1 ) 續(xù)集的導(dǎo)演和編劇為什么都用些腦殘??
從第3部入坑的,后來(lái)看過(guò)1.2,我缺覺(jué)得第3部是最精彩的,兼具戲劇和恐怖還有真愛(ài)的力量。。。新娘的黑化裝和行為撐起了一整部電影,屌的飛起,這部實(shí)話(huà)說(shuō),可以拍的很好的,但是硬生生拍成了腦殘片!
很多地方強(qiáng)行拗劇情,尼瑪一個(gè)特種小隊(duì)到一棟大樓去按炸彈,居然會(huì)被幾個(gè)感染者咬了,像這種小隊(duì),前進(jìn)和后退應(yīng)該都是有陣型的,而且遇事甭管你是人是鬼,先干他涼的一炮再說(shuō),可這小隊(duì)表現(xiàn)的卻如街頭混混一樣的水平。。。最離譜的是,炸彈還有最后幾分鐘要炸了,那腦殘居然聽(tīng)到個(gè)聲音就跑去救人,你當(dāng)你是超人嗎?我追好奇的是,見(jiàn)到那個(gè)女的的時(shí)候只剩最后一分鐘爆炸,沿途還有感染者襲擊,他們到底是怎么安全下來(lái)的?這兩貨不會(huì)真的是超人吧?
這么重要的研究就在一艘民用的破船里進(jìn)行??這群人不會(huì)是哪個(gè)非洲難民國(guó)吧?你他么搞個(gè)潛水艇會(huì)死???而且全片很多次有‘沒(méi)有彈藥了’的對(duì)話(huà)出現(xiàn),他么的非洲難民小國(guó)錘實(shí)無(wú)誤?。∽钪匾难芯棵苁揖尤槐粋€(gè)‘黑客’直接打開(kāi)了。。。而且密室有人進(jìn)去干了點(diǎn)臟活累活出來(lái)居然沒(méi)人發(fā)現(xiàn)。。。你們這些人是不是趁停電偷偷吃了一口屎??還是說(shuō)你們外面守門(mén)的人都是機(jī)器人,停電就不好用了??
諸如此類(lèi)的腦殘劇情不計(jì)其數(shù),簡(jiǎn)直跟小孩過(guò)家家一樣。現(xiàn)在很多恐怖片看著讓人想睡覺(jué)就在于此了,故意放些明顯腦殘的角色,設(shè)計(jì)些明顯腦殘的劇情,搞的像給小孩看的一樣,小孩碰到長(zhǎng)的丑的怪蜀黍都會(huì)被嚇哭,難道你指望我們也被怪蜀黍嚇哭???
我喜歡第三部的女主就在于女主是個(gè)優(yōu)秀的人類(lèi),智商在線(xiàn),勇敢,聰明,身手好,我覺(jué)得我碰到那種情況我也不會(huì)表現(xiàn)的比她更好了,這才是恐怖的地方!而恰好女主顏值高,還有大長(zhǎng)腿,還是婚紗。。。。
2 ) 一部不如一部
死亡錄像系列一路看過(guò)了,真的是一部如不一部啊,到底要怎樣拯救呢?不過(guò)說(shuō)起來(lái)總體的故事脈絡(luò)還是很入勝。前2部是接續(xù)的,第3部算前傳吧,第4部感覺(jué)是很明顯的收到了生化危機(jī)里面在大油輪上那一部的影響了,同樣的孤獨(dú)的女主角、粗魯而無(wú)措的男主角、一群心懷鬼胎的科學(xué)家、一個(gè)逗比胖子配角的設(shè)置,實(shí)在是封閉恐怖片的經(jīng)典配置??傮w來(lái)說(shuō),就是無(wú)新意,無(wú)特色。除了最后女主稍微漏了點(diǎn)點(diǎn)大胸之外。嘻嘻。
3 ) 鐵打寄生蟲(chóng)之暴走的大白鯊
不懂4存在的意義,首先,4已經(jīng)完全違背了“錄像”這個(gè)特殊的記錄方式,不要告訴我?guī)讉€(gè)監(jiān)控器就是錄像了哦呵呵。鏡頭超級(jí)亂,甚至沒(méi)有前三部走拍的鏡頭穩(wěn),血腥的地方模模糊糊,整個(gè)高潮就是在跑地圖。最后我想問(wèn),那個(gè)寄生蟲(chóng)怎么這么頑強(qiáng),炸彈都炸不死?如果沒(méi)有意外的話(huà)應(yīng)該還有第五部,我預(yù)言肯定叫“暴走的大白鯊”哈哈。
4 ) 有功有過(guò)的偽紀(jì)錄片電影(前四部時(shí)間線(xiàn)整理)
前幾天看完了死亡錄像最后一部,看網(wǎng)上很少有四部串講的文章,復(fù)習(xí)了前幾部,給大家理清時(shí)間線(xiàn)。
