This is fucking good??????第四集之前：I fucking love Mae Martin yet this drama is a little bit normal第四集之后：Fucking awesome plot??????Mae Martin is super genius??????

I feel like I'm full of birds.

典型的英式喜劇，好多那種冷笑話哈哈哈哈哈，而且除去主角之外人物有為劇情發(fā)展和氣氛需要臉譜化的嫌疑。George真的很美美得像戴安娜王妃。Mae Martin…我發(fā)現(xiàn)我只是喜歡小奶狗而已性別什么的無所謂，所以我原來是無性戀嗎（誤）看到做愛部分會感覺都是女孩子的話會讓我容易習(xí)慣很多很多…可能也是對lesbian群體本身不了解不過我不想管那么多

劇本真的很好很好。感覺能體會到日常人與人之間交往的那種真誠與溫暖感覺。情感很細(xì)膩，但感覺鋪陳有時(shí)候不到位，也可能我本人不夠敏感。劇里的話還是美化過的現(xiàn)實(shí)…首先addict被編進(jìn)去本身就是對taking drugs的一種美化…cant help doing something while knowing that it will bring some negative consequences hhhh但是很多瑣碎的碎片化現(xiàn)實(shí)又fucking real and fucking touching，Mae和George最后對話還有以前其他的對話里面那些詞不達(dá)意欲言又止還有反復(fù)的sorry, I just... 都好London好生活…我們都一樣啊。

You are being loved. 那里真的眼眶濕潤了。not an island... 人與人之間的聯(lián)系真的是拯救一個(gè)人的根本嗎。

md這部里面的感情真的都好他媽流暢啊。

就是在考試周看然后看第一集的時(shí)候：這能拍六集？看完第六集的時(shí)候：怎么只有六集該不會我還要等第二季吧?？吹竭€有第二季的時(shí)候：希望我能先緊著復(fù)習(xí)??

差點(diǎn)忘了夸導(dǎo)演！色調(diào)真的超級超級棒啊，好多鏡頭都很漂亮，鏡頭下的人也無比好看。調(diào)色和色彩搭配都太好了…視角也很棒。

看看這個(gè)鏡頭多絕美！

我自覺自己也算容易成癮的人，還低自尊，所以很懂這劇里的痛點(diǎn)。有自知之明所以不敢碰任何賭毒…比起Mae是好在我沒有那么狂躁。

我覺得自己對親密關(guān)系成癮真的是the saddest thing ever heard.

不知道是愛眼前這個(gè)人還是單純需要找個(gè)人滿足自己的成癮需求。

更別提找了個(gè)直女了，更加煽動自己不安情緒。

聽對方說分手之后比起女生會找男生就心里很堵。從理性角度來看，其實(shí)這不能代表任何事，并不是說這段感情是“一時(shí)興起”或者“錯(cuò)誤”，只是她本身更容易被男性吸引而已。但是聽起來就很沮喪。

心中某處總覺得哪天必須要面對自己成癮這個(gè)事情，對現(xiàn)在的感情不能百分百投入。

Life is suck.

Feel Good is a low budget 6-episode TV show which mysteriously skipped my attention when it was first brought up by a friend: probably because it features no big star (Lisa is one, but in a small role), and British TV shows like Fleabag and Killing Eve have raised the bar very high now.

However, one night, I started to watch the first episode and was very impressed. The not so sub plot of addiction is so well-written. I really like it when Mae (its main character shares the same name with the writer and lead actor, which is a bit confusing) expands the definition of ‘a(chǎn)ddiction’: ‘it’s all the same feelings, craving, and withdrawl, and relief, and obsession. We are just swapping one addiction for another’. By doing that, Mae Martin (I will use the full name when referring to the creator) connects the love story and Mae’s struggle to stay clean together. Mae Martin challenges the audience to view addiction as not only a struggle among a group of people, but something many of us face when being in a toxic relationship with partners, or, say, social media. By then, I am convinced Feel Good is quite good because the creators know ‘nuances’. Its focus on addiction also reminds me of Killing Eve S2, the key word for its 2nd season is ‘obsession’. While both handle compulsive/toxic feelings between people/people and object, Killing Eve’s take on obsession is disappointing, Feel Good, on the other hand, only gets better episode by episode.

