The Miracle of Bern (German title: Das Wunder von Bern) is a German film made in 2003, directed by S?nke Wortmann. The film is based on a true historical event. It tells the story of the West German soccer team that miraculously won the title in the 1954 FIFA World Cup held in Switzerland. The film was released in the year after Germany was defeated by Brazil in the 2002 World Cup final co-hosted by South Korea and Japan. When the film was greeted with immense popularity. The film unfolds the story through the perspective of a young boy, Matthias Lubanski, from Essen, West Germany. Matthias’s father served in the Nazi military and was imprisoned in a POW camp in Russia for about 10 years. In his absence, Matthias’s mother runs a local pub and supports three children. Also, Matthias befriends a member of the West German soccer team, Helmut Rahn, who ends up scoring 2 goals in Germany’s victorious final match against Hungary and becoming the hero of the nation. The film contains two main storylines, Matthias’s family and the German National soccer team. The film uses various techniques to connect the experience of the Lubanskis and the entire nation together. Not only does The Miracle of Bern tell the story of the West German soccer team winning the World Cup. It also tells the story of West Germany walking out of the shadow of WWII. Matthias Uecker noted that the Miracle of Bern constructs a nostalgic sentiment toward the period of the economic boom in West Germany after WWII and also the glory of winning the World Cup. In the subtitle of the film Jedes Kind Braucht einen Vater. Jeder Mensch braucht einen Traum. Jedes Land braucht eine Legende. (English: Every child needs a father. Every person needs a dream. Every country needs a legend.), the individuals and West Germany as a nation are already linked. (Uecker) First of all, the family, the Lubanskis, at the centre of the story is representative of West Germany at that period of time. The Lubanskis are set in Essen, a city located in the Ruhr Metropolitan Region, the most import industrial district in West Germany and the pillar of the West German economy. During WWII, a lot of industrial infrastructures were destroyed in the bomber raids in Germany. The economy was also devastated. After the war, the United States government carried the Marshall Plan, intended to help western European countries recover from the war economically. Over 17 billion USDs were provided to rebuild the European economy and modernize the industry. In the first half of the 19th century, large-scale mining and steel production began in Ruhr and Ruhr took off as one of the largest and most famous industrial regions in the world. Alongside the prosperity of Ruhr, many of Europe’s oldest industrial cities started to take shapes, such as Dortmund, Essen, Duisberg and Bochum. Also, during WWII, the heavy industry in Ruhr played a significant role in the German economy. It provided a material and economic basis for the Nazi war machine. After the war, Ruhr played an important role in the economic recovery too. Ruhr can be seen as an icon of German industry and the frontier of economic reconstruction at that period of time. Moreover, the protagonist, Matthias is an average German boy from an average German family. The Lubanskis are representative of the German working-class families at that historical period. Matthias, like many German boys, is enthusiastic about soccer. He is not the most popular kid in school, and he is not very good at soccer either. His father, like many men of that age, served in Nazi military forces. Many of them were killed in action, and the survivors were imprisoned in POW camps all over Europe and Russia. Matthias’s father, Peter Lubanski, survives the war. He is imprisoned in POW camps in Russia. The father encounters a hard time when he just comes back to his family from the Russian POW camp. He sees a different world than the last time he was home. The country he served for no longer existed and he sees a son that he does not recognize. Upon his return, the father still carries the former Nazi ideology. He believes that everyone in the household should follow his rules, fear and obey him. He is also frustrated seeing the family is functioning just fine without him and the women in the household are working. However, the father is traumatized by the war, therefore he is not able to work and provide for the family because the sound of a jackhammer reminds him of a machine gun. What even worse is that he is not able to get compensation from the government. When the father is locked away in Russia, his mother runs a local pub and supports Matthias, his sister and his brother. Like many women who lived in that period of time, she has to be the breadwinner in the household. Almost