故事一開(kāi)始,女記者去錄制消防員的節(jié)目,夜晚碰上警情稱(chēng)有一住戶(hù)的老奶奶頻頻尖叫,于是一行人前往目的地。消防員破門(mén)后被變異的老奶奶襲擊,眾人急忙送受傷的消防員緊急就醫(yī),才發(fā)現(xiàn)整棟樓都已被封鎖,只能留在樓中。此時(shí)女記者采訪(fǎng)一個(gè)小女孩,得知她的寵物狗生病住院,到了晚上自己也高燒不退,她的父親去買(mǎi)退燒藥,被攔在樓外。
過(guò)了一段時(shí)間后,政f派出檢疫員進(jìn)入樓中,想要離開(kāi)大樓必須要得到檢疫員認(rèn)定。當(dāng)然后續(xù)檢疫員也give over了。等記者逃到閣樓,發(fā)現(xiàn)了一些資料,提示有一個(gè)神父囚禁了感染喪尸病毒的女孩(后文稱(chēng)母體),想要制作出疫苗,但顯然失敗了,于是他鎖死了房門(mén),自己變成了干尸(第二部從天花板上摔下來(lái))。最后經(jīng)過(guò)母體的連環(huán)嚇人后,女記者被拖走,第一部結(jié)束。
第二部一開(kāi)始,幾個(gè)SWAT隊(duì)員和神父進(jìn)入已封鎖的大樓,受到襲擊后,我們得知圣經(jīng)和十字架對(duì)喪尸有效,神父在隊(duì)員的逼問(wèn)下道出這是一起宗教事故,此行目的在于找到血液樣本。因?yàn)樾枰窀缸C明才準(zhǔn)出去,隊(duì)員只能按照要求前進(jìn)。一番混戰(zhàn)后,成功找到了樣本,但一個(gè)隊(duì)員不小心摔碎了樣本,只能轉(zhuǎn)而去尋找母體喪尸。
與此同時(shí),三個(gè)小屁孩和兩個(gè)大人從下水井偷偷到了樓內(nèi),其中一人是想給第一部女兒送退燒藥的父親。當(dāng)然最后的結(jié)局是統(tǒng)統(tǒng)死光。
在神父到處尋找母體的時(shí)候,第一部被拖走的女記者突然上線(xiàn)。她稱(chēng)自己知道具體位置,便帶著神父一行來(lái)到閣樓,隊(duì)員用夜視模式發(fā)現(xiàn)了暗門(mén),混戰(zhàn)后隊(duì)員已經(jīng)全部退場(chǎng)。神父和母體一換一后,記者終于露出了真面目:原來(lái)她被拖走后,母體的寄生蟲(chóng)就到了她體內(nèi),她已經(jīng)成為了新的母體。結(jié)尾她模仿神父的聲音稱(chēng)發(fā)現(xiàn)幸存者,逃出生天,第二部結(jié)束。
第三部和主線(xiàn)沒(méi)多大關(guān)系,第一部的狗咬傷了叔叔,禍害了整個(gè)婚宴。本部主要看點(diǎn)在于哥特新娘,以及愛(ài)情喜?。??)從這部開(kāi)始,拍攝手法不再局限于第一人稱(chēng)視角。
第四部回到主線(xiàn)。女記者、救出她的警察、軍醫(yī)、第三部未參加婚禮的外婆,四人被控制到一艘船上,科學(xué)家受命在密碼房研究疫苗。
軍醫(yī)結(jié)識(shí)了會(huì)黑客技術(shù)的死宅,問(wèn)出了實(shí)驗(yàn)室的密碼,放出了實(shí)驗(yàn)猴。死宅是女記者的死忠粉,修復(fù)了第一部片尾落下的攝像機(jī),看到了女記者被寄生的過(guò)程。
第一次變異出現(xiàn)在午餐時(shí)間:被放出的實(shí)驗(yàn)猴順管道到達(dá)廚房,和廚師搏斗后被燉,廚師負(fù)傷成為了第一個(gè)喪尸,一個(gè)船員嘗了口飯后離開(kāi)廚房,感染擴(kuò)大到整艘船。
危急關(guān)頭,科學(xué)家在廚師身上嘗試注射研發(fā)的疫苗,結(jié)果不僅無(wú)效反而攻擊性還加強(qiáng)了。科學(xué)家看到修復(fù)后的影像后堅(jiān)信女記者是母體,要直接活體開(kāi)刀找寄生蟲(chóng),女記者在死宅的幫助下逃走,臨走咬了科學(xué)家一口,稱(chēng)如果她是母體的話(huà)科學(xué)家此時(shí)肯定也被感染了。之后科學(xué)家自己抽血檢驗(yàn)并沒(méi)有發(fā)現(xiàn)病毒,證明科學(xué)家的推斷錯(cuò)誤,女記者只是普通人。
