劇照
更新時(shí)間：2023-08-11 01:48
詳細(xì)劇情
十二年前，一位美若驚鴻的唱詩班少女喬安娜·華萊士（奧黛麗·赫本 Audrey Hepburn飾），一個(gè)努力上進(jìn)的建筑師馬克·華萊士（阿爾伯特·芬尼 Albert Finney飾），以及一段浪漫的完美邂逅。十二年后，他們卻不得不開始面對(duì)兩人間存在的嚴(yán)重婚姻危機(jī)。從一見鐘情到熱戀結(jié)婚，從當(dāng)年的信誓旦旦到如今的同床異夢(mèng)，十二年來的婚姻生活恍如隔世。為了挽救他們之間瀕臨破裂的夫妻關(guān)系以及名存實(shí)亡的愛情，喬安娜與馬克開始了環(huán)游法國的尋愛之旅?！ ∮伤固估ざ嗄蠄?zhí)導(dǎo)，奧黛麗·赫本、阿爾伯特·芬尼攜手主演的愛情喜劇電影《麗人行》，以大量意識(shí)流優(yōu)美的倒敘鏡頭，勾勒出了兩人十二年的情感歷程。本片榮獲1968年第40屆奧斯卡金像獎(jiǎng)最佳原創(chuàng)劇本提名、音樂喜劇類最佳女主角提名以及1968年第25屆金球獎(jiǎng)最佳電影配樂提名。
長篇影評(píng)
1 ) 婚姻之路
《麗人行》或許是最好的婚姻題材的影片，不論在內(nèi)容還是形式上。
電影將數(shù)次旅行場(chǎng)景剪輯在一起，從相識(shí)、熱戀到結(jié)婚，細(xì)致地展現(xiàn)了不同時(shí)期主角們對(duì)愛情和婚姻的追求和思索。不同于一般電影，這種形式上的創(chuàng)新能夠使觀眾充分地思考愛情和婚姻的本質(zhì)。普通婚姻題材的影片往往流于表面，只會(huì)展示結(jié)婚、爭(zhēng)吵和分手的場(chǎng)面，觀眾在日常生活中對(duì)這些事情司空見慣，電影重新照搬只會(huì)讓他們感到乏味厭倦，又怎能使他們反思生活？
2 ) Temporal Design
According to Casper with Edwards, there are five time periods in Two for the Road. I would love to categorize these periods to three phases for every ordinary couple: in love wondering whether to be married or not, in marriage wondering whether to have a child or not, being parents wondering whether to divorce or not. Instead of displaying the changes of relationship in a chronological order, the film uses a lot of cross-cutting in terms of same space but a different time. Flashing back and forth to what happened before and after in the same journey for ten years, audience gain a more thorough sensation that it is the memory, along with other factors, in a relationship that keeps people together.
The director, Stanley Donen, puts the scenes together depending on the content and themes of the shots of the different period. Many of the interesting cuts won’t connect due to the spatial and temporal discontinuity, as Professor Casper lectured. In order to let the audience be aware of the change of time, characters have different clothes, hairstyle and cart types. For instance, when Joanna asked Mark “What kind of people would sit like that without a word to say to each other?”, Mark replied married people, then the next scene is that married Mark and Joanna not talking to each other while dining. Another example is when they don’t have a car, they imagined if they own a car in future they will definitely offer people on the road a drive, then the next scene is that they drive fastly across the same bridge, ignoring a couple on the road. All these cuttings add the humor of the movie.
3 ) 臺(tái)詞摘錄
213
00:20:40,239 --> 00:20:43,208
We won't have to waste a minute
stopping for lunch.
214
00:20:43,542 --> 00:20:46,340
The trouble with women is
they try to label you...
215
00:20:46,411 --> 00:20:48,106
put you in a pigeonhole.
216
00:20:49,414 --> 00:20:51,382
What they don't realize is...
217
00:20:52,851 --> 00:20:56,014
the only thing that fits in a pigeonhole
is a pigeon.
218
00:20:57,055 --> 00:20:59,080
Marriage is all they ever think about.
219
00:20:59,191 --> 00:21:01,989
l don't intend to get married
for at least 40 years.
220
00:21:08,233 --> 00:21:12,067
lt's not that l have anything against sex.
lt's contracts l don't go for.
221
00:21:12,204 --> 00:21:15,173
Promise of long service and good conduct.
Are you a virgin?
222
00:21:15,540 --> 00:21:17,770
Thought you were. Could always tell.
223
00:21:18,043 --> 00:21:19,340
Congratulations.
224
00:21:19,411 --> 00:21:22,278
l was two years
at the University of Chicago.
225
00:21:22,381 --> 00:21:24,372
Studying virgin detection?
226
00:21:25,517 --> 00:21:28,418
Only at night school.
Architecture during the day.
227
00:21:28,754 --> 00:21:31,279
l always thought American women
would be different.
228
00:21:31,390 --> 00:21:33,881
l thought they'd broken
the inhibitions barrier...
229
00:21:33,959 --> 00:21:35,790
and it was all one long sex feast.
230
00:21:35,894 --> 00:21:38,089
-No?
-But no.
231
00:21:38,263 --> 00:21:40,959
The nicely brought-up American girl
plays cool and modern...
232
00:21:41,066 --> 00:21:44,035
but what she wants
is what her grandmother wanted:
233
00:21:45,337 --> 00:21:48,431
your head stuffed and mounted
on the living room wall.
234
00:21:50,742 --> 00:21:54,906
And if you don't want it that way,
you can take your loving self elsewhere...
235
00:21:55,080 --> 00:21:57,014
speaking quite generally, of course.
236
00:21:57,115 --> 00:21:59,583
Of course. Who was she?
237
00:22:01,853 --> 00:22:03,252
What do you mean?
238
00:22:04,389 --> 00:22:07,222
Her name was Cathy Seligman,
if you must know.
239
00:22:07,559 --> 00:22:10,858
She was selfish, grasping, philistine...
240
00:22:11,096 --> 00:22:15,089
materialistic, stubborn, opinionated.
l was crazy about her.
241
00:22:15,467 --> 00:22:17,458
Lucky for you, you'll never meet her.
242
00:22:17,569 --> 00:22:20,629
She's now
Mrs. Howard Maxwell Manchester.
243
00:22:22,240 --> 00:22:24,572
l always knew you two had to meet.
244
00:22:24,776 --> 00:22:28,644
''There's only one drawback,'' Howard said.
''We'll have to go to Greece.''
===================
327
00:27:38,723 --> 00:27:43,422
lt's very reassuring at times
to retain a certain flexibility of attitude.
328
00:27:44,729 --> 00:27:48,756
Howard has a tremendously mature
quality. That's what l love about him.
329
00:27:49,034 --> 00:27:51,025
He has quiet assurance.