Story aside, I am mesmerized by how the show introduces the love story to the audience. It is fast-paced. As Guardian remarks, ‘Feel Good moves so quickly and lightly that it seems impossible it could also be managing to construct characters and burrow into psyches as deeply and empathically as it does.’ You never need to fast-forward; it’s densely-packed but you won’t feel stressful; the plots mingle effortlessly. It takes 30 seconds for Mae and George to fall in love with each other. I love how unconventional and unapologetic it is. I love how an LGBTQIA (bless Joyce) story focus on how the two lovers enjoy their relationship (at least for the most part) without giving too much attention to how they are unsure if the other is into them, or suffering from loneliness because they can’t find a partner. Of course the loneliness issue exists and there is suffering, but there are many representations of those already. Feel Good shows how the relationship can be the start, rather than the ending, of a story.

I also like how the struggles of Mae and George are more about themselves making choices than them being in disagreement with a suffocating society. It is refreshing to see not only Mae’s parents, but George’s mother, support their sexuality. Mae’s gig pals don’t make a fuss about her having a girlfriend. The roommate Phil is an angel. The lead of the support group is a gay man; Lava is loved by her mother regardless of her sexuality. While Binky’s husband and his friends are ‘piece of shit’, I don’t see them as homophobic (I could be wrong though). The show demonstrates that everyone can and should be nice to LGBT+ community. I like how Feel Good doesn’t use societal approval as a trope; instead, it allows us to see Mae and George as individuals who make their own decisions. Yes, sexuality is and will be important in their lives, but they don’t let it to devour them, they can still breathe.

The relationship is beautifully written and wonderfully performed. I mean THE CHEMISTRY!! Yes there is sex. As Mae Martin said, she didn’t want the lesbian sex to be voyeuristic. I congratulate her in doing a fantastic job!! Feel Good has amazing sex scenes: they are romantic, witty, hilarious, and honest. The director and writers make sure the sex scenes are not about sex/lust only, they are also about female pleasure. Mae and George communicate and share their sexual preferences; they don’t force their fetish on the other, instead, they ask politely. The show doesn’t mystify lesbian sex: even lesbians can’t cum and that’s ok! Feel Good has achieved what Sex Education has done: it has educated people (older than high schoolers) how to have sex, and more importantly, how to discern when the relationship is going south.

There are nudity scenes and they are (quite literally) serving the plot: it is when Mae feels most vulnerable physically. The paradox of the physicality and the personality is, however, not restricted to gay people. Mae is struggling because she believes however hard she tries, she can never have George in the long haul because George is ‘culturally straight’. George, however, insists this idea is just in Mae’s head. (Or is it?) It becomes apparent that the couple is not on the same page on many things. Mae is shy but she wants public validation of their relationship: she wants to be blessed by George’s family and friends. George is popular (win the lottery) but she is ultra private when it comes to Mae. She points out her friends just want to crack a joke and emotions (mind, not sexuality), for them, is gross. Eventually, George will have to face her own real emotions. There is a moment where Mae questions why George never like/retweet her social media stuffs. As Fleabag says ‘Hair is everything’, the (non)usage of social media, I argue, is (almost) everything. This again shows the discrepancy between the couple – which, of course, is normal; in every relationship/friendship, such disagreements happen and that’s what makes this show so relatable.

It is interesting to note that the dynamic between the two flows all the time. I find myself on the side of Mae and then I am on George’s side! For example, the first episode shows Mae concealing her addiction history from George, which is a bit dishonest; but George also makes Mae think she’s already mentioned her to her friends while actually she’s dating some Crenshaw dude. I find it especially interesting that while George is portrayed as a cold person (she leaves Mae alone in a party; she’s rather cold towards Phil etc etc), Mae can also be quite aloof – check what she does to Lava. When she says let’s not share this with Maggie, it is as if George were saying let’s not tell my friends now.

Talking about George and her friends, I really like how the show does about their friendship. It shows that those friendships, even though ‘long haul’, are not necessarily genuine. Indeed, things can be tricky, if not scary, when friends finally choose to be honest with each other, right?

Binky’s husband and friends are hilarious characters, but the show makes sure not all the male characters are caricatured. I like Phil a lot; he’s giving me the neighbor who ended up marrying Hannah’s boyfriend’s sister in Girls, especially when he’s mentioning all the baby stuffs. Mae’s dad is a charming character; but I am not sure if he’s a good dad. His ‘Oh I need to check the garden’ is a specimen of dad type, who leaves all the dirty job of communicating with kids to mums. The show also inserts in a MeToo story plot where things turn sour quickly. In all, the portrayals of male characters are multifaceted. Well done.

