上課的時(shí)候教授要求寫的....參考了許多此板大大們的影評(píng)寫出來的...有興趣看看吧....:) [劇情透露]

Midnight Express Movie Review

Almost all great films about prison break are not simply action-packed ticket-sellers that seek to thrill the audience. What makes these films great is the depth they went into to explore the darkest and at the same time, the brightest themes of human society and lives. Corruption, violence, sexual abuse, justice, injustice, homosexuality, dignity, love, freedom and hope, all of which are seen throughout the whole film. The setting itself is another interesting topic, meaning the prison, like a microcosm of the society outside. Overall, the film tells a story of man's endeavor to self-redemption and self-justice against odds from the political and structural obstacles of the real world, despite a sensible political undertone against Islamic nations.

The Story
On October 6, 1970, Billy Hayes, an American is on a trip back to America from Turkey with his girlfriend Susan. While boarding a flight at the Istanbul Airport, Billy is caught smuggling 2 kilos of dope. He is told by the authorities that if he cooperates in finding the actual drug dealer he will be released. For some reasons he tries to escape after the assistance and is captured. With the support from the American embassy, he is sentenced to only over four years for possession of drug, but is exempted from the more serious charges of smuggling and drug dealing.

The prison as expected is not a very hospitable place. It is crowded, filthy and ruled over by Warden Hamidou who punishes the prisoners with harsh physical and mental tortures. Billy, however, does manage to befriend a few inmates, an American named Jimmy, who is imprisoned for stealing candlesticks from a mosque, and an English named Max, who is sentenced for over 12 years for smuggling 100 grams of drug. At this point, it is becoming obvious that foreign prisoners are only tools and sacrifices in political maneuvers between the Turkish government and other Western governments. The only seeming way out is to catch the "midnight express", namely prison break. The inmates start planning the escape routes.

Many of their attempts failed, and the “insider” prisoner Rifki informs Hamidou on their scheme. Jimmy is taken away to brutal punishment. Max and Billy take revenge to Rifki by destroying his dashed money. Without any evidence, however, Rifki frames Max, and Max meets a similar fate as Tommy does. As Billy is told the court resentence him to up to 30 years in prison on drug smuggling, he cannot contain his emotions any longer. He attacks Rifki and bites off part of his tongue.
After many months in the prison ward for the insane, Billy is at the brink of total breakdown. This is when his girlfriend Susan visits and delivers him her love, hope to survive and some cash hidden within a photography book. Billy starts to plan to escape again. He bribes the Warden and asks to be transferred to the sanatorium where there is a chance of escaping. Instead, Hamidou drags Billy to a cell, beats him down and tries to rape him. In despair, Billy kills Hamidou and escapes with the Warden’s outfit. And it is revealed that Billy flees to Greece and flies his way back to The States and the reunion with his family.

Justice and Injustice
Often times when we try to define justice and injustice, we resort to the laws, which supposedly take into account the moral standards of a given society. But this is not necessary when the government takes other things onto their priority list such as their power of control, political stability, economic interests and in this case, political maneuvers with foreign nations. Under such conditions, laws can no longer uphold justice but become a tool wielded by the government for their own propuses.

In the movie, it is revealed that Nixon’s US government is at bad terms with the Turkish government. As a result foreign prisoners become valuable assets to the Turkish government in dealing with The US. In a beginning of the film, passengers for international flights not only need to pass through normal airport checking routines, before they board, soldiers also search their bodies one by one, and Billy is then found carrying dope. Let Billy’s personal case aside, this measure is questionable. It might be due to the Turkish government’s tightened measures against drug-smuggling, but it might very well be a political measure to attain more foreign prisoners.