330
00:27:52,837 --> 00:27:56,773
-Don't you think he has quiet assurance?
-Very quiet assurance.
331
00:27:56,908 --> 00:27:58,808
He's the husband type.
332
00:27:59,411 --> 00:28:02,278
You were always the lover type.
l guess you still are.
333
00:28:02,380 --> 00:28:05,213
l've been married to Joanna
for nearly two years.
334
00:28:05,283 --> 00:28:09,083
But your relationship is basically volatile.
Anyone can see that.
==========
想Jules et Jim ，筋疲力盡~~~ 又是臆想的 分手，一人在車上，一人下車，
============
347
00:29:05,009 --> 00:29:07,944
Very funny, isn't it?
But l happen to have a schedule.
348
00:29:08,012 --> 00:29:12,005
The trouble is, there's two of us.
That's the basis of the whole trouble.
349
00:29:12,917 --> 00:29:17,786
lf l ever have a car, l swear l'll never pass
a single hitchhiker as long as l live.
350
00:29:27,031 --> 00:29:29,090
Must we dice with death?
351
00:29:33,838 --> 00:29:37,638
Since when has this car
got only two speeds, 1 10 and stop?
352
00:29:37,709 --> 00:29:41,338
-l'll tell you what, you drive.
-l'll tell you what, l'll walk.
353
00:29:41,412 --> 00:29:42,879
Okay, walk!
354
00:29:44,149 --> 00:29:46,379
Come on, Jo, don't be silly.
355
00:29:49,020 --> 00:29:52,217
You'd be far better off on your own,
wouldn't you?
356
00:29:52,323 --> 00:29:54,188
Oh, not again, Joanna!
357
00:29:54,259 --> 00:29:57,251
You want to get on, l know.
Maurice is waiting.
358
00:29:57,362 --> 00:29:58,659
Let him wait.
359
00:29:58,730 --> 00:30:01,597
He's got you on a line.
All he has to do is reel you in.
360
00:30:01,699 --> 00:30:05,100
Shut up about Maurice. lf it weren't
for him, you know what we'd be?
361
00:30:05,236 --> 00:30:06,328
-Happy!
-Broke.
362
00:30:06,437 --> 00:30:07,529
Broke and happy.
363
00:30:07,639 --> 00:30:10,107
You wanna go back to living in a cellar?
You hated it.
364
00:30:10,208 --> 00:30:12,267
-l loved it.
-You hated it.
365
00:30:13,077 --> 00:30:14,476
l hated it.
366
00:30:15,046 --> 00:30:17,606
l hate being at other people's
beck and call.
367
00:30:17,715 --> 00:30:21,048
As soon as someone becks or calls,
l resent it, that's all.
368
00:30:21,119 --> 00:30:23,314
Okay, you run the show. You handle it.
369
00:30:23,421 --> 00:30:26,982
You worry about the house, the flat,
Nanny, and Mrs. Rathbone.
370
00:30:27,091 --> 00:30:29,116
l don't want any of them.
371
00:30:29,227 --> 00:30:32,822
Do l? Am l the one that wants
enamel sports watches?
372
00:30:34,299 --> 00:30:37,097
Take your watch. l don't want it.
l don't want anything.
373
00:30:37,168 --> 00:30:41,002
Why is it, when you give a woman what
she wants, she gets so bloody minded?
374
00:30:41,139 --> 00:30:44,802
You don't give me what l want.
You give me what you want to give me.
375
00:30:46,010 --> 00:30:47,807
Joanna, your watch.
376
00:30:49,180 --> 00:30:50,977
Joanna, l love you.
377
00:31:08,199 --> 00:31:10,531
Come on, Maurice is waiting.
378
00:31:11,469 --> 00:31:12,663
Bitch.
379
00:31:14,239 --> 00:31:17,675
Listen, sweetheart.
We're not going to make it together. See?
380
00:31:17,809 --> 00:31:20,573
We don't get the breaks.
So this is the kiss off.
381
00:31:20,678 --> 00:31:23,146
You take the high road,
l'll take the low road.
382
00:31:23,214 --> 00:31:26,012
We'll see who gets in where
before who. Okay?
383
00:31:26,751 --> 00:31:30,710
lf we meet again, great.
lf not, happy holidays.
384
00:31:31,222 --> 00:31:33,315
No hard feelings, but....
385
00:31:33,391 --> 00:31:35,416
-You have a schedule.
-Right.
386
00:32:28,246 --> 00:32:31,238
What happened to your slick friend
in the Alfa Romeo?
387
00:32:31,316 --> 00:32:34,444
l told him l was in love with you,
so he put me down.
388
00:32:45,663 --> 00:32:48,564
-l warn you....
-Don't.
==========
389
00:33:07,452 --> 00:33:09,818
What would you say to a cup of coffee?
兩人對(duì)著桌子 托著下巴 對(duì)看著對(duì)方
390
00:34:00,038 --> 00:34:03,804
What kind of people would sit like that
without a word to say to each other?
391
00:34:03,875 --> 00:34:05,433
Married people?
392
00:34:18,856 --> 00:34:21,484
This is definitely against my principles.
393
00:34:22,660 --> 00:34:26,152
Good. l wouldn't like to think
it happened all the time.
394
00:34:26,531 --> 00:34:30,831
l had absolutely no intention
of sleeping in hotels.
395
00:34:34,105 --> 00:34:35,538
You didn't?
396
00:34:36,407 --> 00:34:39,740
Hell, no. What do you think l brought
a sleeping sack for?
397
00:34:40,778 --> 00:34:43,110
l hadn't seriously thought about it.
398
00:34:53,024 --> 00:34:55,720
-Who are you?
-Some girl.
======Some girl.========hotel伏在男人身上的Some girl.
399
00:35:08,406 --> 00:35:09,839
Sleep well?
400
00:35:10,007 --> 00:35:13,170
l think that room was
over the plate-smashing annex.
401
00:35:13,744 --> 00:35:16,212
My days for roughing it are over.
402
00:35:16,414 --> 00:35:20,282
Next time, get Maurice to reserve us
a room if you can't remember yourself...
403
00:35:20,384 --> 00:35:24,878
preferably with a carpet, and
something else in the hot tap besides....