Last but not the least: small roles. Does the show even have small roles? Because everyone shines. Even the shop assistant of that sex shop: the scene is so funny and captivating. Lisa Kudrow is funny but in a cold way – which is really nice. I am not crazy about her first appearance in the laptop; seeing her appear in Blackpool is a real surprise for me (and Mae). I love the scene in Ghost Train the most. Arguing in a horror house/moving train, with all the noise and terrifying man-makes while discussing ‘real emotions’, which is the most terrifying of all – what a genius idea!! The fact that the show keeps vague about why Mae is cast out of the family is an interesting one; I quite like how her mother points out her privilege and that she has everything she wants when she grows up. Again, the show is looking at the mysterious and intricate human mind that is not so easily explainable. Apart from that, I don’t think there are a lot of TV shows that discuss ‘privilege’. Kudos to the writers for highlighting this aspect.

The photography is really pretty. It, like TEOTFW, has a consistent tone, which is even reflected when Mae and George are in bed. Note the beautiful blue shadow. The music is nice. The costume looks comfy and lovely (never let the costume steal the show– I’m talking to you, Killing Eve). My favorite, as I said earlier is the pace of narration. Mae has run a lot and it is a signature of Feel Good, like Fleabag’s looking at the camera.

Feel Good is about a female stand-up comedian. In the States, there is The Marvelous Mrs Maisel. Both Mae and Midge suffer from a backfire from they using real-life stories with their partner (judging from S1 finale, haven’t watched S2 yet). It is interesting to think how personal the stand-up mateials can be, but having just watched Hannah Gadsby’s Nanette, I am reminding myself that in order to make things funny, the ‘truth’ can be compromised. While Nanette is almost metafictional when Hannah approaches/disconstructs what makes comedy, I don’t think that is the angle Feel Good is heading towards. However, it is still fit to think about the show amongst the powerful works by Mae Martin’s fellow female comedians. The freshness of the show also reminds me of Girls (with its minute depictions of modern female life) and Fleabag (with its candidacy about real emotions). Feel Good deserves more recognition and PLEASE CAN WE HAVE SEASON 2 THANK YOU NETFLIX!!

現(xiàn)在時(shí)間是2020/6/6 凌晨5:20 時(shí)間停留在520上 我寫完這句話 它變成了5:21

我不清楚大家身邊是否有同性戀的朋友，準(zhǔn)確來講，我不知道怎么稱呼他們會顯得更尊重一些。對于“同性”，我經(jīng)歷了不解到理解，支持再到感同身受?！稊啾成健纷屛依斫饬诉@樣的感情，而《心向快樂》讓我感同身受。同性題材的電影也看了一些，比如《霸王別姬》，卻怎么也沒有《斷背山》和《心向快樂》讓我更有感觸。

幼年的我，無法想象兩個(gè)大男人在一起是什么樣子的，他們?nèi)绾巫鰫郏?005年李安導(dǎo)演的《斷背山》上映，我是在電腦上下載來看的，只是單純的因?yàn)樗拿麣狻Ｎ覜]想到的是，我會看到哭。

《斷背山》中關(guān)于形婚背后的女人，孩子，家庭占著很大的比重，這些都是為了體現(xiàn)出當(dāng)時(shí)社會對于“同性戀”的態(tài)度。即使，會覺得女人可憐，可是更多程度上會把同情心給男主。他們似乎，也確實(shí)更為艱難一些。

電影名稱斷背山，這是全片的主旨，象征所在。Jack在劇中對Ennis說道：我們本可以相伴度過美好的一生，真正的美好人生，有個(gè)屬于我們自己的家園，但你卻不想要，恩尼斯，所以我們只剩下斷背山！一切都緣起于斷背山，而那確實(shí)我們的一切，僅有的一切。

斷背山似乎就是他們心中的圣地，在世界上唯一能夠做自己，正視自己情感的地方。他們每次的相聚都需要去斷背山，而我希望那里都是斷背山。任何地方都可以讓人們做自己。

在他們最后一次的相聚中，jack說：我們認(rèn)識將近20年，你拴的我好辛苦...... 當(dāng)我時(shí)隔15年再看它的時(shí)候，我才發(fā)現(xiàn)真的會發(fā)生這樣的情況。我們都無法正視自己的情感，在悠悠歲月中，在彼此的生活中進(jìn)進(jìn)出出，這樣會讓脆弱的那一方多么痛苦。最終如同劇中的人物一樣，“打架”，“爭吵”，“糾纏”再擁抱著痛哭。

