唯一想說(shuō)的,是這片子對(duì)臉盲癥太不友好了??

44分鐘前
  • Ziya
  • 力薦

很多人把這類悲劇歸結(jié)為民族、宗教、意識(shí)形態(tài)等等紛爭(zhēng),事實(shí)上問(wèn)題的根源是無(wú)政府狀態(tài),沒(méi)有制約獸性的暴力機(jī)構(gòu),人類會(huì)爆發(fā)出最原始的最大的惡...

47分鐘前
  • 推薦

結(jié)局只能說(shuō)是女主自己的想像了,她的倖存不代表她能再“正?!被钕氯?。烏克蘭人當(dāng)年對(duì)波蘭人的無(wú)差別虐殺是基本完整呈現(xiàn)在本片當(dāng)中,每件虐殺過(guò)程都是有記錄在案的事實(shí)。而女主姐姐一家的遭遇也表示波蘭人的事後報(bào)復(fù)也清除了最後一丁點(diǎn)烏克蘭少數(shù)好人原本的民族共存努力,此片極度令人不適。

48分鐘前
  • John Coey
  • 力薦

真正的恐怖片

52分鐘前
  • 飯團(tuán)
  • 推薦

片里的波蘭人也是倒了血霉了,熬過(guò)了蘇聯(lián)紅軍,熬過(guò)了德國(guó)納粹,以為這下終于結(jié)束了,卻被烏克蘭民族主義者血洗了。最后幾十分鐘的大屠殺真是得捂著心臟看才行。

55分鐘前
  • 陳哈
  • 力薦

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