1
00:32:34,600 --> 00:32:38,366
什么樣的人會(huì)那樣對(duì)坐著
卻一語不發(fā)？
2
00:32:38,437 --> 00:32:39,995
已婚的人？
1
00:32:52,418 --> 00:32:55,046
這有悖于我的原則。
2
00:32:56,222 --> 00:32:59,714
很好。我不會(huì)想讓它隨時(shí)都會(huì)發(fā)生在你身上。
3
00:33:00,093 --> 00:33:04,393
我一點(diǎn)都沒想過會(huì)在
旅館里和你睡在一起。
4
00:33:07,667 --> 00:33:09,100
你沒想過？
5
00:33:09,969 --> 00:33:13,302
當(dāng)然不。否則你以為我買了睡袋是用來干嗎的？
6
00:33:14,340 --> 00:33:16,672
我并沒有認(rèn)真地去想過。
1
00:33:25,586 --> 00:33:28,282
你是誰？
某個(gè)女孩。
1
00:33:39,968 --> 00:33:41,401
睡得好嗎？
2
00:33:41,569 --> 00:33:44,732
我覺得那個(gè)房間是建
在碎盤機(jī)上的。
3
00:33:45,306 --> 00:33:47,774
我將就著過日子的時(shí)光已經(jīng)結(jié)束了。
4
00:33:47,976 --> 00:33:51,844
下一回，讓莫里斯替我們預(yù)定
一個(gè)房間，如果你自己記不起來的話……
5
00:33:51,946 --> 00:33:56,440
最好是有地毯的房間，還有熱水龍頭里
出來的不會(huì)再是……
===========
498
00:44:50,387 --> 00:44:53,879
l don't want to come out after lunch
to a red-hot car again.
499
00:44:55,693 --> 00:44:58,423
What does ''Reserve a la direction'' mean?
500
00:44:58,762 --> 00:45:00,627
Reserved for the management.
501
00:45:00,731 --> 00:45:02,528
Hell, we're the customers.
502
00:45:06,904 --> 00:45:09,372
Why do you think Red China is a bitch?
1
00:43:03,255 --> 00:43:05,985
預(yù)先保留位是什么意思？
2
00:43:06,324 --> 00:43:08,189
是為了管理而預(yù)留的
3
00:43:08,293 --> 00:43:10,090
哦，我們是顧客。
4
00:43:14,466 --> 00:43:16,934
你為什么覺得紅色中國很壞？
5
00:43:19,437 --> 00:43:21,803
我們不可以停在這里，霍爾。
6
00:43:22,173 --> 00:43:25,574
我的意思是紅色中國是一個(gè)很復(fù)雜的問題。
==============
549
00:50:07,537 --> 00:50:11,200
You're the only woman l know who's
prepared to share a bed with a sardine.
550
00:50:11,308 --> 00:50:14,539
l don't care what kind of a sardine you are.
l like you.
551
00:50:16,613 --> 00:50:19,639
-Will you hate me when l'm bowfronted?
-Undoubtedly.
552
00:50:20,550 --> 00:50:22,814
-And will you be unfaithful to me?
-Blatantly.
553
00:50:24,054 --> 00:50:26,579
-You promised l could.
-You promised you wouldn't.
554
00:50:26,656 --> 00:50:28,214
When we got married.
555
00:50:30,627 --> 00:50:32,788
Do you mind undoing what you did?
556
00:50:41,538 --> 00:50:42,562
Thanks.
557
00:50:43,273 --> 00:50:44,501
You're welcome.
558
00:50:45,809 --> 00:50:47,834
Aren't you coming to bed at all?
559
00:50:48,845 --> 00:50:49,834
Tired?
560
00:50:53,683 --> 00:50:54,707
l won't be long.
561
00:50:54,818 --> 00:50:57,844
Shall l call your secretary
and make an appointment?
562
00:50:59,389 --> 00:51:01,914
When did you start being as snide as this?
563
00:51:04,661 --> 00:51:06,993
Right after we got married, didn't l?
564
00:51:07,898 --> 00:51:09,763
-Did we get married?
-Yeah.
565
00:51:11,101 --> 00:51:12,261
Remember?
566
00:51:12,803 --> 00:51:14,828
When sex stopped being fun.
567
00:51:15,505 --> 00:51:18,440
Yeah. lt started being official.
568
00:51:20,710 --> 00:51:22,041
l remember.
569
00:51:35,692 --> 00:51:39,128
l think that lovely little lake
breeds lovely little mosquitoes.
570
00:51:39,196 --> 00:51:42,063
-l'll close the window.
-We'll suffocate.
1
00:48:02,819 --> 00:48:06,482
你是唯一一個(gè)我認(rèn)識(shí)的會(huì)和一條沙丁魚
共享一張床的女人。
2
00:48:06,590 --> 00:48:09,821
我不在意你是哪種沙丁魚。
我喜歡你。
3
00:48:11,895 --> 00:48:14,921
當(dāng)我背都駝了的時(shí)候你會(huì)討厭我嗎？
當(dāng)然不會(huì)。
4
00:48:15,832 --> 00:48:18,096
你會(huì)對(duì)我不忠嗎？
明顯的。
1
00:48:18,336 --> 00:48:20,861
你說我允許我的。
你說過你不會(huì)的。
2
00:48:20,938 --> 00:48:22,496
在我們剛結(jié)婚的時(shí)候。
3
00:48:24,909 --> 00:48:27,070
你能放下你在做的事情一會(huì)嗎？
1
00:48:34,820 --> 00:48:35,844
謝謝。
2
00:48:36,555 --> 00:48:37,783
不用謝。
3
00:48:39,091 --> 00:48:41,116
你不睡了嗎？
4
00:48:42,127 --> 00:48:43,116
你很累了？
5
00:48:46,965 --> 00:48:47,989
我一會(huì)兒就來。
6
00:48:48,100 --> 00:48:51,126
我能打電話給你的秘書來預(yù)約嗎？
7
00:48:52,671 --> 00:48:55,196
你什么時(shí)候變得如此會(huì)譏諷了？
1
00:48:57,400 --> 00:48:59,732
就在我們結(jié)婚了以后，不是嗎？
2
00:49:00,637 --> 00:49:02,502
我們結(jié)婚了嗎？
是的。
3
00:49:03,840 --> 00:49:05,000
記得嗎？
4
00:49:05,542 --> 00:49:07,567
當(dāng)性不再變得有趣。
5
00:49:08,244 --> 00:49:11,179
是啊，開始變成例行公事了。
6
00:49:13,449 --> 00:49:14,780
我記得。
1
00:49:27,431 --> 00:49:30,867
我想那美麗的小湖是很多可愛的
小蚊子的家園。
00:20:40,239 --> 00:20:43,208
We won't have to waste a minute
stopping for lunch.
214
00:20:43,542 --> 00:20:46,340
The trouble with women is
they try to label you...
215
00:20:46,411 --> 00:20:48,106
put you in a pigeonhole.
216
00:20:49,414 --> 00:20:51,382
What they don't realize is...
217
00:20:52,851 --> 00:20:56,014
the only thing that fits in a pigeonhole
is a pigeon.
218
00:20:57,055 --> 00:20:59,080
Marriage is all they ever think about.
219
00:20:59,191 --> 00:21:01,989
l don't intend to get married
for at least 40 years.
220
00:21:08,233 --> 00:21:12,067
lt's not that l have anything against sex.
lt's contracts l don't go for.
