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劇照
詳細(xì)劇情
萊雅在還是孩子時被本偷走，并被本在地下室養(yǎng)大。待到萊雅長大成人，才在警察的幫助下重新回到自己的家。時隔多年，萊雅已經(jīng)不認(rèn)識自己的父母了，并對本飽有特殊的感情?；氐郊业娜R雅并沒有適應(yīng)，而面對一個受傷的女兒，母親也開始了自己愛的計劃。然而，一切并未遂愿。
長篇影評
1 ) 有些親密關(guān)系，一旦錯過就不在
母親以囚禁的方式去試圖改變曾經(jīng)被囚禁多年的女兒，奈何女兒已經(jīng)成年，人格已經(jīng)定型，即便是封閉環(huán)境也很難產(chǎn)生從兒童到成年的長達(dá)近二十年那種近乎自然而然的心理依戀。雖然講的是修復(fù)重塑斯德哥爾摩綜合征患者心理問題的困境，也能看出人與人之間走向親密的阻礙，自我保護是必然的，操之過急只能帶來更大的抵觸與疏離，也是對想要親密一方的重大考驗，愛而不得便成恨，像片中母親一樣采取帶有危險性、迫害性舉動的情況也不少見，這里面有一種征服的原欲在作祟。不過，這種事情，單方面腦熱是無效的，有血緣關(guān)系也沒用。羅南這里微胖得可愛。
2 ) 意外!
我就是感覺這個女孩她雖然被人家囚禁在地下室這么多年，但是我覺得他出來即便獲得了自由，他可能還是無法適應(yīng)現(xiàn)在的生活，這豬一體現(xiàn)出一個綁架的行為對那個人的人生和整個人造成多大的傷害，西爾莎羅南真的是一步一步拍的越來越經(jīng)典的電影吧，從一開始的小蘿莉到變成慢慢成熟的女生，確實，這就是這部電影比較讓人喜歡的點吧，不管怎么樣，確實好看!
3 ) 「Quotes」
「I can't decide what the wrost thing that's ever happend to me is... being with you my whole life or being without you for the rest of it.」
「It's natural to feel conflicted about my feelings. But how can you have feelings about something when you don't know anything about it? That's how I feel about everything.」
「Is this how people love? They become a room for you to live in, and then they lock? How many rooms do you get in your life? Am I lucky or unlucky?」
「I didn't leave because you were bad. The whole point of taking everything away from me in the first place was that I would get to be someone. I mean, I am someone, when I'm alone. But when I'm with other people, I am what they think I am. I don't know how to be that. And I think I don't want to be something to share anymore. I thought you couldn't choose your family and that you were trying to make me choose you. But then I saw that Ben chose me. He picked me out, and he made me his. And there is no one choosing that. There is no un-growing up. It's time for me to grow up for good and have something that's mine. And mine only. Sincerely, Leia.」
4 ) there's no un-growing up
i maybe don't love anyone,maybe
or maybe that doesn't matter.
I'd say i wish i could be different,but i don't.
i don't know what that would be.
i'm sorry i don't remember you from before,but i remember you now.
i don't leave because you were bad,the whole point of taking eveything away from me in the first place was that i would get to be someone.i mean,i am someone,when i'm alone.
but when i'm with other people,i am what they think i am.i don't know how to be that.
And i think i don't want to be something to share anymore.I thought you couldn't choose your family and that you were trying to make me choose you.But then i thought that Ben chose me.He picked me out,and he made me his.And there's no one choosing that.
There is no un-growing up.it's time for me to grow up for good and have something that's mine.And mine only.