In the prison, Billy learns that many foreign inmates are serving unreasonable sentence years. It might be the result of difference in customary laws regarding crimes in different countries, but it might as well be a way to retain the government’s valuable assets, as Billy after almost finishing serving his initial sentence, faces serious charges of smuggling and is resentenced up to 30 years in jail. It makes one wonder what causes such an abrupt change, could it be the result of a worsen diplomatic relationship with Turkey and The US? Either way, justice is vague. Should a man of a certain sociocultural upbringing face criminal charges in a different sociocultural background? Where is justice for individuals when they are of only small part of a much bigger scheme?

Billy, at his defense in court against smuggling charges, says “What is crime, what is punishment? It seems to vary from time to time, from place to place. What’s legal today is suddenly illegal tomorrow because some society says so. What’s illegal yesterday is legal today because everybody’s doing it. They can’t put everybody in jail.” Ironically it seems that his words are not even translated properly to the judge, assuming the judge does not speak English. So if the system does not grant individual justice, the only justice one can find is through self-redemption, a prison break, a breach through the system. This is the underlying premise in most prison break stories from “Shawshank Redemption” in 1995 to the hit American TV series “Prison Break” and to “The Next Three Days” in 2010. These screenplays’ success implies an unshakable belief in moral justice that most people uphold but is often disregarded due to different sociopolitical or cultural circumstances.

Prison and Society
One might expect prison to be a place of rehibilitation and reeducation for the social deviated so that they can be reassimilated back to the society. In reality, however, prison is hardly such a place in a sense that it has its own power control, hierarchy, division that works like ethnicity and nationality, social rules and taboos. The prison with all these elements as a whole is but a microcosm of the society that it derived from. Similar to Marxist's idea of the base and the superstructure, people with a certain set of sociocultural upbringings recreate the prison to be functional in the same way as the society does.

In the prison in "Midnight Express", ethnic or racial division is not clearly observed due to the relative narrow ethnic spectrum of the Turks, so the most prominent division is between the local and the foreign. The prison in America, however, as observed in "The Shawshank Redemption" or "The Next Three Days", is devided mostly among the white, the black, the Asian and the Mexican. This reveals the exact same way the respective societies devide themselves. What does not change is human's tendency to corruption, and this is seen very clearly in the film. When Billy's father comes to Turkey to hire a local lawyer in Billy's defence, the lawyer tells them that with money favourable court and judge can be arraged, and it does seem to work out seeing that Billy is only doing 4 years without serious charges of drug-smuggling.
It is the same trick but different places.

Hope and Prison
In "The Shawshank Redemption" Morgan Freeman speaks of "Institutionalization", and likewise Al Pacino in "Carlito's Way" talks about his thoughts on prison "You don't get reformed, you just run out of wind." The harsh reality in prison strips a man off everything he ever possesses that can define himself. Your possession is gone when you go in jail, your connections fade as family, friends and lover slowly drift away, your dignity is no more when someone forces you to fellatio, and hope is perhaps the most important thing above all, that once lost dooms a man.

One can see how devastated Billy is after hearing he is resentenced to more than 30 years in jail for smuggling. A hope for freedom taken away like that can drive anyone mad. Jimmy loses himself fanatically trying to escape and meets a gruesome end, and Max withers to a walking corpse after too much torture. Even out of prison, one has not really left the prison. The old man Brook's tragic suicide in "The Shawshank Redemption" proves just that. If Susan does not come to visit Billy and gives him the desire and hope to survive and self-rescue, it is not difficult to imagine how his fate will be sealed. Andy Dufresne says in his letter to Red "Hope is a good thing, maybe the best of things." It indeed is despite the various sociocultural background that an individual might be from.

The American Bias and Propaganda
From most modern and western point of view, the escape of Billy from prison might strike one as of a noble cause or is it? In the film, it is depicted that many foreigners are imprisoned on heavy sentences due to but "relatively" mild criminal deeds. Based on American standards, these sentences are unjust and barbaric, but is judicial freedom and independence not so highly upheld by the so-called democratic America? A few years back, The US president Clinton personally arrived in Singapore and successfully intervened with a case of a teenager being sentenced to caning. Such action is never seen among The States, but it however could be applied outside The US judicial boundaries.

