長鏡頭對話就一個鏡頭嗎?況且情節(jié)枯燥無味、無趣、無聊,第一次打個一星,沒有金周靈根本沒看下去的鏡頭。
看完《熔爐》我是奔著金周靈來的,好多都說她丑,我感覺她很有韻味,身材好,大長腿很飽滿,就喜歡征服這種高冷的女人,其實感覺她比較和善,沒有她我根本看都不看,最后那個吵架情節(jié)很像我,吵架不動聲色。
這部電影展示了 30 歲左右與另一半在韓國生活的感覺。這部電影中的大多數(shù)事情都是普遍的,你與另一半的關(guān)系,你的父母、朋友、工作、孩子,這部電影就是關(guān)于這些的,沒有精心設(shè)計的轉(zhuǎn)折,也沒有夸張的故事,只是另一對 30 多歲的夫婦想知道他們要去哪里做他們的生活。
這對我來說是一部好電影,但有兩個時刻讓我感到失望,我敢說這就是這部電影取得如此成績的原因。有兩個時刻,兩個主角都在想象現(xiàn)實中沒有發(fā)生的場景,但在電影中我們無法確定它們是什么時候開始的,而且在敘述中感覺很奇怪。
但這沒關(guān)系,所以有些人可以知道他們正在經(jīng)歷的事情不會是第一次。
It's a low-cost movie with all kinds of rough movie elements. But because of its low cost, it has become an advantage. The movies no longer pursue too many montages, but use a large number of long lenses to tell stories, and even long lenses are mostly filmed in fixed positions.
Although this is a Korean story, it has the general style of Japanese movies. Its brushwork is warm and slow, like some Japanese Zen movies. But it also has no paranoia or perversion in some Japanese movies. It's just a slow narrative brush and cheap shooting that tells you a cheap romance story in Korea.
The hero and the heroine are two blue-collar workers. They are not so young. They go to and from work every day and lead an uneasy life. On the surface, they seem to be living in a heart-to-heart way.But in fact,like almost all couples, they can not love so deeply.
Faced with the social values of working first, having children, and then providing for the aged, they naturally have to compromise, because they are also supporters of such values. Nor can they see the world from the perspective of any great man. They only know that when they have children, the number of intimacies and the amount of money will decrease, and they will need to work harder. So they don't seem too anxious about having children. But even so, when others have children, they are a little jealous.
In the film, they lost a bicycle. Even in such a simple disaster, they will mourn for half a day. However, they soon got their bicycle back, and the anger between the couple disappeared immediately. They may also know that there is no need to be angry. Losing a bicycle is only a small test of their lives. The real reason why they are sad is that in the social cohort of life, the ranks of others have gone far. Their team didn't keep up with most other ordinary people, so they are anxious.
However, even such cheap romance. It is also love, but not so precious, not so reliable. This is the love of millions of people, this is the love of our parents, this is our love. This is a very limited love, any major disaster can break it down. But it is also the love that society needs. When we fall in love like this, you are as indecisive as the rest of us, and as indecisive as the couple. However, the only way you can face this kind of love is to occasionally look at the stars and discuss with each other whether it's time to have a child.
For thousands of years, most love has been like this. We really don't need to be too sad because of its shallowness. Because you and I all know that life is short, feelings are precious, too precious, and most of the feelings will be given to the wrong person. Even if you are lucky enough to give love to the right person, chances are that the two couples who fall in love will be humiliated by fate. Why?
Because we are collective animals, Wherever there is a steep place, there is pressure, even in love.
In love, if you love too much, you will soon be criticized. "Do you need to do that? You can be more rational.”
But what if you love too little? The whole value system, including yourself, will spit on your desperation. "He's such a ruthless fellow."
You just need to "not love so much, just love a little". Because the key is not whether you are brave, but that you are just ordinary people. Most ordinary people do not have the ability to carry too deep emotions. Deep emotions are not scarce things, but they are difficult to maintain. Facing the flood of fate, love is extremely fragile, ordinary people often find it difficult to preserve.
If affection is so difficult to pursue, then what else can we pursue? The author really doesn't know. Perhaps, less nonsense, more learning, more work, learn to save themselves before saving all living beings, is a positive way to face. Because there is an old Chinese saying that all living things are humble in front of the gods between heaven and earth.
這是第一次寫英文影評,這個評主要是照著自己的中文影評翻譯的,做了一點點小小的修改。
中文鏈接:
//movie.douban.com/review/7539077/
我的英文能力很一般,但這應(yīng)該是一個有趣的嘗試,所以我試著做了。就這樣吧。
我看到幸福。
生活流,家庭事
太平淡了。。。
生活的樣子,平實的不像真的~~
一般般吧,與洪尚秀還是有差距
很實際。。。寫實
完全就是紀錄片吧。。。
這種獨立電影還真不是我的菜,但可以想象這部電影的誕生是一個怎樣的過程。
明顯功力不夠,講平淡故事的火候根本比不上洪尚秀。不上不下
鳴蟲之夏,流星來的那一夜。兩個夢有點意思,對未來婚姻生活的擔(dān)憂與恐懼。主題很清晰,但結(jié)婚在一起還那么高粘度的膩味,是不是有點OVER。還至少致敬了兩部電影吧,《偷自行車的人》和《低俗小說》。
對于我來說,我所能記起的每段感情都是最轟轟烈烈的片段,最精彩的時光,或許因為沒有這種同居經(jīng)歷吧,這種平淡的,相濡以沫的感覺從來也沒有郭,說什么事兒的時候也總是以“我”開頭,而不是我們,沒有跟任何人綁定在一起過,這種感覺真棒,夏夜穿著裙子,吹著涼風(fēng),吃著冰棒牽著手散步,我期待
除去夸張的表演,粉飾過頭的扭曲情節(jié),韓國人還是會好好講故事,好好說話的。
--“哥,你今天要不要射在裡面?”--“萬一懷了孩子怎么辦?” 確是小夫妻平淡真實的生活,但獨立電影不應(yīng)該只看得到剪輯。
這貨其實很難說是一部電影~
最美好最真實的戀愛莫過于此吧…
Mediocre
耐下心看,細節(jié)不錯
女主這掛我是吃的...這部電影還真是很平淡很平淡,但是我也是真的喜歡。那些細碎的生活,莫名其妙的爭吵以及相愛的細節(jié)。感覺真好…
醒著的時候倒像夢一樣。
“哥,你今天要不要射在裡面。”