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更新時(shí)間：2024-04-11 05:10
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A substantial insurance payment could mean either financial salvation or personal ruin for a poor black family.@www.molikan.com
長(zhǎng)篇影評(píng)
1 ) The Drama Repeated
The ideas and images shown in the movie A Raisin in the Sun are still applicable to modern society.
There is always the conflict between ideal and reality; there are always people who struggled to achieve their dream who are constrained by all kinds of obstacles; there is still racism exists in society;
Different generations of people may come and go; the time and place may change, but the stage is always there and the drama remained and repeated.
Take China for example. The flood of African Americans from the south to North in the U.S. history is similar to the ongoing flood of farmers and workers from suburban areas of China to big cities like Beijing, Shanghai and Guangzhou. Others look them down upon not because of their skin color but their lack of education and low quality lifestyle. But the core is the same – discrimination. Due to the fast development of China, these people come to seek opportunities and a better life in the big city like Walter’s mother Lena once did when she was young. But once they arrived, they realize the reality is not as dreamy as they thought it would be. They end up doing low-tech jobs and earn little money. Live in small rentals with shared bathroom. Their living condition is no better than Walter’s family, sometimes even worse. And they are unlikely to change this situation in a very long time because not every family will get a large amount of insurance money over one night.
There’s a saying in China, that “if families are happy, they much be happy in a similar way; if families are unhappy, their struggles must be completely different.” I partly agree with this saying, I believe every family has its own struggle, but only at its surface it seems different, at the very core, these conflicts and struggles all come down to one simple thing – not getting what one wants in life.
A Raisin in the Sun detailed portraits Walter Young’s family’s struggles and conflicts. It seems personal that each and everyone in the family are struggling with different things. But I think what the movie depicted can applied to all families in the modern society. It’s the drama of desire not being fulfilled and how different people cope with this reality and make compromise along the way.
There is always the conflict between ideal and reality; there are always people who struggled to achieve their dream who are constrained by all kinds of obstacles; there is still racism exists in society;
Different generations of people may come and go; the time and place may change, but the stage is always there and the drama remained and repeated.
Take China for example. The flood of African Americans from the south to North in the U.S. history is similar to the ongoing flood of farmers and workers from suburban areas of China to big cities like Beijing, Shanghai and Guangzhou. Others look them down upon not because of their skin color but their lack of education and low quality lifestyle. But the core is the same – discrimination. Due to the fast development of China, these people come to seek opportunities and a better life in the big city like Walter’s mother Lena once did when she was young. But once they arrived, they realize the reality is not as dreamy as they thought it would be. They end up doing low-tech jobs and earn little money. Live in small rentals with shared bathroom. Their living condition is no better than Walter’s family, sometimes even worse. And they are unlikely to change this situation in a very long time because not every family will get a large amount of insurance money over one night.
There’s a saying in China, that “if families are happy, they much be happy in a similar way; if families are unhappy, their struggles must be completely different.” I partly agree with this saying, I believe every family has its own struggle, but only at its surface it seems different, at the very core, these conflicts and struggles all come down to one simple thing – not getting what one wants in life.
A Raisin in the Sun detailed portraits Walter Young’s family’s struggles and conflicts. It seems personal that each and everyone in the family are struggling with different things. But I think what the movie depicted can applied to all families in the modern society. It’s the drama of desire not being fulfilled and how different people cope with this reality and make compromise along the way.