不巧,維修工在地下室和喪失搏斗的過(guò)程中破壞了引擎。小隊(duì)決定一分為二,軍醫(yī)獨(dú)自去找女記者,隊(duì)長(zhǎng)和死宅去修引擎。
等到軍醫(yī)、女記者和科學(xué)家三人相遇,女記者逐漸明白了一切,她指出寄生蟲(chóng)會(huì)選擇宿主,她和軍醫(yī)曾朝夕相處過(guò),寄生蟲(chóng)可能早轉(zhuǎn)移到了軍醫(yī)身上。軍醫(yī)詭異地笑了,承認(rèn)是他放出的實(shí)驗(yàn)猴,科學(xué)家在絕望下按下了炸毀船體的倒計(jì)時(shí)按鈕。
眾人只能拼命逃跑,尸橫遍野中,只有軍醫(yī)、科學(xué)家、死宅、女記者還活著??茖W(xué)家?guī)е壬?,被死宅奪走,四處尋找女記者;與此同時(shí)軍醫(yī)體內(nèi)的寄生蟲(chóng)即將再次寄生到女記者身上,緊急關(guān)頭,死宅送過(guò)去一把武器,兩人成功解決了軍醫(yī),坐上救生船逃出生天,船整個(gè)被炸毀。在爆炸后,寄生蟲(chóng)卻沒(méi)有死亡,它落入海底被一條魚(yú)吞入腹中。
影片后續(xù),女記者和死宅坐在出租車(chē)上,司機(jī)問(wèn)派對(duì)開(kāi)心嗎?對(duì)應(yīng)之前被寄生的軍醫(yī)告訴女主派對(duì)要開(kāi)始了。看來(lái)人類(lèi)還是難逃此劫。
總結(jié):這四部看得磕磕絆絆,越拍越爛,后面攝影手法上來(lái)了,劇情也稀碎了。從喪尸病毒,到宗教,最后變成寄生蟲(chóng),最關(guān)鍵的問(wèn)題就沒(méi)有拍清楚。
但作為看過(guò)的第一部偽紀(jì)錄片,第一次感受帶身臨其境的恐懼感,結(jié)尾也確實(shí)被嚇到了。第四部跨時(shí)已久,刷了波懷念感,還是多給一星。希望拍后續(xù)的話(huà)整個(gè)大活,把口碑刷上來(lái)。
5 ) 看完感覺(jué)真是差到不行了
如果不是特別好或特別差的片子,我一般也懶得去豆瓣上面寫(xiě)影評(píng)或看影評(píng)。這是前言。
這部電影,怎么說(shuō)呢,屬于后者。
這爛片……
要恐怖沒(méi)恐怖要狗血倒是淋一頭,劇情出彩也沒(méi)有,承上啟下也沒(méi)講明白,宗教題材變成了科幻片,第一人稱(chēng)紀(jì)錄片拍攝手法早就丟到姥姥家了。正派像反派,反派很正義(不愿意讓船靠岸)……不過(guò)每個(gè)角色看了都想讓他死……最后女主和屌絲男得救也讓人絲毫不歡喜。這種全片讓人看了都不爽的電影,不就是賣(mài)弄血漿的爛片么…………
好了,發(fā)泄式吐槽(噴)完畢
6 ) Jaume Balagueró & Manuela Velasco is Return!This is About the Kill,Bloody & Gore on REC 4 Apocalypse,
After the demise of the Spanish Police GEOs team sent in to deal with the situation in the second film, the fourth film opens with the Army taking control and sending in a Special Forces Team to recover ángela and destroy the building. They begin setting bombs all over the apartments, but when they're ambushed by the infected Manu and the old man, they then kill them off and kill the officers infected as well. They then hear ángela's screams for help and tell her it is time to get out.