囚禁是弱者唯一愛的方式。
西爾莎長變了好多，眉眼間好像溫斯萊特，臉也豬腰子了一些，不像20出頭啊?？粗脡阂?/p>
不知該怎么評價，看起來比《房間》還要難受。
難為主創(chuàng)們了，我就是我是不一樣的煙火
我要溺死在胖莎的藍(lán)眼睛里了
?「I can't decide what the wrost thing that's ever happend to me is... being with you my whole life or being without you for the rest of it.」「It's natural to feel conflicted about my feelings. But how can you have feelings about something when you don't know anything about it? That's how I feel about everything.」「Is this how people love? They become a room for you to live in, and then they lock? How many rooms do you get in your life? Am I lucky or unlucky?」
結(jié)局好可怕，一個賽一個bt……現(xiàn)實的大悲劇。
羅南好適合演這種默默又倔強的勁
到底是別人造就了你，還是你選擇成為什么樣的人？這兩者是分不開的，即使被狼群擄去長大，依然會感染狼的習(xí)慣。當(dāng)他/她突然發(fā)現(xiàn)自己有了選擇的自由時，這個人的決定會最終成就他/她自己。PS羅南和金賽綸長得有點像…
這不完全是“斯德哥爾摩”，從那一刻和Ben一起，二十年來囚禁式的生活，就意味著所有的情感都來自這個男人，親情、愛情、友情等等，這個男人是Leia的全部啊，突然他被定罪入獄，從此女孩的生命里不再會出現(xiàn)這個男人，這讓她如何去接受，她的認(rèn)知里Ben是她全部的愛，他怎么可能是二十年前拐騙走自己的人，Leia是無法將自己抽離開與Ben相依相偎的成長經(jīng)歷的，甚至在那段歲月里她活得沒那么糟糕，或者可謂是快樂。當(dāng)依托不再存在，Leia毫無安全感，她變得無法是從，她對這個二十多年沒有觸碰的陌生世界感到巨大的恐懼。她不知道這個年紀(jì)的自己可以獨當(dāng)一面了，她甚至一無所知，她在過往歲月所習(xí)得的只不過是Ben的經(jīng)歷和經(jīng)驗，所以在三觀已經(jīng)定型的情況下又怎么能輕易改變呢。離開是必然的選擇，同樣她會成為另一個Ben。
題材挺吸引人的，可惜人物內(nèi)心世界的挖掘全部只是蜻蜓點水
3.5 讓人抑郁的片子，被關(guān)在以愛之名的牢籠里，管他是敵是親。
1馬爹的世界觀 若是成年人對話沒問題 單方面復(fù)刻給孩童 則是壓倒式洗腦 盡管多數(shù)的父母子女也逃不過這種模式 2母女之間的情緒不共軌 是信息認(rèn)知的不對等 加上感情傾斜 灌輸缺失的親緣聯(lián)系所致 Cyn的前期表現(xiàn)并不算離譜 然而“母性本能”就是根本矛盾 推不倒交流阻礙這堵墻 3性格決定命運重復(fù) 余味很糟
不驚悚 只是覺得很壓抑 女主壓抑 女主媽媽更壓抑
致郁系。詹森·艾薩克
很壓抑很壓抑
說是密室培欲吧，這更像是一個人類學(xué)實驗。一年后的《房間》可以看作是此作的精神前傳。明明兩個女主角都演得這么好，沒有拿到什么大獎提名可能因為是電視電影的緣故。
女主一生最大的幸運就是被一個帥大叔從一個干癟變態(tài)老巫婆身邊帶走了
一開始我同情萊雅，后來發(fā)現(xiàn)原來全員有?。浑m然在扭曲變態(tài)的世界觀下長大，被剝奪了很多正常權(quán)利，但不能否認(rèn)本和萊雅之間的關(guān)系存有愛、信任和依賴，萊雅的親生母親顯然完全無法接受這一點；不管是怎樣的養(yǎng)育法，都必須摒棄私心，授之以漁，很難做到，而且所有人都做錯了
愛和囚禁就半步之遙，對親情重建的黑暗態(tài)度有它的道理，會讓有娃的觀眾不舒服。相信Ronan沒錯，被低估/忽略的片子。