221
00:21:12,204 --> 00:21:15,173
Promise of long service and good conduct.
Are you a virgin?
222
00:21:15,540 --> 00:21:17,770
Thought you were. Could always tell.
223
00:21:18,043 --> 00:21:19,340
Congratulations.
224
00:21:19,411 --> 00:21:22,278
l was two years
at the University of Chicago.
225
00:21:22,381 --> 00:21:24,372
Studying virgin detection?
226
00:21:25,517 --> 00:21:28,418
Only at night school.
Architecture during the day.
227
00:21:28,754 --> 00:21:31,279
l always thought American women
would be different.
228
00:21:31,390 --> 00:21:33,881
l thought they'd broken
the inhibitions barrier...
229
00:21:33,959 --> 00:21:35,790
and it was all one long sex feast.
230
00:21:35,894 --> 00:21:38,089
-No?
-But no.
231
00:21:38,263 --> 00:21:40,959
The nicely brought-up American girl
plays cool and modern...
232
00:21:41,066 --> 00:21:44,035
but what she wants
is what her grandmother wanted:
233
00:21:45,337 --> 00:21:48,431
your head stuffed and mounted
on the living room wall.
234
00:21:50,742 --> 00:21:54,906
And if you don't want it that way,
you can take your loving self elsewhere...
235
00:21:55,080 --> 00:21:57,014
speaking quite generally, of course.
236
00:21:57,115 --> 00:21:59,583
Of course. Who was she?
237
00:22:01,853 --> 00:22:03,252
What do you mean?
238
00:22:04,389 --> 00:22:07,222
Her name was Cathy Seligman,
if you must know.
239
00:22:07,559 --> 00:22:10,858
She was selfish, grasping, philistine...
240
00:22:11,096 --> 00:22:15,089
materialistic, stubborn, opinionated.
l was crazy about her.
241
00:22:15,467 --> 00:22:17,458
Lucky for you, you'll never meet her.
242
00:22:17,569 --> 00:22:20,629
She's now
Mrs. Howard Maxwell Manchester.
243
00:22:22,240 --> 00:22:24,572
l always knew you two had to meet.
244
00:22:24,776 --> 00:22:28,644
''There's only one drawback,'' Howard said.
''We'll have to go to Greece.''
===================
327
00:27:38,723 --> 00:27:43,422
lt's very reassuring at times
to retain a certain flexibility of attitude.
328
00:27:44,729 --> 00:27:48,756
Howard has a tremendously mature
quality. That's what l love about him.
329
00:27:49,034 --> 00:27:51,025
He has quiet assurance.
330
00:27:52,837 --> 00:27:56,773
-Don't you think he has quiet assurance?
-Very quiet assurance.
331
00:27:56,908 --> 00:27:58,808
He's the husband type.
332
00:27:59,411 --> 00:28:02,278
You were always the lover type.
l guess you still are.
333
00:28:02,380 --> 00:28:05,213
l've been married to Joanna
for nearly two years.
334
00:28:05,283 --> 00:28:09,083
But your relationship is basically volatile.
Anyone can see that.
==========
想Jules et Jim ，筋疲力盡~~~ 又是臆想的 分手，一人在車上，一人下車，
============
347
00:29:05,009 --> 00:29:07,944
Very funny, isn't it?
But l happen to have a schedule.
348
00:29:08,012 --> 00:29:12,005
The trouble is, there's two of us.
That's the basis of the whole trouble.
349
00:29:12,917 --> 00:29:17,786
lf l ever have a car, l swear l'll never pass
a single hitchhiker as long as l live.
350
00:29:27,031 --> 00:29:29,090
Must we dice with death?
351
00:29:33,838 --> 00:29:37,638
Since when has this car
got only two speeds, 1 10 and stop?
352
00:29:37,709 --> 00:29:41,338
-l'll tell you what, you drive.
-l'll tell you what, l'll walk.
353
00:29:41,412 --> 00:29:42,879
Okay, walk!
354
00:29:44,149 --> 00:29:46,379
Come on, Jo, don't be silly.
355
00:29:49,020 --> 00:29:52,217
You'd be far better off on your own,
wouldn't you?
356
00:29:52,323 --> 00:29:54,188
Oh, not again, Joanna!
357
00:29:54,259 --> 00:29:57,251
You want to get on, l know.
Maurice is waiting.
358
00:29:57,362 --> 00:29:58,659
Let him wait.
359
00:29:58,730 --> 00:30:01,597
He's got you on a line.
All he has to do is reel you in.
360
00:30:01,699 --> 00:30:05,100
Shut up about Maurice. lf it weren't
for him, you know what we'd be?
361
00:30:05,236 --> 00:30:06,328
-Happy!
-Broke.
362
00:30:06,437 --> 00:30:07,529
Broke and happy.
363
00:30:07,639 --> 00:30:10,107
You wanna go back to living in a cellar?
You hated it.
364
00:30:10,208 --> 00:30:12,267
-l loved it.
-You hated it.
365
00:30:13,077 --> 00:30:14,476
l hated it.
366
00:30:15,046 --> 00:30:17,606
l hate being at other people's
beck and call.
367
00:30:17,715 --> 00:30:21,048
As soon as someone becks or calls,
l resent it, that's all.
368
00:30:21,119 --> 00:30:23,314
Okay, you run the show. You handle it.
369
00:30:23,421 --> 00:30:26,982
You worry about the house, the flat,
Nanny, and Mrs. Rathbone.
370
00:30:27,091 --> 00:30:29,116
l don't want any of them.
371
00:30:29,227 --> 00:30:32,822
Do l? Am l the one that wants
enamel sports watches?
372
00:30:34,299 --> 00:30:37,097
Take your watch. l don't want it.
l don't want anything.
373
00:30:37,168 --> 00:30:41,002
Why is it, when you give a woman what
she wants, she gets so bloody minded?
374
00:30:41,139 --> 00:30:44,802
You don't give me what l want.
You give me what you want to give me.
375
00:30:46,010 --> 00:30:47,807
Joanna, your watch.
376
00:30:49,180 --> 00:30:50,977
Joanna, l love you.
377
00:31:08,199 --> 00:31:10,531
Come on, Maurice is waiting.
378
00:31:11,469 --> 00:31:12,663
Bitch.
379
00:31:14,239 --> 00:31:17,675
Listen, sweetheart.
We're not going to make it together. See?
380
00:31:17,809 --> 00:31:20,573
We don't get the breaks.
So this is the kiss off.
381
00:31:20,678 --> 00:31:23,146
You take the high road,
l'll take the low road.
382
00:31:23,214 --> 00:31:26,012
We'll see who gets in where
before who. Okay?
383
00:31:26,751 --> 00:31:30,710
lf we meet again, great.
lf not, happy holidays.
384
00:31:31,222 --> 00:31:33,315
No hard feelings, but....