ángela wakes up in a room where Doctor Ginard is performing tests on her. He asks her if she remembers anything and she says no. Ginard takes a blood sample to make sure she's clean. A GEO, Guzman, finds an elderly lady, who is revealed to be the only survivor of the events of the third film. He meets up with his partner, Lucas. ángela attempts to escape the lab, and runs into Guzman. Both discover they are on a boat. Doctor Ricarte and the soldiers tell them that the situation is under control as ángela's blood returned clear of any infection.
Guzman is introduced to Captain Ortega, who's making his last voyage, and Nick, who's in charge of com-apps. Nick is trying to recover the footage from ángela's camera. Later that night, a blackout occurs. Guzman finds ángela walking in the hallways of the ship. She claims to have gotten scared and Guzman keeps her wandering a secret. The next afternoon, ángela meets Nick, who's a huge fan of hers. He shows her the tape and ángela begins to remember Tristana Medeiros. Nick also sends the file to the labs for them to look over.
Ricarte and his team discover that their test subject, an infected monkey, was released during the blackout. The monkey attacks and infects the ship's cook. Their blood contaminates the ship's food supply, which infects most of the crew through ingestion. After unsuccessfully testing an antidote on the cook, they leave ángela, Guzman, Lucas and the old woman in the cafeteria. It turns out Lucas took a sample of blood from the building and knows that the people in charge are the Vatican. After they arm themselves with knives and kill two infected men and a monkey, the old woman is separated and Lucas volunteers to find her while Guzman and ángela go to the Captain and Nick for help.
Ricarte gives up with nothing left to do to stop the infection and then decides to pursue the “protocol.” Just before doing so, his assistant informs him of receiving the uploaded footage. Ricarte witnesses Tristana inserting a worm-like parasite into ángela. He attempts to extract the parasite by forcing surgery on ángela, who pleads that she doesn't know what he's talking about, but before an incision can be made, the captain's assistant who is now infected breaks in and bites Ricarte's assistant which allows ángela to escape. Ricarte and his team then go to search for ángela but then seals himself away after the cook is released and attacks his team only to be attacked by ángela, who bites him, telling him to scan his blood and see for himself that he is mistaken. Guzman, Lucas and Nick then try to find weapons and a way to restart the ship. Nick then tells them that ángela is alive so Guzman goes to find her while Lucas and Nick head to the boiler room. Ricarte proves ángela's theory when his analysis returns negative. Still, Ricarte is convinced that ángela is tricking them so Guzman asks ángela if she is, but then she asks Guzman if he has been tricking them all along. It's revealed that ángela passed the parasite into Guzman during her rescue. Ricarte then sets the ship to self-destruct and escapes while Guzman traps ángela below.
Lucas is then killed by the infected in the boiler room and Nick finds Ricarte, who has a lifeboat. Nick asks for ángela but Ricarte tells him she's as good as dead. Nick knocks him out, takes the lifeboat and searches for her. He later finds her, and both kill the infected monkeys with a boat-motor. They hide from the infected in the cafeteria and then are attacked by Guzman. The parasite possessing Guzman then attempts to reinstate itself into ángela but she kills Guzman with a fishing pole thanks to Nick. ángela and Nick leave the boat as all the infected chase after them. ángela jumps into the ocean and Nick follows, escaping as the ship explodes. Underwater, the Parasite gains consciousness and dives into a fish's mouth.
During the credits, ángela and Nick are shown in a cab, having made it home.
Filming:
On 3 May 2010, Bloody Disgusting announced that "...Filmax will produce two new [REC] films in the next couple of years called [REC] 3: Genesis and [REC] 4: Apocalypse with the same directors as the first two films".Genesis was released on 30 March 2012. It was directed by the Co-founder of the REC franchises, Jaume Balagueró, who co-wrote the script along Manu Diez.Carlos Fernández, Julio Fernández and Alberto Marini returned 4th time as executive producers.
