The Seventh Bullet is a Soviet Ostern film of 1972 directed by Ali Khamraev. In the same tradition as The White Sun of the Desert and The Bodyguard, The Seventh Bullet is set after the Russian Civil War which ended in the 1920s when Soviet power established itself in Central Asia in the wake of the Basmachi rebellion. Despite this slight shift in emphasis and a post-war setting, The Seventh Bullet is closer to a typical war film than other Red Westerns because of a prominence of tactical resourcefulness in the development of the plot. Although of course this is a staple of many American Westerns from John Ford's cavalry series to the many Apache war films.
Despite the restoration of Soviet power in the area, Basmachis continue to arrive from across the border, bringing death and destruction to peaceful villages. One of the bands of rebels is led by Khairulla who is pitted against the militsiya (local militia) leader Maxumov. At first it seems hopeless for Maxumov as the rebels capture most of his men, winning them over to his side. He has only one strategy left; to give himself up, and try to explain to the people that Khairulla has deceived them, turning the soldiers back to revolution. Later in pursuit of his enemy, he chases Khairulla across a river. He has only one bullet left—the seventh, and he must not miss his target!
20221224
很棒的ostern!劇情比起常見的西部套路外加了地方特色,包括服侍在內(nèi)都好有特色!對女主的投入和惜命有點不解,最后的死亡不必要但是真的是個很不錯的結(jié)尾!
想看找我,帶中字
看的是沒有中文字幕的
故事發(fā)生地大概是有游牧民族生活的中亞地區(qū)吧,有地方武裝和蘇聯(lián)紅軍,當?shù)匚溲b之間的恩怨情仇,分不清楚哪方是正義?!
007曲調(diào)+西部片質(zhì)地 故事卻像蘇聯(lián)中亞版智取威虎山:紅軍政委單槍匹馬入虎穴策動投降舊部撲殺土匪軍閥大本營。六發(fā)左輪手槍的第七枚子彈 多么直截了當表明決心的英雄主題。英雄式推鏡頭在大遠景馬隊過山峰與之字形動線追焦的間隔中產(chǎn)生了一些神奇的效果。不過樣板戲一般的浮夸表演還是讓人捧腹 尤其是女主“勾人”的表演。片子繼承了美國前輩不少孤膽英雄的套路和主角光環(huán)的毛病 但在自然的美學(xué)運用上依然別具風(fēng)格 很好突顯了中亞土黃草原與溪流的地貌
烏雞國應(yīng)景看的,除了還原那段歷史的民族矛盾外,人物情感邏輯和事件發(fā)展編劇糟糕透了
蘇式西部片
蘇聯(lián)西部片,內(nèi)核其實更像“意大利式西部片”
一場標的之旅。電影以巴斯馬奇運動為背景,紅綠混戰(zhàn)。蘇聯(lián)就是有這本事,拿東部地方來拍西部片。
紅綠相爭,全員惡人,烏雞國地貌大賞