1960年捷克卡羅維發(fā)利國際電影節(jié)最佳導(dǎo)演水晶球獎(jiǎng)。
Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.
From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).
演員和導(dǎo)演都很棒
竟然是達(dá)涅利亞拍的,還以為他只拍那些喜劇和傷感風(fēng)格的呢。
和《禁止入內(nèi)》有一比。這男孩演的也非常生動(dòng)。
阿廖沙迎來了自己的繼父,他很擔(dān)心媽媽被搶走了。但朋友們說這是一個(gè)好人。
好人很快幫他買了一輛自行車,成為大家的共愛。
小朋友的內(nèi)心變化....
身邊年長的孩子們一個(gè)個(gè)都去外面讀書了,阿廖沙真羨慕他們啊。
但阿廖沙的弟弟出生了,大家都開始關(guān)心弟弟,阿廖沙多少有些失落...
更讓人傷心的是,爸爸要去很遠(yuǎn)的地方工作,媽媽和弟弟要去一起過去,沒有阿廖沙,分離的痛苦啊...
兒童片,真可愛,真溫情。「生活中處處有“必須”」
1、連個(gè)拿皮帶抽他的人都沒有。這話說的。小男孩家里多了個(gè)繼父。2、好多仰拍鏡頭對著小孩,比如藍(lán)天白云下田野里,仰拍倆小孩對話。3、看的這個(gè)版本,畫質(zhì)還湊合,就是好多雜音,滋滋啦啦的。4、幾個(gè)小演員挺好。大導(dǎo)演邦達(dá)爾丘克有出演,我不認(rèn)得是哪一位,估計(jì)就是那繼父。查了一下,邦達(dá)爾丘克演過好多電影。
one of the best and most poetic children film ever made!
筆墨著重于兒童的玩樂時(shí)伴隨的成長,還有父母的感情。結(jié)尾處直接切到繼父滿臉淚痕的特寫非常動(dòng)人。在情感這方面,還是可以單拎出來說純真的。
好可愛的小男孩啊,清澈光影如同主觀視角的眼睛,以明亮純凈的眼神打量著世界,對一切都充滿好奇,直言抒遣所見所感,這樣的純真幸得有人守護(hù)——何止是難忘的夏天,如果沒有繼父最后大聲的決定,他以后的人生之路很可能都會(huì)有所改變呢;前半段很有喜劇色彩,而后半段那個(gè)落寞的小小背影,卻很有“人生憂患識字始”之感,拖著一堆玩具、掛著晶瑩的淚珠太惹人憐愛了。最好看的兒童片就該這樣拍,不要妄談道理,只顧至情至性就行;另外政宣片因素的融入并未改變其基調(diào),反倒更順應(yīng)人設(shè)建立和敘事邏輯。
好小一只啊
小小少年,很少煩惱
我也有心臟啊,是滴落在葉片上的淚水、虎口上的紋身和孤獨(dú)的猴子玩偶。
表演比較用力。有些鏡頭比較用心,但音樂有點(diǎn)隨意。有一個(gè)感性的結(jié)尾
讓人挺舒服閑適的電影。夏日悠長~——
純真的兒童視角電影,結(jié)尾的主觀鏡頭堪稱神來之筆,7分。
《壓路機(jī)與小提琴》、《跟隨太陽走的人》、《難忘的夏天》…蘇聯(lián)正太與光影,俱是至純至萌物~
繼父的理解支持包容是夏日清涼、冬日和暖,殊為難得,在精神上消解了小男主的孤獨(dú)、敵意和不安全感,最終達(dá)到兩人情感的交融。鏡頭多次以兒童視角來觀察和反映環(huán)境,敏銳捕捉孩子微妙的心理變化,小演員表演出色,經(jīng)得起特寫的細(xì)節(jié)描摹。
難忘的后爹
小謝廖扎太萌了啊,像極了小侄子小時(shí)候的樣子~
童趣盎然,低角度孩童視角,小男孩真萌。
想看找我
“We're going to Kholmogori. What happiness!”
這是今年看過最可愛的電影了。
9。目前看過最好的關(guān)于小盆友的電影