385
00:31:33,391 --> 00:31:35,416
-You have a schedule.
-Right.
386
00:32:28,246 --> 00:32:31,238
What happened to your slick friend
in the Alfa Romeo?
387
00:32:31,316 --> 00:32:34,444
l told him l was in love with you,
so he put me down.
388
00:32:45,663 --> 00:32:48,564
-l warn you....
-Don't.
==========
389
00:33:07,452 --> 00:33:09,818
What would you say to a cup of coffee?
兩人對(duì)著桌子 托著下巴 對(duì)看著對(duì)方
390
00:34:00,038 --> 00:34:03,804
What kind of people would sit like that
without a word to say to each other?
391
00:34:03,875 --> 00:34:05,433
Married people?
392
00:34:18,856 --> 00:34:21,484
This is definitely against my principles.
393
00:34:22,660 --> 00:34:26,152
Good. l wouldn't like to think
it happened all the time.
394
00:34:26,531 --> 00:34:30,831
l had absolutely no intention
of sleeping in hotels.
395
00:34:34,105 --> 00:34:35,538
You didn't?
396
00:34:36,407 --> 00:34:39,740
Hell, no. What do you think l brought
a sleeping sack for?
397
00:34:40,778 --> 00:34:43,110
l hadn't seriously thought about it.
398
00:34:53,024 --> 00:34:55,720
-Who are you?
-Some girl.
======Some girl.========hotel伏在男人身上的Some girl.
399
00:35:08,406 --> 00:35:09,839
Sleep well?
400
00:35:10,007 --> 00:35:13,170
l think that room was
over the plate-smashing annex.
401
00:35:13,744 --> 00:35:16,212
My days for roughing it are over.
402
00:35:16,414 --> 00:35:20,282
Next time, get Maurice to reserve us
a room if you can't remember yourself...
403
00:35:20,384 --> 00:35:24,878
preferably with a carpet, and
something else in the hot tap besides....
1
00:32:34,600 --> 00:32:38,366
什么樣的人會(huì)那樣對(duì)坐著
卻一語不發(fā)？
2
00:32:38,437 --> 00:32:39,995
已婚的人？
1
00:32:52,418 --> 00:32:55,046
這有悖于我的原則。
2
00:32:56,222 --> 00:32:59,714
很好。我不會(huì)想讓它隨時(shí)都會(huì)發(fā)生在你身上。
3
00:33:00,093 --> 00:33:04,393
我一點(diǎn)都沒想過會(huì)在
旅館里和你睡在一起。
4
00:33:07,667 --> 00:33:09,100
你沒想過？
5
00:33:09,969 --> 00:33:13,302
當(dāng)然不。否則你以為我買了睡袋是用來干嗎的？
6
00:33:14,340 --> 00:33:16,672
我并沒有認(rèn)真地去想過。
1
00:33:25,586 --> 00:33:28,282
你是誰？
某個(gè)女孩。
1
00:33:39,968 --> 00:33:41,401
睡得好嗎？
2
00:33:41,569 --> 00:33:44,732
我覺得那個(gè)房間是建
在碎盤機(jī)上的。
3
00:33:45,306 --> 00:33:47,774
我將就著過日子的時(shí)光已經(jīng)結(jié)束了。
4
00:33:47,976 --> 00:33:51,844
下一回，讓莫里斯替我們預(yù)定
一個(gè)房間，如果你自己記不起來的話……
5
00:33:51,946 --> 00:33:56,440
最好是有地毯的房間，還有熱水龍頭里
出來的不會(huì)再是……
===========
498
00:44:50,387 --> 00:44:53,879
l don't want to come out after lunch
to a red-hot car again.
499
00:44:55,693 --> 00:44:58,423
What does ''Reserve a la direction'' mean?
500
00:44:58,762 --> 00:45:00,627
Reserved for the management.
501
00:45:00,731 --> 00:45:02,528
Hell, we're the customers.
502
00:45:06,904 --> 00:45:09,372
Why do you think Red China is a bitch?
1
00:43:03,255 --> 00:43:05,985
預(yù)先保留位是什么意思？
2
00:43:06,324 --> 00:43:08,189
是為了管理而預(yù)留的
3
00:43:08,293 --> 00:43:10,090
哦，我們是顧客。
4
00:43:14,466 --> 00:43:16,934
你為什么覺得紅色中國很壞？
5
00:43:19,437 --> 00:43:21,803
我們不可以停在這里，霍爾。
6
00:43:22,173 --> 00:43:25,574
我的意思是紅色中國是一個(gè)很復(fù)雜的問題。
==============
549
00:50:07,537 --> 00:50:11,200
You're the only woman l know who's
prepared to share a bed with a sardine.
550
00:50:11,308 --> 00:50:14,539
l don't care what kind of a sardine you are.
l like you.
551
00:50:16,613 --> 00:50:19,639
-Will you hate me when l'm bowfronted?
-Undoubtedly.
552
00:50:20,550 --> 00:50:22,814
-And will you be unfaithful to me?
-Blatantly.
553
00:50:24,054 --> 00:50:26,579
-You promised l could.
-You promised you wouldn't.
554
00:50:26,656 --> 00:50:28,214
When we got married.
555
00:50:30,627 --> 00:50:32,788
Do you mind undoing what you did?
556
00:50:41,538 --> 00:50:42,562
Thanks.
557
00:50:43,273 --> 00:50:44,501
You're welcome.
558
00:50:45,809 --> 00:50:47,834
Aren't you coming to bed at all?
559
00:50:48,845 --> 00:50:49,834
Tired?
560
00:50:53,683 --> 00:50:54,707
l won't be long.
561
00:50:54,818 --> 00:50:57,844
Shall l call your secretary
and make an appointment?
562
00:50:59,389 --> 00:51:01,914
When did you start being as snide as this?
563
00:51:04,661 --> 00:51:06,993
Right after we got married, didn't l?
564
00:51:07,898 --> 00:51:09,763
-Did we get married?
-Yeah.
565
00:51:11,101 --> 00:51:12,261
Remember?
566
00:51:12,803 --> 00:51:14,828
When sex stopped being fun.
567
00:51:15,505 --> 00:51:18,440
Yeah. lt started being official.
568
00:51:20,710 --> 00:51:22,041
l remember.
569
00:51:35,692 --> 00:51:39,128
l think that lovely little lake
breeds lovely little mosquitoes.
570
00:51:39,196 --> 00:51:42,063
-l'll close the window.
-We'll suffocate.