In an interview with Fangoria, director Balagueró stated that the film would not have an apocalyptic style presumed by its title, stating, "All of the movies in the [REC] series have the same budget, so you’re not really going to see big scenes of Barcelona full of zombies; they’re just not intended that way. There has to be a story that’s controlled and strong." Apocalypse is set to follow the events of the second film, and will not be made in the "found footage" style. Production was scheduled to begin in 2013. At the 2012 Sitges Film Festival, it was announced the film would have its world premiere there in October 2013. An announcement trailer was released in late November, confirming the return of Manuela Velasco.[citation needed]
However, in early May 2013, Balagueró stated that the film's production had been delayed and the film would now premiere sometime in mid-2014, but did confirm that Manuela Velasco would be starring in the fourth film. Teaser posters and an updated premise were released early May. Filming began on 13 July 2013 in Gran Canaria, aboard a Russian merchant navy ship.A theatrical trailer for the film was released in April 2014.
Rated:R18+
Review of the Film Final Rated:2/5(2/10)
副標(biāo)題真是亂取名字,第三部叫《起源》,這一部叫《啟示錄》,起源什么呢?啟示什么呢?真他媽矯情。感覺(jué)這一部才是第三部。因?yàn)楣适赂窬肿兇?,所以取消了一二部的第一人稱(chēng)拍攝方式,帶入感變?nèi)酢?/p>
雖然還是巴列卡諾,但是越看越不對(duì)勁了
僵尸版泰坦尼克號(hào)啊 = =
沒(méi)有一個(gè)人物是喜歡的,完全狂奔人性自私路線(xiàn);只有近尾處的一個(gè)轉(zhuǎn)變有戲劇感:好人原來(lái)是壞蛋,是真正寄主,除此之外,完全沒(méi)看點(diǎn)
還留伏筆?!別再拍了,一那種緊迫感密閉感就留作經(jīng)典,別再續(xù)了。。。
這系列走到今天這步可真是不堪…
每況愈下
如果當(dāng)作肥仔向女神表白電影來(lái)看,還有點(diǎn)萌
淪為生化危機(jī)檔次了
最后一部蟲(chóng)子下海了
3.5星。死亡錄像4:粉絲的力量。
整體是X檔案式的神棍科幻。孤島舞臺(tái)搬到了船上。第三部是與一二時(shí)間線(xiàn)同步的番外,所以這第四部跟前兩部湊個(gè)三部曲,而且把第二部的奇幻又扳回了科幻,這樣布局特有意思(就像把本格變成變格又變回本格的今敏的妄想代理人那樣),加上攝影剪輯故事節(jié)奏利索,個(gè)人很喜歡這個(gè)系列。
西班牙語(yǔ)原聲。油輪
就3沒(méi)看過(guò)。。。不過(guò)這一部只是淪為了一部普通的僵尸電影,毫無(wú)特色。2年后再看評(píng)論。。真是忘一干凈。。3起碼記得自己看過(guò)
既然叫死亡錄像...那么問(wèn)題來(lái)了,錄像都去哪兒了.最后那鏡頭,可以無(wú)縫銜接食人魚(yú)3D或者3D食人蟲(chóng)亦可.
tm怎么每部的設(shè)定都改???!從喪尸到宗教到寄生蟲(chóng)……
不錄也就算了,從第二部開(kāi)始變宗教向,到了這一部又說(shuō)是寄生蟲(chóng),一個(gè)鬼寄身蟲(chóng)宿主怕毛十字架和圣水(第二部和第三部里)啊……
艾瑪比上一部還難看… 何苦要拍。
猛男不靠譜,美女還需宅男救。貨輪疾速喪尸,魚(yú)叉馬達(dá)皆爆頭,肉醬一眾瘋猴子。徹底放棄偽紀(jì)錄片風(fēng)格后,這個(gè)系列就極其平庸起來(lái),拍得還沒(méi)上一集婚禮喪尸有趣
三四集開(kāi)始已經(jīng)徹底摒棄了前兩集讓人稱(chēng)道的偽紀(jì)錄片模式,回歸喪尸題材最原始的嗜血虐殺,不變的依然是密閉空間的環(huán)境設(shè)定。生化危機(jī)系列早已科幻化,行尸走肉里的喪尸丑陋干癟遲鈍,死亡錄像系列才是喪尸電影應(yīng)有的樣子子,血性生猛狂躁。