Shortly before he is to wed, millionaire John Willis is visited by Dr. Harry S. Blair, a psychiatrist who informs him that years before he was married to Nancy, John's wife-to-be, and warns him that she is mentally unbalanced.
Blair then relates the following story: After a whirlwind romance in Florida, Blair marries Nancy and starts a psychiatric practice in New York. One day, artist Norman Clyde comes to his office and tells him that an innocent man is about to be executed in Sing Sing Prison and that Nancy is the cause of his unjust incarceration. A distraught Clyde then explains himself to a curious Blair:
Three years before, Clyde meets Nancy, whose maiden name was Monks, when she enrolls in his art class. The moody Clyde soon falls in love with Nancy's honest charm and beauty. Nancy, a secretary, introduces Clyde to her boss, millionaire Andrew Bonner, and persuades Bonner to showcase Clyde's paintings at one of his private showings. To Nancy's delight, Clyde's painting, a depiction of the tragic figure Cassandra for which she modeled, wins first prize at the showing. The evening is perfect until an expensive bracelet is stolen from a guest, and Clyde later finds it in Nancy's purse. After Clyde confronts a confused Nancy about the theft, she relates the following story to explain her behavior:
As a young girl, Nancy lives with her housekeeper mother in the lavish Willis home and plays with Karen, the Willises' little daughter. Although Karen wants to invite Nancy to her upcoming birthday party, Mrs. Willis refuses to allow the lower-class Nancy to attend. A true friend, Karen promises to give Nancy one of the pins her guests are receiving. When Karen realizes there are no extra pins, however, she offers Nancy the beautiful locket she has just received from her mother. Nancy's subsequent joy is soon crushed when Mrs. Willis demands that she return the locket. Later, the locket is discovered missing, and Nancy is accused of theft. Although Nancy's mother soon finds the locket in Karen's dress, Mrs. Willis refuses to believe Nancy and forces her to "confess."
The adult Nancy then admits to Clyde that this childhood humiliation caused her unconscious desire to steal the bracelet at the party. After a forgiving Clyde returns the bracelet anonymously, he and Nancy continue their romance until the next party at the Bonners'. Suspecting that the absent Nancy is spending the evening in Bonner's arms, Clyde leaves the party to look for her and sees her exiting Mrs. Bonner's bedroom just after two gunshots are fired. Bonner is found murdered, and Mrs. Bonner's diamond necklace, stolen. Although Nancy and Clyde are questioned, valet Myron Dexter is eventually found guilty and is sentenced to die. Clyde, however, strongly suspects Nancy, but she angrily maintains her innocence and leaves for Florida.
Back in his office, Blair defends Nancy to Clyde but invites him to his house that evening. When confronted, Nancy denies everything and tells Blair that Clyde is merely jealous. The next day, Dexter is executed, and a guilt-ridden Clyde jumps from Blair's office window to his death.
To avoid scandal, Blair and Nancy move to England, and after World War II breaks out, Blair volunteers his medical services, while Nancy becomes an ambulance driver. Expressing concern over Blair's health, Nancy insists that they take a vacation at Lord and Lady Wyndham's manor house. Just as they are leaving, Blair learns that one of Lady Wyndham's valuable jewels has been stolen. Blair suspects Nancy but is unable to prove anything until a bomb destroys their flat and reveals her cache of stolen jewels.
Although confronted directly, Nancy continues to deny any guilt and divorces Blair after he suffers a nervous breakdown. Back in John's study, Blair, like Clyde before him, tries to convince John to abandon Nancy, who now uses the name Patton. John, however, believes Nancy when she tells him that Blair is still suffering from his breakdown.
Moments before the wedding is to start, Nancy's future mother-in-law, the unsuspecting Mrs. Willis, gives her the same locket that she once took away, and tells her that it is a precious family heirloom. The locket causes Nancy to be overcome with guilt, and she collapses at the altar in hysterics. As Nancy is later taken away to an institution, John sadly realizes the truth of Blair's story, but determines to see Nancy through her crisis.
chinese box 三層嵌套故事 看似一個(gè)開(kāi)放的結(jié)局其實(shí)是確定的美好的結(jié)局 femme fatale形象并未貫徹而是被美化地接受似乎也可以看成是這部影片對(duì)這樣一個(gè)話題的觀點(diǎn)
三層嵌套的閃回?cái)⑹潞苡幸馑迹恳粚右蛑v述人不同而蒙上了不同的主觀色彩,可這種模糊性被結(jié)局粗暴地毀了。偷沒(méi)偷,殺沒(méi)殺,都不重要,有趣的是不同敘述的曖昧性。音樂(lè)有點(diǎn)像『Laura』。
Chinese box式結(jié)構(gòu)。不同敘事者的三層閃回。簡(jiǎn)單卻未必可信的童年傷痕歸因。Laraine Day的純真演繹功不可沒(méi)!
