車禍發(fā)生的太早，觀眾和一家人的情感尚未完全建立，再加上毫發(fā)無損的Chlo? Grace Moretz好好的站在那里，所以心痛的代入感不強烈。
    Mia的搶救，用再多術(shù)語，說得再嚴重都沒用，因為她就在那里，毫無痛苦。只是焦急得看著這一切的發(fā)生。
    其實這是一個幸運的女孩，有最好的親情，最好的友情，以及最好的愛情，卻遭遇到滅門的災難，原本是最好的復雜情緒引發(fā)情感共鳴的契機，可惜沒有達成。
    傳統(tǒng)難免保守，叛逆多少偏激。Mia父母，一個是搖滾少年，一個是叛逆少女。居然分分鐘變成居家楷模。從不認為自己的犧牲是犧牲，是因為是用它換取了更想要的東西。爸爸賣掉爵士鼓，買了大提琴，是因為有些人的快樂，比他自己的快樂更能讓他快樂；有些人的幸福，比他自己的幸福更能讓他幸福。
    愛情永遠是青少年電影的主角，但本片中親情絕對占了上風，即便Adam相當完美。愛情永遠不會像親情一樣無償付出，單向付出是愛情的殺手。兩人都有夢想，也都知道對方的夢想。夢想是讓他們強大的原因，也是他們會相互吸引的原因，但最后成為了他們必須分開的原因。
    Mia最后選擇回歸人世，而不是撒手人寰，是電影的需要。影片在她睜眼一刻戛然而止。是因為無法想象之后能如何繼續(xù)？失去全部家人的Mia，會不會繼續(xù)求學？面對成為孤兒又外出求學的Mia，Adam會不會放棄樂隊相隨？十年后一個蜚聲國際的愛樂樂團首席大提琴手，和一個人到中年除了彈吉他什么都不會的家庭婦男又會發(fā)生什么故事。

        你評價一部電影的好壞是什么？
        我的很簡單，笑點能讓我發(fā)自內(nèi)心的笑，哭點能讓我潸然淚下，同時不摁快進鍵，即使知道結(jié)局。

        如果知道女主角是貝家大公子的緋聞女友，估計看片的時候會有更多的挑剔，就像你習慣給熟悉的人更多的挑剔，給陌生人更多的寬容。當然，喜歡這部電影并不是因為對陌生主角的寬容，而是它真的讓我情不自禁的流淚。

        串聯(lián)全片的是女主的愛情故事，才氣男友最后也不離不棄，但最能撥動淚腺的是為數(shù)不多展現(xiàn)親情的鏡頭。全神貫注聽小女兒演奏大提琴的爸爸，放棄了自己的搖滾；寬慰失戀女兒的瀟灑媽媽；還有在病床前慈祥而又堅毅的爺爺，“I want you to live.I want that more than anything in this world.I want you to fight like hell to stay with us.But with everybody else gone,I know it might be not what you want,It might be too hard for you to keep fighting,So if you wanna go,i want you to know it's ok. It's okay.I understand. ”

        在你成長的過程中一定想象過要是父母兄弟都離你而去的畫面，你覺得是解脫的輕松嗎？反正我是不寒而栗，不敢進一步想象。有父母在，就有永遠是作為兒女的任性，有兄弟姐妹在，就知道總會有人與你嬉笑打鬧共擔風雨，所以當這一切都不在的時候，生比死反而需要更大的勇氣。

        我相信女主角最后還是醒過來了，因為還有那么多人為她守候，慈祥堅毅的爺爺，不離不棄的男友，兩肋插刀的朋友。
 
          她的前面還有窗，她的前面還有光。

         

We, grown-ups, seems to be stubbornly convinced that young adult stories are stupid, and only teenagers themselves will be silly enough to fall in love with this kind of "so-called" romantic novels.
For that we already knew the transitory characteristic of love. We understand it, crystal clear, right from the beginning of the film that their love story might not even live through the winter, they are not going to survive the long distance after high school, not to mention that the post-traumatic stress our heroine must deal with as long as she wake up after the car accident(, though this is the story in its sequel 'Where She Went'). We know that, time itself might bring an end to the relationship between this young man and this young woman.