1
00:48:02,819 --> 00:48:06,482
你是唯一一個(gè)我認(rèn)識(shí)的會(huì)和一條沙丁魚
共享一張床的女人。
2
00:48:06,590 --> 00:48:09,821
我不在意你是哪種沙丁魚。
我喜歡你。
3
00:48:11,895 --> 00:48:14,921
當(dāng)我背都駝了的時(shí)候你會(huì)討厭我嗎？
當(dāng)然不會(huì)。
4
00:48:15,832 --> 00:48:18,096
你會(huì)對(duì)我不忠嗎？
明顯的。
1
00:48:18,336 --> 00:48:20,861
你說我允許我的。
你說過你不會(huì)的。
2
00:48:20,938 --> 00:48:22,496
在我們剛結(jié)婚的時(shí)候。
3
00:48:24,909 --> 00:48:27,070
你能放下你在做的事情一會(huì)嗎？
1
00:48:34,820 --> 00:48:35,844
謝謝。
2
00:48:36,555 --> 00:48:37,783
不用謝。
3
00:48:39,091 --> 00:48:41,116
你不睡了嗎？
4
00:48:42,127 --> 00:48:43,116
你很累了？
5
00:48:46,965 --> 00:48:47,989
我一會(huì)兒就來。
6
00:48:48,100 --> 00:48:51,126
我能打電話給你的秘書來預(yù)約嗎？
7
00:48:52,671 --> 00:48:55,196
你什么時(shí)候變得如此會(huì)譏諷了？
1
00:48:57,400 --> 00:48:59,732
就在我們結(jié)婚了以后，不是嗎？
2
00:49:00,637 --> 00:49:02,502
我們結(jié)婚了嗎？
是的。
3
00:49:03,840 --> 00:49:05,000
記得嗎？
4
00:49:05,542 --> 00:49:07,567
當(dāng)性不再變得有趣。
5
00:49:08,244 --> 00:49:11,179
是啊，開始變成例行公事了。
6
00:49:13,449 --> 00:49:14,780
我記得。
1
00:49:27,431 --> 00:49:30,867
我想那美麗的小湖是很多可愛的
小蚊子的家園。
4 ) 兩個(gè)人一起走就是婚姻
電影的軸線很簡單，導(dǎo)演將一對(duì)夫妻的整個(gè)婚姻過程用三個(gè)時(shí)間點(diǎn)切入，同時(shí)向前發(fā)展，分別是：相遇、新婚、瓶頸。這三個(gè)時(shí)間段又分別對(duì)應(yīng)了一對(duì)夫妻所要面臨的三個(gè)問題：要不要結(jié)婚？要不要生孩子？要不要結(jié)束婚姻？當(dāng)然所有的事情和問題都發(fā)生在路上，旅行的路上，婚姻的路上，每一段他們都是要去往不同的目的地。
第一個(gè)時(shí)期，相遇，兩個(gè)人面對(duì)的問題是要不要結(jié)婚。生性喜歡自由的男主習(xí)慣了無拘無束的日子，不喜歡女人將自己像鴿子一樣關(guān)在鴿籠里。但是正如每一個(gè)成熟的愛情故事的結(jié)局一樣，愛情慢慢改變兩個(gè)人，男主也終于投降，主動(dòng)跳進(jìn)婚姻的世界。
第二個(gè)時(shí)期，兩個(gè)人新婚燕爾，與朋友一起旅行，這是最美好的時(shí)期，雖然仍然一無所有，但是無憂無慮，一起欣賞的沿途的風(fēng)景。當(dāng)然女主又與男主在要不要生孩子的問題上發(fā)生分歧，已經(jīng)在婚姻問題上妥協(xié)的男主再也不愿意再被孩子困住自己。他特意安排與前女友一家人的旅行，為了讓女主感受一下調(diào)皮的孩子帶給人的疲憊。然而女主心意已決，最終，像每對(duì)夫妻必經(jīng)階段一樣，二人選擇擁有孩子。
第三個(gè)時(shí)期，兩個(gè)人的婚姻出現(xiàn)矛盾，雖然物質(zhì)生活已經(jīng)富足，二人在戀愛和新婚時(shí)期所憧憬的一切都可以實(shí)現(xiàn)了，然而爭(zhēng)吵逐也漸增多。首先是男主有了外遇，再是女主有了追求者。他們要艱難地面對(duì)第三個(gè)問題，要不要結(jié)束這段婚姻。在女主的深思熟慮下，最終二人還是選擇了繼續(xù)維系婚姻。
最后電影快結(jié)束的時(shí)候男主問了女主一個(gè)問題：“你還記得我是哪一個(gè)嗎？”究竟是相遇時(shí)那個(gè)無拘無束的男人，還是新婚時(shí)那個(gè)體貼的男人，亦或是現(xiàn)在這個(gè)有過外遇自私的男人呢？也許這是每個(gè)女人在婚姻中都要面對(duì)的問題吧。女主選擇回到男主身邊究竟是為了哪一個(gè)時(shí)期的男主呢？不過幾秒鐘之后導(dǎo)演告訴了我們答案，男主追著女主跑出來，撲通一下掉進(jìn)水里，女主回過頭來，自己也知道了答案，他一直沒有變，由始至終他一直都是她心里愛著的那個(gè)傻乎乎的男人。也許身邊很多事情變了，人的經(jīng)歷和心態(tài)變了，婚姻里的兩個(gè)人都不再是以前的自己了，但是如果心中的那份愛情還保留的話，其實(shí)一切都沒有變。
第一個(gè)時(shí)期，相遇，兩個(gè)人面對(duì)的問題是要不要結(jié)婚。生性喜歡自由的男主習(xí)慣了無拘無束的日子，不喜歡女人將自己像鴿子一樣關(guān)在鴿籠里。但是正如每一個(gè)成熟的愛情故事的結(jié)局一樣，愛情慢慢改變兩個(gè)人，男主也終于投降，主動(dòng)跳進(jìn)婚姻的世界。
第二個(gè)時(shí)期，兩個(gè)人新婚燕爾，與朋友一起旅行，這是最美好的時(shí)期，雖然仍然一無所有，但是無憂無慮，一起欣賞的沿途的風(fēng)景。當(dāng)然女主又與男主在要不要生孩子的問題上發(fā)生分歧，已經(jīng)在婚姻問題上妥協(xié)的男主再也不愿意再被孩子困住自己。他特意安排與前女友一家人的旅行，為了讓女主感受一下調(diào)皮的孩子帶給人的疲憊。然而女主心意已決，最終，像每對(duì)夫妻必經(jīng)階段一樣，二人選擇擁有孩子。
第三個(gè)時(shí)期，兩個(gè)人的婚姻出現(xiàn)矛盾，雖然物質(zhì)生活已經(jīng)富足，二人在戀愛和新婚時(shí)期所憧憬的一切都可以實(shí)現(xiàn)了，然而爭(zhēng)吵逐也漸增多。首先是男主有了外遇，再是女主有了追求者。他們要艱難地面對(duì)第三個(gè)問題，要不要結(jié)束這段婚姻。在女主的深思熟慮下，最終二人還是選擇了繼續(xù)維系婚姻。