比起種族，貧窮對(duì)眼界、智慧和希望的殺傷力要大得多。本片最明智的還是那個(gè)非洲人，眼界和思路都把美國(guó)黑人比下去了，改變?nèi)松羁孔V的途徑還是教育。
說(shuō)實(shí)話，很棒。話劇改編而來(lái)，所以舞臺(tái)劇的痕跡明顯，但也因此戲劇沖突很強(qiáng)。關(guān)乎種族的前世今生，關(guān)乎家庭和夢(mèng)想，關(guān)乎傳統(tǒng)和現(xiàn)代，作者的表達(dá)欲很強(qiáng)。老媽媽的那個(gè)角色太強(qiáng)大，再次驗(yàn)證了要“聽(tīng)媽媽的話”。ps:那個(gè)年代3500美金就可以買(mǎi)房了??！如果是投資的角度，最后不應(yīng)該堅(jiān)持搬家到白人小區(qū)的！
這部劇的內(nèi)核是Black consciousness：為什么沒(méi)有賣(mài)房拿錢(qián)？因?yàn)殪`魂不可賣(mài)；為什么不去尼日利亞？因?yàn)樗麄兪俏宕绹?guó)人。
英美戲劇賞析課。其實(shí)這個(gè)劇作有一點(diǎn)我非常討厭，那就是為了推進(jìn)情節(jié)的發(fā)展刻意把人物弱智化。屬于時(shí)代意義大于劇作本身的那類(lèi)劇。據(jù)說(shuō)是百老匯上演的第一部黑人戲劇。
Hansberry的戲劇改編的，英語(yǔ)課上讀了整本script。故事引人入勝。
英語(yǔ)課上看的，這種舞臺(tái)劇電影看的不多，但電影中的人物神態(tài)，動(dòng)作等都很有趣。事實(shí)上我發(fā)現(xiàn)通過(guò)這部電影我開(kāi)始理解舞臺(tái)劇的看點(diǎn)?。喝酥g細(xì)微的互動(dòng)，看角色們不同的反應(yīng)如何推動(dòng)情節(jié)發(fā)展。很多有趣的細(xì)節(jié)：兒子喝醉跳舞時(shí)手拍到墻上的燈后燈抖了一下體現(xiàn)出他的力量；居委會(huì)的白人主席來(lái)的時(shí)候不斷地尷尬地笑并與主角們保持距離（拒絕酒水）；而人物會(huì)通過(guò)改變穿搭來(lái)體現(xiàn)心態(tài)，比如開(kāi)頭兒子談完生意后回來(lái)在問(wèn)支票的同時(shí)脫西裝露出里面的短袖，象征著他對(duì)錢(qián)的渴望可以使他卸下防備。不同觀點(diǎn)的交鋒也很有力，擁有先進(jìn)思想但也有點(diǎn)驕傲（當(dāng)著母親的面否定她的信仰）的女兒，想要的太多結(jié)果盲目并不得志的兒子，以及保守但同時(shí)有原則的母親。就是表演有時(shí)候有點(diǎn)迷惑，女兒的表情太豐富，喜怒變化給人感覺(jué)有點(diǎn)混亂，兒子也讓人搞不清是真糊涂還是假糊涂。
本學(xué)期英語(yǔ)課上看的六部電影中最讓我觸動(dòng)的
八星吧。舞臺(tái)劇錄播又如何，這樣的Sidney Poitier表演我愿意看上它十個(gè)八個(gè)小時(shí)的。Denzel who?【此片獲得當(dāng)年戛納的Gary Cooper獎(jiǎng)，是趕上Coop去世臨時(shí)設(shè)立的嗎？雖然不知道是啥性質(zhì)的，但是想到Coop是個(gè)republican, 外加他說(shuō)過(guò)很討厭類(lèi)似《推銷(xiāo)員之死》這類(lèi)型的劇本認(rèn)為其不夠'patriotic'，這個(gè)題材的獲獎(jiǎng)還是有點(diǎn)諷刺。