Corruption is considered a despicable crime in America, who often times criticizes other non-western countries for their corrupted bureaucracy and judiciary. However, in "Midnight Express" Billy and his father's maneuvers to bribe the authorities for more favorable courts and judge are considered a justified mean to a noble end. This image of direct involvement in a corrupt judiciary system proves hypocritical to what The US government advocates.

In an interview with the real Billy Hayes, based on whose story this film was shot, he revealed that contrary to what is depicted in the film, the prison guards and wardens were mostly fair and hard-working, and only one guard as he recalled punished prisoners for whatever reasons. In reality, Billy did not kill anyone, and the Rifki character was solely created for the film, and the antagonist Warden Hamious did not die by Billy's hand but was shot to death by a discharged prisoner. After learning these facts, it makes one wonder if "Midnight Express" is but an American propaganda against Islamic or Arabic nations. Ironically, the film was allowed to be screened in Turkey. No matter the purposes the film was made for, artistic or commercial, it is not easy to ignore the sociocultural background of the place of production.

Other
The film's heart-wrenching soundtrack composed by Giorgio Moroder won both the Academy Awards and the Golden Globes for Best Original Score in 1979. Although the score is scarcely scattered through the film, leaving most of the scenes unaccompanied, it however adds more sense of realism and the occasional Arabic tunes display perfectly the Islamic setting of the film. The most memorable themes are the love theme and the ending theme which are very fitting and moving.

Cast-wise, Brad Davis for the role of Billy Hayes, Irene Miracle for the role of Susan and John Hurt for the role of Max received highly positive critics, winning respective Golden Globes awards for the year. Sadly, Brad Davis died of AIDS complications in 1991 at the age of 41, leaving his wife and only child.

1978年 電影 Midnight Express - 午夜快車

(觀後感)
 
 

片名：Midnight Express - 午夜快車
美國(guó)上映：1978年10月6日
香港上映：1978
導(dǎo)演：Alan Parker (1944-uk)
編劇：Oliver Stone (1946-usa) (真實(shí)故事)
演員：Brad Davis(1949-1991-usa), Irene Miracle(1954-usa), Bo Hopkins(1942)

每當(dāng)看完一齣好電影，心情都非常滿足。
就如昨晚看了 1978年 的 Midnight Express 午夜快車。

Giorgio Moroder - Chase 和 Theme 這兩首曲。
兒時(shí)也不知道從那裡打進(jìn)自己的耳朵，成為了經(jīng)典而非常棒的音樂。

看著這個(gè)真實(shí)故事的劇情，心裡說（讚），口裡說（好）！

每次都一樣，看到好的舊片，總會(huì)加上一句，現(xiàn)在才看...

先說一下劇情：-

在 1970年，一位美國(guó)年輕人在土耳其機(jī)場(chǎng)因運(yùn)毒而被捕。
有關(guān)當(dāng)局警方盤問他的毒品來源，並告訴他，只要協(xié)助他們，成功逮捕毒品的源頭，就能釋放他。



可是年輕人輕率魯莽而試著逃亡但失敗，於是開啟了漫長(zhǎng)的異地牢獄生涯，為期四年。

獄中生活當(dāng)然不好受，還要在土耳其這個(gè)劣根性的國(guó)家。
除了面對(duì)殘酷成性的監(jiān)獄守衛(wèi)，還有同窗的奸詐囚犯。

雖然當(dāng)中仍然有不少性情中人作伴，也曾提議一起逃獄，
年輕人當(dāng)然拒絕，因?yàn)樗O(jiān)禁只是四年，若被逮捕，加監(jiān)三五七年等閒事。



難捱的日子終於過去，刑期快將屆滿之際，監(jiān)獄有通知他的案件重審，監(jiān)禁不是四年，而是終身監(jiān)禁...

