Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France.
The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.
父親的去世算是個(gè)轉(zhuǎn)折,但男主內(nèi)心外化的虛實(shí)結(jié)合處理的也就還好,同時(shí)由于整體對(duì)于天災(zāi)與人的關(guān)系建構(gòu)比較潦草,使得后半程的多意性解讀意思也不太大了
2.5 公路離大海是不是近了點(diǎn)
和朋友在影院看的,個(gè)人認(rèn)為送走懷孕的女人后的情節(jié)都是他幻想的。生命的最終他也沒有和自己的兒子通話,他對(duì)女兒的內(nèi)疚都用對(duì)懷孕女人的善意彌補(bǔ)了
至于中途開始乃至到最后是不是幻想都無所謂了,反正夠稀碎,唯一可看點(diǎn)就是再次提醒人類在天災(zāi)面前實(shí)在太渺小。。。
@ LFF 13號(hào) world premiere 導(dǎo)演主演制片都在場(chǎng)。很有意思的災(zāi)難thriller 畫面很壯觀,在luxe躺在第一排看簡直了。雖然主創(chuàng)不愿意強(qiáng)調(diào)其在環(huán)保方面的重要性 但在林火肆虐的今天 這部片子正得其時(shí),尤其諷刺的是他們?cè)诜▏耐暌院笠荒昴莻€(gè)地方就真的林火了!父與子與子的關(guān)系成為主題,人物和故事其實(shí)都很美國化 好在保留了一些法國的特征沒有完全流于俗套。結(jié)尾很妙 因?yàn)槿绻谧掷镄虚g自行拼湊讀懂了主角與兩個(gè)孩子之間的故事 就會(huì)發(fā)現(xiàn)結(jié)局也是開始 也是他循環(huán)反復(fù)的噩夢(mèng)。浴火重生 他又鼓起勇氣做父親
先取消驚悚這個(gè)標(biāo)簽吧…??