完全戲劇化的改編是對(duì)原作內(nèi)容的尊重，看得出《藩籬》向其借鑒了絕對(duì)的中心內(nèi)核，關(guān)于黑人群體的遭遇以及一個(gè)家庭內(nèi)部的原諒和寬恕，關(guān)于會(huì)犯錯(cuò)的男人和像大樹(shù)一樣庇護(hù)全家的母親。
有幾艱難？最重要一家人齊齊整整。
太感人了…所有在理想與現(xiàn)實(shí)之間糾結(jié)的人都應(yīng)該學(xué)習(xí)些東西
5表演過(guò)頭了。。。舞臺(tái)劇式的電影。。。?？吹阶詈罂爝M(jìn)了。。。那個(gè)尼日利亞純粹來(lái)搞笑的。。。那個(gè)妹妹太操蛋同時(shí)跟2個(gè)男的發(fā)展。。。最后所謂的尊嚴(yán)而放棄經(jīng)濟(jì)補(bǔ)償沒(méi)道理。。。如果那些人是種族歧視的為什么不拿他們的錢(qián)去別地找房子？。。。片子好像講了不少思想可能是當(dāng)時(shí)比較典型的黑人思想類(lèi)型吧。。。反正最后被所謂的尊嚴(yán)統(tǒng)一了。。。莫名其妙的
關(guān)于種族、家庭與夢(mèng)想的故事。老派黑白片的拍攝手法，舞臺(tái)劇式的呈現(xiàn)。表演極有張力，尤其西德尼波迪埃與MAMA的演員。值得一看。
很還原原劇本了。而且也符合那個(gè)年代，人物性格特別準(zhǔn)確且徹底。母親好堅(jiān)韌啊。
室內(nèi)空間的展現(xiàn)十分成功，運(yùn)用房門(mén)、拉門(mén)、欄桿巧妙轉(zhuǎn)場(chǎng)，似轉(zhuǎn)非轉(zhuǎn)。各個(gè)角色的人生恰如他們的活動(dòng)區(qū)域一樣不可避免地糾纏到一起，家庭的命運(yùn)背負(fù)在每個(gè)人身上。Beneatha諷刺說(shuō)老二只能睡到房頂上，心理上的重?fù)?dān)頓時(shí)有了空間意義，像是一塊磐石壓在頭頂。隨著劇情推進(jìn)，本來(lái)看起來(lái)樸實(shí)但整潔有序的公寓變得窒息、伸展不了手腳。既然一家人這么喜歡慷慨陳詞、手舞足蹈，換房子恐怕是必然。不知道在新房子里，有了相對(duì)獨(dú)立的空間，Lena反復(fù)強(qiáng)調(diào)的家族意識(shí)會(huì)不會(huì)減弱，睡在自己房間里和睡在沙發(fā)上的Travis肯定有著不同的未來(lái)走向。
神一般的演技 就像他們自己的生活。錢(qián) 尊嚴(yán) 生活 夢(mèng)想 憤怒 親情,etc. 算是看過(guò)的最優(yōu)秀的話劇
一家人的彷徨和希望 舞臺(tái)劇式的電影但表演非常棒 Walter和Mama的那場(chǎng)戲非常強(qiáng)悍
對(duì)這個(gè)劇本本身沒(méi)什么感，電影演員表演也有些過(guò)火了。只是屬于特殊時(shí)代背景的作品吧，缺少那種流芳經(jīng)典的力度。95
直觀感覺(jué)就是幾臺(tái)攝影機(jī)對(duì)著舞臺(tái)現(xiàn)場(chǎng)錄制，講述了一個(gè)與《推銷(xiāo)員之死》類(lèi)似的故事。表演太用力，臺(tái)詞過(guò)于密集。布景看不出生活條件的困苦，演員們妙語(yǔ)連珠，跟底層黑人勞工實(shí)在對(duì)不上號(hào)。最傷心之處在于，經(jīng)過(guò)五六代人的更迭，他們熟練地操著白主人的語(yǔ)言，舉手投足生活習(xí)慣及至思維觀念也均已白化；非洲傳統(tǒng)非但被摒棄，還遭受到新一代的嘲弄。經(jīng)歷了如此徹底地洗髓易經(jīng)之后，他們只是披著黑皮膚的窮鬼，除去階級(jí)差異哪還有什么種族之分？
理想與現(xiàn)實(shí)的糾葛，家庭內(nèi)部矛盾，整部電影更像一出舞臺(tái)劇，波蒂埃與母親間的對(duì)手戲精彩絕倫！