But, is it not the most beautiful part of every teenager love story, or of puberty? What make those young children, those teenager boys and girls so attracting is that they take their pure love, their approaching departure, their breakup as this important that their hearts are tortured by whips for thousands of times. The pain is all that matters, that hurts, that suffocates, and they think they will never get through this. They struggle, they quarrel, they cry, they reconcile with each other, as love and pain remains the only theme of their adolescence.

They do not know now, but they will understand it one day, that all these love and pain, joy and suffering will become a memory with bitter sweets or even a memory with no colour, a memory that brings back no sensation. However, this never counteract the real experience they are right now undergoing. All these hurts, all these emotions, all these tears are once so real, that almost break their hearts or already broke them. They live in drama, not because they are affected, but their lives are filled with dramatic conflicts.

Not until the puberty ends, along with the death of drama, will these whole true life-play come to a termination.
Then, teenage love, which is so void but sincere, dies alongside with it.

1. 那個我喜歡的樂隊

剛開始看這部電影的時候，被吸引的整個都是那個樂隊。想到了自己喜歡一個樂隊的心情。不是多么有名的樂隊，但就是喜歡他們，想要追著他們，看著他們越來越成長的時候卻又有些不甘心，就像自己心愛的東西不得不跟別人分享。覺得「能有一個玩兒音樂的男朋友真好啊」之類的。一起瘋一起叫，那種心情大概不追樂隊的人是體會不了的吧。

想象著有一天我也可以跨越海洋去看他們的表演，live完一起慶功宴，新年一起party，也許跟其中的幾個人成為好朋友。只是普通人的自己和只是普通人的樂隊的他們，應該也沒有那么大的差別吧。

只有當他們站在舞臺上的時候。

樂隊站在舞臺上的時候總是閃閃發(fā)光的。絢麗的燈光，臺下人的尖叫。當他們站在臺上的時候又變得那么觸不可及。

但我還是想要一個玩兒音樂的男朋友。他們會為你寫歌，他們會在live的時候只看著你的眼睛，他們會在慶功宴的時候也帶你去。

追著樂隊的你，一定知道我在說什么。


2. Sacrifice. That's what we do for the people that we love.

- I've been trying to think of what Denny would want me to say to you. The kid was a helluva of dad, wasn't he? He sure had me beat. I remember the day that he quit the band. He just up and said, "That's it. The time has come." I was surprised. I never really liked the way the band sounded, but I knew how important it was to him. And so I asked him, I said, "Why are you quitting?" And he said, "You make sacrifices for your kids." "For your kids." He said that without even blinking. That's why he quit the band.

- For Teddy.

- For you. It was when he heard you play so well. I think that's when it clicked for him. Your incredible talent, it... He just couldn't believe it. And all he want to do was to give you more. So, he quit the band, he sold his drum kit and he bought you that cello. Sacrifice. That's what we do for the people that we love.
  And here's mine, Mia. I want you to live. I want that more than anything in this world. I want you to fight like hell to stay with us. But, with everybody else gone, I know it might not be what you want. It might be too hard for you to keep fighting, so... If you wanna go, I want you to know it's okay. It's okay. I understand.

本片以第一人稱的角度拍攝，

女主角從完美的家庭、學業(yè)、愛情中突然出現(xiàn)分歧，
在她生命中最重要的一部分突然都離她而去，

劇情很緊湊但是很完整，
而且結(jié)尾跟小說略有不同，
推薦不喜歡狗血式愛情的影迷們看看，

劇中男女主角呈現(xiàn)的愛情方式，
從認識、約會、交往的過程中都走純情的路線，

如果想要找回初戀的感覺，
超推這部影片的，
而且這部片呈現(xiàn)親情的觀點也佔了很大一部分，
看完之後還會讓人有很多方面的省思。