電影的最后一刻，出現(xiàn)了jakc的衣服和斷背山的照片，隨著Ennis悲傷的眼神，好像那一刻就被融化掉了。真正的理解他們，真的替他們感到難過，如果你也掉下了眼淚，說明你真的理解了。

很長一段時(shí)間我都喜歡聽其中的插曲《IDon'tWantToSayGoodbye》，當(dāng)真的去了解一件事物的時(shí)候，真的就會自然而然的去理解這樣的情感。有一位“同志”曾經(jīng)多次找我聊天，他表明身份的時(shí)候，我得去向他解釋我是直男。他有一個(gè)微信群，我在其中。我真的有“接觸”這群人，一起玩王者榮耀，喜歡玩蔡文姬的小受受，挺可愛的。

這些年間，國外彩虹活動，同性立法等等新聞很多。我從開始的理解轉(zhuǎn)變?yōu)橹С?。我和人討論過關(guān)于“同性”的話題，大多人避而不談或是充滿偏見。我表示出，我很支持的時(shí)候，他們問我，你兒子如果是同性戀怎么辦？我當(dāng)時(shí)猶豫了。原來我的理解，支持，從來沒有放在自己身上。我思考了3分鐘，告訴他們，如果他是的，我也會支持。我會支持他過自己想要的人生。以上，是我對于“同性”的一段心路歷程。而《心向快樂》，讓它變成了我的感同身受。

原來愛情，無關(guān)性別。不管你是同性戀，還是異性戀，那情感是一樣的。

梅·馬丁是一個(gè)有著吸毒史的脫口秀演員，她有著糟糕的過去，包括現(xiàn)在。喬吉則是一個(gè)異性戀。

梅是一個(gè)有上癮型人格的人，精神脆弱，缺乏安全感，任何時(shí)候都可能會崩潰。像是待在暗黑的地牢之中，期待著會照進(jìn)來一道光。而喬吉就是她的這一道光。

在喬吉朋友的生日上，喬吉還是稱梅為朋友，這不是第一次隱瞞梅的存在了。之前在一次婚禮上也是。這對于缺乏安全感的梅來說，對于缺乏安全感的我來說，真正的感同身受。你是否愛上一個(gè)人，你們在一起，你卻從不認(rèn)識她/他的家人，甚至是朋友？我不如梅，我沒有她的自信，我沒有勇氣面對對方的家人，朋友。如果連我的存在，都不知道，我真的會不知所措。

在生日過后，一次意外，由于嗎啡的作用，喬吉出柜了。一個(gè)人進(jìn)入了一個(gè)新的領(lǐng)域，喬吉自然也會有著迷茫。兩個(gè)人因?yàn)槿∠?，性別的原因，分手了。

兩個(gè)人分開之后，喬吉開始明白一些事情。她問自己的那些朋友：我們多久沒有談過正經(jīng)的話題了？最后說出：“你們算什么朋友？” 然后清楚自己真正的朋友是誰。

而梅則在互助會，拿著1day的牌子，這意味著她又復(fù)吸了。彼此不喜歡的兩個(gè)互助會成員開始了“互助”談話。

像大多數(shù)可以讓人暫時(shí)麻木自己的東西一樣，我們似乎永遠(yuǎn)停不下來。我們從未想過，我們真正“吸毒”的原因，如果因?yàn)槟骋患?，我們嘗試把它做好不就行了。而不是什么都不做，等它變壞，然后再解除“痛苦”。

梅在經(jīng)歷了一切之后，她對著手機(jī)那頭的母親說，我想回家。原本有些“生分”，趕她離家的母親說，現(xiàn)在就給她訂票，詢問她有去機(jī)場的錢嗎,給她打錢，現(xiàn)在就讓梅的父親給梅煮湯......