最后電影快結(jié)束的時(shí)候男主問了女主一個(gè)問題：“你還記得我是哪一個(gè)嗎？”究竟是相遇時(shí)那個(gè)無拘無束的男人，還是新婚時(shí)那個(gè)體貼的男人，亦或是現(xiàn)在這個(gè)有過外遇自私的男人呢？也許這是每個(gè)女人在婚姻中都要面對(duì)的問題吧。女主選擇回到男主身邊究竟是為了哪一個(gè)時(shí)期的男主呢？不過幾秒鐘之后導(dǎo)演告訴了我們答案，男主追著女主跑出來，撲通一下掉進(jìn)水里，女主回過頭來，自己也知道了答案，他一直沒有變，由始至終他一直都是她心里愛著的那個(gè)傻乎乎的男人。也許身邊很多事情變了，人的經(jīng)歷和心態(tài)變了，婚姻里的兩個(gè)人都不再是以前的自己了，但是如果心中的那份愛情還保留的話，其實(shí)一切都沒有變。
5 ) 風(fēng)格
導(dǎo)演多南和編劇華西爾，是美國人但是常年居住在歐洲，他們都對(duì)50年代初期在歐洲電影中表現(xiàn)出來的顛覆傳統(tǒng)的拍攝手法很感興趣（鏡頭的快速變焦移動(dòng)，外景拍攝等），因此，本片也很奇怪地呈現(xiàn)出既不是標(biāo)準(zhǔn)的好萊塢電影也不是標(biāo)準(zhǔn)的歐洲電影的氣質(zhì)，片子既活潑又嚴(yán)肅。本片當(dāng)時(shí)的票房一般，可能在美國人看來，這部探討愛情和婚姻的片子多少有點(diǎn)怪異罷。
最后酒會(huì)里，通過新建房子的主人的話點(diǎn)了題“我遇到的問題很簡單，但是很難解決。my problem is very simple ,but very complicated”（當(dāng)時(shí)是燈出了點(diǎn)問題，主人希望馬克幫忙解決）
最后酒會(huì)里，通過新建房子的主人的話點(diǎn)了題“我遇到的問題很簡單，但是很難解決。my problem is very simple ,but very complicated”（當(dāng)時(shí)是燈出了點(diǎn)問題，主人希望馬克幫忙解決）
6 ) 人生若只如初見
年輕時(shí)看這部電影，可能覺得很無聊；人到中年，卻是一聲浩嘆……
電影里，強(qiáng)行 Happy Ending 了；然而現(xiàn)實(shí)中，卻恐怕是覆水難收……
畢竟這么好的女人是只存在于電影里的，嗯，還得是老電影。
如果現(xiàn)實(shí)里，背包旅途中，男主提議各走各的，女主搭上豪車走了，還會(huì)下來等他嗎？男主吵架激動(dòng)之下說句結(jié)婚，仙女樣的女主就投懷送抱了？女主回來求復(fù)合，男主冷言冷語，掉下泳池就和好了？最后男主還想外遇，發(fā)現(xiàn)搞了烏龍，女主主動(dòng)和好，就快樂大結(jié)局了？女主說的那句，我喜歡快樂的結(jié)局，似乎突破了第四面墻，告訴觀眾，這只是一個(gè)美好的愿望罷了。
女主是個(gè)不現(xiàn)實(shí)的人，所以可以不求回報(bào)的嫁給男主；但也因?yàn)槭遣滑F(xiàn)實(shí)的人，所以沒有辦法為五斗米折腰，去巴結(jié)業(yè)主，做個(gè)賢內(nèi)助。
也許，他們分別和其他人結(jié)婚會(huì)更好，女主這樣的仙女就該富貴閑人寵著；男主這種上進(jìn)建筑師，娶個(gè)富家小姐或相夫教子的賢妻良母都不錯(cuò)。但是，愛情是不講理的……
什么樣的人坐在一起卻不說話？已婚的人。希望的太多，失望就更多，想離婚，現(xiàn)實(shí)的瓜葛卻剪不斷理還亂，孩子怎么辦？房子怎么辦？……于是相對(duì)卻無言。
感慨頗多，這種公路片的拍攝手法和立意都很好，而一對(duì)男女從相遇熱戀到婚姻危機(jī)的人生軌跡也反映出了大部分人的人生。當(dāng)我們年輕的時(shí)候，錢包空空也滿懷激情地出門窮游，而等有一天我們變成了富裕的中年人，希望還能像今天這樣對(duì)生活充滿熱愛和深愛對(duì)方。
4 outta 4. Great Movie. 人物魅力、電影技術(shù)、劇本寫作、攝影打光、配樂協(xié)調(diào)全都滿分。我不知道是否應(yīng)該把這部電影歸類到chick flick里，因?yàn)樗鼘?shí)際上更像一部雅克德米和Agnes合作風(fēng)格下的那類型新浪潮氣質(zhì)描述婚姻和生活本質(zhì)的電影。辛虧導(dǎo)演選擇了倒敘和亂序的手法拍這部電影，如果按照正序來拍的話該多么無聊啊。我無法用一句話來總結(jié)我對(duì)這部電影的感受，我只能說愛情可能就是這么簡單又復(fù)雜，但我感謝導(dǎo)演把我心目中愛情最應(yīng)該的模樣展現(xiàn)出來。
兩人世界，此一時(shí)，彼一時(shí)。太透徹，不用多言語；太聰明，亦不免耽于春日晚風(fēng)。漫漫一途，有我，有你。吉光片羽，剪輯未滿。臺(tái)詞精華，可切割賞析。
真正的公路電影，每一段戲都發(fā)生在路上。從相戀、與前女友一家出行、婚后出游到各自出軌再到復(fù)合，公路上寫滿了一對(duì)中產(chǎn)階級(jí)夫婦的激情、倦怠和傷痕。剪輯出彩，每次轉(zhuǎn)場(chǎng)都頗費(fèi)心思，也是最值得看的錯(cuò)覺創(chuàng)意段落。赫本的各種摹仿秀精靈古怪，可惜38歲已顯老態(tài)。
為了幾段回憶揉在一起的形式，為了赫本的好看，給三星吧。戀愛故事中有感人的地方，可總體感覺不疼不癢ni chaud ni froid…美國的愛情電影真心跟法國意大利的不一樣，挺不習(xí)慣的。看到赫本鬧脾氣從海邊起跑跑出百米開外時(shí)聽到男主情急之下高喊你別跑啊你回來我就娶你她瞬間就轉(zhuǎn)頭回到男主身邊兩人就此結(jié)婚了的那段還是被culture shock到了：這已經(jīng)是60年代末了啊，美國電影為啥還在講這種童話故事…可能他們的出發(fā)點(diǎn)到底是相信婚姻的，然后經(jīng)歷了很多事，才漸漸開始總結(jié)開始感嘆開始超越這個(gè)制度，但在我們這的電影里這個(gè)出發(fā)點(diǎn)很早就不復(fù)存在了。導(dǎo)演故意給赫本安排了幾件顏色特別亮搭配特別丑的衣服，一出場(chǎng)就把觀眾逗笑了；他們和另外一家三口游Chantilly的那段真的就是法意常見的傻X美國游客典型…??
