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喂!小咚

喜劇片日本2022

主演:坂口辰平  大塚弘太  遠(yuǎn)藤隆太  師岡廣明  宮部純子  

導(dǎo)演:沖田修一

播放地址

 劇照

喂!小咚 劇照 NO.1
更新時(shí)間:2023-09-13 04:21

詳細(xì)劇情

  A miracle independent film capturing the growth of a single baby over a period of 3 years.  The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion. Directed by OKITA Shuichi, known for films such as "A Story of Yonosuke” and “The Fish Tale”, the movie is a self-produced project featuring OKITA and his actor friends, documenting the life of his own daughter from 6 months to 3 and a half years old. Shot entirely with a handheld camera, the film captures the heartwarming moments of Don-chan's growth and the challenges faced by the three men in nurturing her. The film was also shot on location in Ueda City, Nagano Prefecture, where Ueda Eigeki, a local theater, recommends the movie. Don-chan's growth is complimented along with the picturesque scenery of Bessho Onsen and Sugadaira Kogen. The heartwarming world of OKITA Shuichi, where drama and reality coexist in a mysterious harmony, unfolds throughout the film. From a crying infant, Don-chan grows to a point where she can speak her lines, and everyone's affectionate watch over her brings warmth and comfort to the viewers.

 長篇影評

 短評

(可惡,又在騙我生女兒啦??)養(yǎng)娃日常與演劇人生的相互交織,濃厚而松弛感十足的生活氣息(尤其水族館和露營地兩場戲),可愛的咚醬好似幸運(yùn)天使,把大家都帶到了順利的軌道上來。一些迷影梗令人會心一笑。喜歡的三處情節(jié):咚醬哭醒后四人一起看電影;第一次聽見樓下咚醬的哭聲與尾聲看到咚醬從路口進(jìn)來;最后其中兩人搬家搞得“生離死別”一樣結(jié)果根本沒搬多遠(yuǎn)??

7分鐘前
  • 顏落寒
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有很多《火花》和《橫道世之介》的影子。雖然看起來像用手機(jī)拍的家庭錄像一樣的東西,好幾個場景的處理讓人印象極為深刻。

10分鐘前
  • michaelmas
  • 力薦

足夠真誠的老套 = ??無限可愛(片尾咚醬彩蛋不要錯過!??

12分鐘前
  • 進(jìn)食的岳父
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比起精心構(gòu)思的鏡頭 不小心拍到奇跡 對導(dǎo)演對觀眾都是如有神助的體驗(yàn)

17分鐘前
  • 參考文獻(xiàn)
  • 力薦

很可愛溫暖的一部,在東京下高井戶電影院看的,還有沖田導(dǎo)演的映后談,開心??

21分鐘前
  • zhishu1919
  • 力薦

普通に、のびのびと、優(yōu)雅に生きる。JFF+ independent cinema 2023

23分鐘前
  • 呼啦
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4+ 林克是生完女兒找一幫人來演,沖田則對焦到自己女兒完成客觀到主觀的挑戰(zhàn),在一切不可控(想起陳翠梅說不用自己兒子是怕片場雙身份難控)、也充滿可能性的階段果斷出發(fā),既是對三年時(shí)間的注視,也是家庭私影像。在赤子的領(lǐng)域里,沒有純粹的演繹,初接觸的慌張、換尿布和喂飯配合的熟練、去公園游玩的樂趣,外表下包裹著真實(shí)的時(shí)間流動和親密變化,道夫的理念感染坂本亦如是,劇場成為一個注腳:故事登上舞臺,電影作為原型/“真實(shí)”實(shí)現(xiàn)后撤,宣告它真摯的感情內(nèi)核。遺憾是,或許作為沖田的取味,關(guān)于棄嬰/托兒問題、男性照料嬰兒的困難(照料者的時(shí)代變化)、三個父親的署名權(quán),這些相關(guān)議題都被略過了,用咚醬一句“就這樣也挺好的”化解(道夫面對母親復(fù)歸的錯位感也很有意思卻沒有深入),但作為現(xiàn)實(shí)遞進(jìn)線,觀看過程又避不免想到這些B面。

26分鐘前
  • MR不夠格
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31分鐘前
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35分鐘前
  • another lonely
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37分鐘前
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