一場(chǎng)惡夢(mèng)才真正開始，逃獄不得不在他的念頭，而且要快。
就是這樣，展開了一場(chǎng)午夜快車...




電影看完了。

心裡很讚嘆！

首先，先說一下我家裡有位（電影蟲隱士），經(jīng)常鞭撻我，時(shí)間有限，應(yīng)該看什麼，不應(yīng)該看什麼...
就像這齣午夜快車，是他力推～ 盡管看了，還是陪我看，（應(yīng)該說，是要我看?。?br>
開場(chǎng)不久，那經(jīng)典的音樂 （Theme）隨即而來，把我的投入感推上了一層。

男主角 Brad Davis 出場(chǎng)，那輕率、犯法而任性的性格演繹，判囚、對(duì)抗、呆坐、失落、至絕望。
整個(gè)過程，看到他的演繹變化，做得相當(dāng)好。



導(dǎo)演：Alan Parker 把故事說得透徹，尤其在土耳其那場(chǎng)語(yǔ)言不通的法庭戲，不合理的法律制度。
看到男主角默默接受這場(chǎng)審判，極為諷刺的語(yǔ)言和精神強(qiáng)暴。

男主角有兩段感情戲，非常簡(jiǎn)短，卻令人深刻與大膽。
幸好我看的版本沒有被刪剪去。

盡管說這故事加了虛構(gòu)而醜化土耳其國(guó)家，但都不重要。
因?yàn)槭冀K看了一場(chǎng)好的電影。

原著小說是當(dāng)事人 Billy Hayes 編寫的。



不過現(xiàn)在才知道，以前看的 1987年電影 監(jiān)獄風(fēng)雲(yún)，周潤(rùn)發(fā)咬掉張耀揚(yáng)耳朵的一整幕，原來九成似這齣 1978年的午夜快車，不論是角度，鏡頭，演員的姿勢(shì)。
相信他們也十分喜愛這電影，或他向原創(chuàng)者致敬。




還有心情：
年輕人也好，成年人也好，做任何事前要三思，犯法的真不要做，不要貪圖小利，真的會(huì)終身後悔，多多錢也不要。

*男主角Brad Davis跟 Brad Bitt

Brad Davis

Brad Bitt


導(dǎo)演：Alan Parker (1944-uk)


編?。篛liver Stone (1946-usa)




* 跟隨著 午夜快車 的原聲音樂，邊寫下這小文，寫意的。
力推的電影！


多謝你看了這篇小文章。

如果覺得不錯(cuò)，希望得到你們的贊賞。

因小小的贊賞，能給我大大的動(dòng)力。

感謝！


文goods_hk @東加豆

(tonkabean@ymail.com)

必須得加上1978年的標(biāo)簽才能比較公平地評(píng)價(jià)這個(gè)片,因?yàn)?quot;肖申克的救贖"已經(jīng)太珠玉在前了.
很喜歡這種暗暗但很有質(zhì)感的畫面,土耳其,伊斯坦布爾,充滿了古老神秘的元素,幾個(gè)城市掠影的鏡頭都很迷人.
不知道這片是不是越獄片的鼻祖,對(duì)于監(jiān)獄里種種暴行的如實(shí)描繪,不帶一點(diǎn)掩飾,還有法律的不夠公平,這種殘忍讓人懷疑懲罰的合理性.
雖然是不錯(cuò),還是難免看得走神,畢竟太多情節(jié)似曾相識(shí).不過得說演員演得不錯(cuò),從帶毒的不羈青年,初入監(jiān)獄少不更事,安心在監(jiān)獄蹲4年半,改判終生監(jiān)禁時(shí)的憤怒,徹底毀了以后的頹廢懦弱,還有女朋友探監(jiān)那一場(chǎng),唉......每個(gè)時(shí)段都有不一樣的表現(xiàn),很贊.