本片充分體現(xiàn)了赫本平庸的演技
婚姻就是：一個(gè)女人讓一個(gè)男人脫掉他的睡衣。。。因?yàn)樗阉腿ハ匆路?。?！?/p>
恐婚片，像《夜》，一樣是愛情死亡后徒留婚姻的困境，但與那不同的是這部里還有大量的甜蜜溫馨的片段，還有那些爭(zhēng)吵、摩擦、婚外情……看完倒沒稱贊它的敘事或者剪輯手法，因?yàn)槠涡缘牟鍞⒌臄⑹率址ㄔ谶@里顯得平實(shí)，像一個(gè)老派導(dǎo)演所做的新潮嘗試，而是最后那段，將愛情里的節(jié)點(diǎn)通過自駕行一段段路程拼湊起來，概括了這一段感情如何由生到死，盡皆在此，不由想到《千年女優(yōu)》，不由想到《愛樂之城》。ps，AH在這里面顯老了，時(shí)髦還是很時(shí)髦的。
簡直就是60-67時(shí)裝史。Mod風(fēng)尚其實(shí)并不適合赫本，Albert Finney表演風(fēng)格還是那么硬。
沒想到這居然是一部公路片。本片最大的特色是嫻熟地運(yùn)用了交叉剪輯，把男女主人公從巧遇到相戀到十年后的婚姻危機(jī)整個(gè)歷程勾勒得清清楚楚?？赐耆銜?huì)發(fā)現(xiàn)，他倆真是太適合了，簡直就是天造地設(shè)的一對(duì)啊。中年的赫本演技真好。本片的第二特色是運(yùn)用女性視角敘述故事，所以觀眾看到的結(jié)果就是，這場(chǎng)愛情出現(xiàn)危機(jī)，完全是男人的問題。他自私、幼稚、忙于工作不顧妻兒，并且確實(shí)如那個(gè)刻板的教授所言有極強(qiáng)的控制欲。結(jié)局的和好，稍微有點(diǎn)莫名其妙。臺(tái)詞特別優(yōu)秀，很多對(duì)話宛如詩歌，優(yōu)美文雅，針鋒相對(duì)，既推動(dòng)情節(jié)又刻畫人物，真是厲害。7分。
8.0/10。①一對(duì)中產(chǎn)階級(jí)夫妻十幾年走來充滿相戀、出軌與復(fù)合的婚姻故事。公路片。②精美的高水平攝影美術(shù)。③作為傳統(tǒng)故事片，打亂時(shí)間線的敘事結(jié)構(gòu)（存在相似性轉(zhuǎn)場(chǎng)）雖然增強(qiáng)了敘事的戲劇性張力，但最終敘事依然較淡，而且這種敘事結(jié)構(gòu)有些增大了對(duì)劇情理解難度，扣1分。
新浪潮版多南啊，不斷跳切剪輯一對(duì)夫妻不同時(shí)空的狀態(tài)，信息量非常大。那兩個(gè)為任何愚蠢的理由瘋狂大笑的年輕男女去哪兒了？他們?cè)?jīng)無時(shí)無刻不感覺到餓，感覺到欲望，就像車上的小女孩一樣任性，直到他們自己成了父親和母親，突然間，隨性而至不再是件快樂的事，太多責(zé)任，太多隔閡，太少荷爾蒙，不再在大路上搭便車，不再睡便宜的小旅館，也沒了胃口，沒了做愛和愛人的欲望。題材是老的，但是總有新的故事和橋段，比如曬傷后全身疼痛也要擁抱的一幕就很美。
由斯坦利·多南執(zhí)導(dǎo)，奧黛麗·赫本、阿爾伯特·芬尼攜手主演的愛情喜劇電影《麗人行》，以大量意識(shí)流優(yōu)美的倒敘鏡頭，勾勒出了兩人十二年的情感歷程。本片榮獲1968年第40屆奧斯卡金像獎(jiǎng)最佳原創(chuàng)劇本提名、音樂喜劇類最佳女主角提名以及1968年第25屆金球獎(jiǎng)最佳電影配樂提名
太過真實(shí)?！笆裁慈藭?huì)對(duì)坐著不發(fā)一言？已婚的人?！睆南嘤鱿嘧R(shí)，相知相戀，到相守相倦，相對(duì)無言，過去種種是浪漫，現(xiàn)在一切只殘酷。
正是在路上看的，高呼三聲好看！熱戀、新婚、十年后三條主時(shí)間線，穿插得輕快自然?；橐龅挠篮鉖aradox也被說盡。
多南《狂人皮埃羅》附體，兩位主角則乘坐飛車經(jīng)歷了多重的蟲洞穿越，我們無需弄明白這些旅行具體發(fā)生的時(shí)間順序，但電影無疑在這多重的穿越中為觀眾展現(xiàn)了一場(chǎng)更“永恒”的旅行：婚姻中無盡的循環(huán)，快樂、憂愁與折磨穿插反復(fù)著。隨著主角在最后的大全景中跨境進(jìn)入了我們看不到的新旅程，或許電影早已經(jīng)重新開始。
初看婚前婚后轉(zhuǎn)場(chǎng)對(duì)比還真是有意思，想著后面會(huì)不會(huì)有什么驚喜，結(jié)果整個(gè)看下來也就是這個(gè)樣子，還不好笑~
里面的轉(zhuǎn)場(chǎng)太頻繁、太自以為是以至于有點(diǎn)過了，反而影響了觀眾對(duì)于劇情和兩人感情對(duì)比的理解。可惜了。。。
婚姻是愛情的墳?zāi)梗で橄巳绾沃匦抡一剡z失的愛，多南擅長的愛情喜劇，別開生面地將幾次旅行交叉剪輯，公路電影的創(chuàng)意十足，特別是頻頻出現(xiàn)的同意象轉(zhuǎn)場(chǎng)，時(shí)間變換，空間里更留下無限的唏噓感慨，臺(tái)詞也有不少金句，兩位主要也挺有趣，帶給觀眾愉悅的享受。
這是我看過的赫本最棒的電影。在愛情里掙扎的兩個(gè)人的十二年猶如幾段旅行，一段張揚(yáng)快樂、一段訴說悲傷、一段控訴無奈、一段陷入痛苦。車換了一輛又一輛、路過了一站又一站，還是那個(gè)人卻不一定仍是那份情。最后剩下的是一長段回憶和一汪深情?！拔覑勰?！”“那就好！”其實(shí)你在身邊就好。