all men at their prime in that period of time served in the military. A great number of them were killed on the battlefield and many of the ones who returned were unable to work and provide for their family due to severe injury or psychological trauma, like Peter Lubanski. The women in Germany at that time had to step in and provide for their families. In addition, Matthias’s brother and sister are also representatives of the situation in Germany at that period of time. After the war, Germany was split into East and West. East Germany was found in the Soviet occupation zone, and West Germany was established on the former US, British and French occupation zone. The two German states subscribe to different ideologies. Like Germany was divided in two, the two older siblings of Matthias are under foreign influences too. The sister, Ingrid, goes to a party and dances with G.Is. The older brother, Bruno, plays on a band that plays American music. Also, he is angered by his father’s cold, fascist behaviour when the father just returns from the POW camp as well as his Nazi history. He runs away to East Berlin because he believes in everyone is treated equally in the communist state. The split of the Lubanskis in a way signifies the separation of the two German states. Furthermore, not only is the working class of West Germany represented, the middle and upper class also shows up in the film. Annette and Paul Ackermann represent the middle and upper class in Germany after the war. Paul works for a newspaper and writes the sports page. Annette is a spoiled daughter from a wealthy family with high social status. She inherited property from her family and was planning a honeymoon trip to North Africa. The Ackermanns are newly married before the 1954 World Cup. Paul is assigned to cover the World Cup in Switzerland and Annette decides to come with even and take the trip to Switzerland for their honeymoon even though she is no fan of soccer and has no previous knowledge. Moreover, although the odds are not in the West German team’s favour, even the German head coach believes so, Annette demonstrates great confidence in the team and pride as a German, as the soccer team represents her country. Also, the players on the national team are from different places in Germany. The commentator is specific on where each player comes from so everyone in Germany, not only where Matthias lives, is included and represented by the national team. To sum up, soccer is used as an equalizer between rich and poor, men and women, soccer fans or non-soccer fans, estranged fathers and sons. Soccer does not only break the barrier between social classes but also brings people from different parts of Germany altogether. Even when Matthias’s father, who is a very difficult man when he just returns from the POW camp, can get along harmoniously with the son he has never met before through the trip to the World Cup final. The film elaborately uses the story of the Lubanskis and the Ackermanns before and during the World Cup to connect the experience of individuals to the entire nation. Every German celebrates the achievement of the soccer team in the World Cup altogether, as if WWII, which ended only 9 years ago, and its aftermath are already behind them. Unlike the Nasty Girl (German title: Das schreckliche M?dchen), The Miracle of Bern does not raise any heavy questions such as what the people around us were doing during the Nazi period. On the other hand, the Miracle of Bern constructs nostalgic sentiments and creates the illusion of happiness and harmony in postwar West Germany. Throughout the course of the film, music is used to guide the emotion of the audience, during the heated match between the West German team and the Hungarian team or the thrilling moment when Matthias finds his pet rabbits are made into his mother’s birthday dinner. The film resembles a typical Hollywood commercial film and it successfully gained high popularity in Germany, yet the audience is manipulated and absorbed into the story through film techniques. It is made for people’s entertainment instead of meant to trigger critical thinking of the history from the audience.
我很奇怪這種導(dǎo)演到底看不看足球呢……片子是個(gè)好片子,最后表現(xiàn)的那場決賽感覺太假了……
最后的決賽不夠燃~不過畢竟是電影,能把社會(huì)問題和足球運(yùn)動(dòng)結(jié)合的這么好已經(jīng)很難得了。另外足球絕對是世界最美麗最熱血最有凝聚力的一項(xiàng)運(yùn)動(dòng),沒有之一。
德吹毀掉的是50年代前半段世界上最好的球隊(duì),而且使用甲基苯丙胺毀掉的
一個(gè)搖搖欲墜的家庭,展現(xiàn)戰(zhàn)敗德國撕裂的傷痕,戰(zhàn)俘老爹與他眼中的”共產(chǎn)主義者“、”軍妓“與“游手好閑”的家人們,惟有足球可以彌合這一切。體育片的定式,最后的奇跡沒有懸念,只需要表現(xiàn)得血脈噴張足以~BTW.關(guān)于足球的電影沒有一部能超過足球本身的,紀(jì)錄體裁或許更好
看到最后「冠軍是德國」的時(shí)候哭崩了嗎的?。?!勒娘把我愛的德國隊(duì)還回來!?。∥覑鄣膹膩矶际堑乱庵静跔攤儍壕窈妹矗。?!QAQ
馬蒂亞斯一看就知道是個(gè)德國小子,德國人都長一個(gè)樣,譬如諾天王。足球是圓的,比賽時(shí)間有90分鐘,誰知道會(huì)發(fā)生什么。奇跡,老天都幫著呢。
足球文化,二戰(zhàn)創(chuàng)傷,德意志精神!一摞德甲球隊(duì),親切的緊,德國,你是逆轉(zhuǎn)王,你一直是!
