Just days ago, Elizabeth Derby (Heather Graham) was a successful psychiatrist with a loving husband and the world at her fingertips. Now, she finds herself locked up inside a psych ward after the murder of a young male patient to whom she had an inexplicable, almost otherworldly attraction. Hoping to clear her name, Elizabeth confides in her doctor and recounts what happened, giving way to a bizarre and disturbing tale of sexual madness, supernatural horror, and homicidal rage. The deeper the story goes, the more unhinged and carnage-laden life becomes, not just for Elizabeth but for everyone in her path.
In this cinematic love letter to the late, great horror filmmaker Stuart Gordon (Re-Animator, From Beyond), the go-for-broke indie veteran Joe Lynch provides an unpredictable and delightfully perverted gift to fans of everything from erotic thrillers to body horror and H.P Lovecraft-minded cosmic mayhem. Written by Re-Animator scribe Dennis Paoli, produced by ‘80s horror maven Brian Yuzna (Society), and co-starring Re-Animator MVP Barbara Crampton, Suitable Flesh will be catnip for those who like their horror equal parts classically minded and progressively unclassifiable.
靈魂互換cliche網(wǎng)大
貼圖完畢
這么差的制作水平有陣子沒見了
好荒謬的一個(gè)片……好好笑哦
剛看完弗爾茨致敬片,緊接著又看到一部斯圖爾特·戈登致敬片,看來還是有不少電影人依然在懷念前elevated horror時(shí)代的good old days。有趣的是導(dǎo)演有意強(qiáng)調(diào)了換身喜劇中的酷兒性(邪魔的non-binary色情狂設(shè)定),可惜敘事效率低,總在試圖解釋些什么,內(nèi)容有點(diǎn)重復(fù),惡趣味的換身過程也大多被浪費(fèi)了(例如第一次父子間的換身,完全可以有更多遐想空間),拍得不夠自信。
“鬼作秀”劇組待久了,拍起長片都帶點(diǎn)小品味兒,幾乎準(zhǔn)確捕捉到了斯圖爾特·戈登&布萊恩·尤茲納式現(xiàn)代洛式改編電影的質(zhì)感,甚至連那種黑色幽默般的低俗邪淫氣息和黏稠骯臟的介乎于抽象和具象間的“在場”又“不在場”的精神恐懼都被描繪了出來,縱然故事陳舊,但又并未如《砍人快樂》那樣在性別和LGBT議題上做太多停留,近乎任由一種老派的強(qiáng)冒犯性的剝削趣味滋生,注定了電影的些許局限性,倒也因此在類型上變得純粹。
為什么要把互換身體的艾薇拍這么長 二十年前的土味審美 我恨你導(dǎo)演 還我票錢
bifan#01 ?? 老套 粗糙 質(zhì)感塑料
好瘋批的電影