女主角南希到頭來(lái)把自己曾經(jīng)的兩個(gè)愛(ài)人都完全逼瘋了,只到結(jié)尾真相似乎都還有些模棱兩可。影片的敘事結(jié)構(gòu)也很有意思,通過(guò)兩位主角的回憶和現(xiàn)實(shí)交織成一段夢(mèng)魘,食指君今年看的第一部好片。
女主表演和攝影打光都可圈可點(diǎn),故事結(jié)局放在同類片中算得上是難得的柔情。75
俄羅斯套娃的劇情設(shè)計(jì),隨著對(duì)回憶挖掘的不斷深入,信息也就變得越來(lái)越不可信。然而在一切分析收束的中間,作用為符號(hào)的吊墜是如此真實(shí)和遙不可及的圓滿。可是在不斷揀拾從最深處破碎的自己碎片的過(guò)程中,我們能達(dá)到如此的圓滿嗎,無(wú)罪的瘋癲引發(fā)的地震真的可以作為心靈最真實(shí)點(diǎn)的對(duì)立被輕描淡寫地安撫和遺忘嗎?
Nancy根本就是亦舒女郎在世嘛,夠黑。米徹姆好青澀
http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=24860
7.后公民凱恩時(shí)代,三層環(huán)套閃回的古典敘事,所以說(shuō)后現(xiàn)代盜夢(mèng)空間的結(jié)構(gòu)就沒(méi)什么可高潮的。戰(zhàn)后在大眾文化中流行開(kāi)來(lái)的文化潮流—佛洛依德學(xué)說(shuō)被引用到人物的構(gòu)建上。
層層回環(huán) 直到結(jié)尾 也留了許多想象空間。
3.5;三層倒敘結(jié)構(gòu)真的很凱恩式的rosebud了,套娃結(jié)構(gòu)為懸疑加分,且與記憶/言語(yǔ)的不可靠性契合;然而過(guò)于強(qiáng)調(diào)童年陰影未免過(guò)于玄學(xué),難以支撐起后續(xù)發(fā)展,如若增加對(duì)精神層面的深層考究,效果會(huì)更好。
《薩拉戈薩手稿》式手法,故事里的人講著故事里的故事。女主貧窮的童年讓她一生處于缺愛(ài)缺乏安全感的狀態(tài)這種弗洛伊德式精神分析法是40年代想炫技蒙太奇電影的最愛(ài),淅淅瀝瀝到了70年代觀眾就膩了沒(méi)啥導(dǎo)演用了。
三星半。精神分析的兩面,只有行為具備唯一性、確定性,而所有觀念都是雜多的、曖昧的,我們無(wú)法明辨某一行為是因何種觀念引起的,同樣,這一行為之后會(huì)引起怎樣的其他觀念、導(dǎo)致何種后果也是段復(fù)雜曲折的漫漫長(zhǎng)路。
Laraine Day是電影的亮點(diǎn)
童年陰影貽害終生??!導(dǎo)演太壞了,找了個(gè)純真美麗的女主角去演繹如此主題,讓觀眾頓生憐愛(ài)之心?!铩铩铩?/p>
三星半,該死的機(jī)翻誤人不淺!
帶著鐐銬跳舞,一種進(jìn)化的中間形態(tài)。
套娃閃回。這片和Undercurrent一起證明1)Mitchum確實(shí)戲路廣;2)當(dāng)時(shí)的RKO還不知道如何打造他們的新星。
今天課堂用作精神分析的片子,潛意識(shí)與戀物癖,雖然是很低級(jí)的閃回套閃回的敘事,但人家是1946年的片子,絕對(duì)要給贊!盜夢(mèng)空間也不過(guò)是高科版的夢(mèng)套夢(mèng)而已罷~(而作為一個(gè)慣常入戲的非邏輯女性觀者,倒是愛(ài)上那句臺(tái)詞:If you want sth, badly enough, you will get it some day.)
對(duì)Laraine Day的厭惡又加深一層,她一臉無(wú)辜裝傻白甜的時(shí)候讓人瘆得慌。閃回套閃回的結(jié)構(gòu)挺花哨的,是適合精神分析的好片??蓱z藝術(shù)家和心理醫(yī)生都被逼瘋,所謂慣偷永遠(yuǎn)都不會(huì)改邪歸正。