比足球更能感動(dòng)我這個(gè)球迷的是父子之間的親情,這樣的感情體驗(yàn)是我一生都無比珍視的東西。
這支德國隊(duì)有點(diǎn)像05年伊斯坦布爾的利物浦
當(dāng)時(shí)的匈牙利可是比現(xiàn)在的西班牙還要牛B很多阿
作為一部足球電影,這部難得的不是俗套勵(lì)志劇,而是一個(gè)關(guān)于足球幫助民族走出創(chuàng)痛、彌合裂痕、重拾自信的動(dòng)人故事,溫暖:)
國家電影的典范,記得DVD花絮里有介紹最后決賽是拿當(dāng)時(shí)的影像對照著拍的簡直高度還原,雖特效技術(shù)稍差又極度煽情,但可謂足球電影里的NO1.同時(shí)又融合了德意志的戰(zhàn)后創(chuàng)傷重建信心及對東德的復(fù)雜感情,還有那個(gè)提供球鞋的就是阿迪達(dá)斯的創(chuàng)始人。突然想到后天德阿的決賽我們也是在親歷又一段歷史。
資料館2014.7.11.7pm 小男孩的狀態(tài)塑造的比較好。競技和奪冠的宏大事件下證成的是家庭的重建-國家的重建,既有那一家人(核心是父親與幼子),還有體育記者的妻子懷孕(一個(gè)孕育未生的、嶄新的生命)。戰(zhàn)敗后、背上納粹法西斯十字架的德國人,開始重建家國民族(意識形態(tài))。
最初看這部片子,是在2006年世界杯時(shí),換句話說,我是在響應(yīng)世界杯的氣氛來“湊個(gè)熱鬧”。可是影片的內(nèi)容卻讓我驚訝,故事的主題不在于渲染德國隊(duì)如何戰(zhàn)勝強(qiáng)大的匈牙利(當(dāng)時(shí)匈牙利是足球老大),而在于講述一個(gè)堅(jiān)強(qiáng)與反思的故事,中間還穿插著原德軍士兵對俄國人造成傷害的愧疚感,于是,我被感動(dòng)了…
Ops,看了這部電影,作為意大利死忠,會(huì)突然有那么點(diǎn)喜歡上德國隊(duì)了。致敬1954年世界杯。三條主線,各有強(qiáng)弱,國家走出創(chuàng)痛、家庭彌合裂痕、民族重拾信心,一顆小小的足球,承載著太重的力量。日耳曼民族的精神,或許本身就是一種奇跡。
本片是為紀(jì)念TheBoss的去世而拍攝,但導(dǎo)演的意圖卻不止于此,而是打算通過三條主線的整合詮釋德意志足球狂熱的根源:足球是化解魯班斯基家矛盾(甚至戰(zhàn)爭創(chuàng)傷)的良藥,足球是記者夫妻感情的催化劑(此線較弱).54獲勝是德國歷史本身的化身(孩子來到伯爾尼恰是奇跡),現(xiàn)在足球可沒這么干凈
從小人物角度切入折射大事件大背景的想法是不賴的,但拍得實(shí)在過于溫吞水了。DVD的畫質(zhì)是真好,花絮里有詳細(xì)提到后期工作人員為了呈現(xiàn)出當(dāng)時(shí)的色彩氛圍所作出的努力,效果也的確相當(dāng)棒。只是最后決賽的重現(xiàn)有些潦草,球場比例明顯不對嘛。迄今為止,還沒見過一部能把足球比賽基本真實(shí)還原出來的電影
一個(gè)男孩對父親從拒絕排斥到理解接受,這種轉(zhuǎn)變的過程其實(shí)也就是民眾對一個(gè)曾經(jīng)犯過錯(cuò)誤的國家重新認(rèn)知的過程。雖然是一部體育電影,運(yùn)動(dòng)場內(nèi)的東西卻只占了很小的比重,導(dǎo)演想讓小小的足球承載非比尋常的重量——家庭,戰(zhàn)爭,政治,兩德。一座世界杯讓一個(gè)飽經(jīng)戰(zhàn)亂的國家重新崛起,這就是體育的力量。
1954 1974 1990 足球早已融入德意志人的血液
“親愛的,你聽好了,我們會(huì)贏,而且會(huì)把他們打得落花流水”。很多時(shí)候,我們需要的是必勝的信念和永不服輸?shù)木?。不管之前輸?shù)枚嗝磻K,一上球場,他們就只想著勝利。