梅問道：你還生不生我氣？母親說，我從未生過你的氣。這句話，好熟悉。我母親好像就曾這樣對我說過，你是我孩子，我怎么會生你的氣。

結(jié)尾的時(shí)候，喬吉對梅說，我不知道沒了你 我該怎么辦。結(jié)局是兩個(gè)人相擁，親吻，是美好的。我們大多數(shù)人在戀愛的時(shí)候，都會覺得沒了對方，我怎么辦？我怎么活？生活畢竟是生活，我們把一切交給時(shí)間，而時(shí)間確實(shí)也做到了，我們也放下了。

《心向快樂》是一部女同題材的英劇，可以讓你一口氣看完，我 也推薦你利用一個(gè)周末，午后，一氣呵成?！缎南蚩鞓贰匪P(guān)于“癮”，關(guān)于“朋友”，關(guān)于“親人”，關(guān)于“愛情”。

我們每個(gè)人似乎都或多或少的有癮。吸煙？看??？對某一個(gè)人的依賴？心理學(xué)說，成癮性人格都存在一定的缺陷。當(dāng)然，我們都有缺陷。對某個(gè)事物越是在乎，就越缺少它。

關(guān)于朋友，人總會遇到好多好多的朋友。區(qū)分起來可能會簡單，誰是能和你討論正經(jīng)話題的人?；蛘咭恢痹谀闵磉叄愣嘉丛l(fā)現(xiàn)。

關(guān)于親人，主要就是父母。我想著沒什么好談的，因?yàn)樽鲎优?，永遠(yuǎn)不會知道父母對他的愛到底有多么重。我們可以滿不在乎，但是當(dāng)這個(gè)世界開始崩坍瓦解的時(shí)候，那個(gè)家卻永遠(yuǎn)為你遮風(fēng)擋雨。

至于愛情，我們分手的原因，我們選擇了理性，選擇對彼此都好的決定。明明很在乎，卻要不斷安慰自己。實(shí)際上我們只是做了“容易”的選擇罷了。

想象一下，對方在深淵里，你是否真的愿意做他/她的一道光。

從《斷背山》到《心向快樂》，當(dāng)有天，它們的標(biāo)簽不再是“同性”，而是“愛情”的時(shí)候。人們或許才真正的接受了。此刻，它們是因?yàn)閻矍?，讓我感同身受的。謝謝！??

這里是夏七海~ 你的點(diǎn)贊 對我來說真的，真的很重要，秋秋啦！??

看完了，我一直疑問這竟然標(biāo)簽是喜劇誒，明明很多時(shí)候我看的都心碎的說

上圖

當(dāng)Mae復(fù)吸后

劇中梅在經(jīng)歷了女友的分手，一度失落丟失自己，甚至想要再次借助毒品擺脫失意，我深有感觸，當(dāng)生活糟糕的時(shí)候就會想忘記一切地放縱，但我們都知道，放縱過后只有無盡的后悔以及未解決的問題罷了，或許我可能應(yīng)該想想一切的根源，與自己和解才是問題的答案

George訴說當(dāng)年的傷心事

看到這里真的感同身受，自己所在意的所難受的常常是不為他人所感同身受的，我們失落在朋友無意的嘲笑中，把悲傷放在心里耿耿于懷，除了自己誰也不知道除了自己誰也傷不到，我認(rèn)為劇中的朋友根本算不上朋友，不過是會耍耍嘴皮逗逗樂的一群派對伙伴，但真正的朋友，即使不懂你的痛也不會隨意的戳你的傷疤，而是小心翼翼地保護(hù)著你。希望你可以在愛你的人面前褪去偽裝。

年少時(shí)總是想出去看看，家好像是個(gè)束縛自己的地方，但后來遇到了大風(fēng)大雨第一個(gè)想到的還是回家。

梅總是以為母親不那么愛她，她好像永遠(yuǎn)在批評她，但其實(shí)她只是不把愛放在嘴上，傷心時(shí)一句話媽媽就會為你準(zhǔn)備好一切等你回家。

多多少少有人迷失在自卑的世界里，我們感覺不到愛，接受不了愛，無法付出愛，什么都不說了跟著臺詞念一念吧，你是個(gè)可愛的人。

最后放幾個(gè)圖

第一次寫長評，留個(gè)贊唄ヾ(????)???~

Mae Martin不僅是《Feel Good》的女主，是本片編劇之一，同時(shí)自己也確實(shí)是一位知名喜劇脫口秀演員?！禙eel Good》不僅沿用了Mae的名字，故事也基本上是她現(xiàn)實(shí)生活的翻版。

3月19日，Netflix發(fā)行了新劇《Feel Good》，豆瓣譯名《心向快樂》，但我更喜歡之前的譯名《迷醉倫敦》。這是一部甜甜的同性愛情劇，講述了毒癮纏身的單口喜劇演員Mae Martin和“直女”女朋友的新戀情。從相識到同居，只需要一集。

Mae Martin: 才華橫溢的喜劇脫口秀演員

許多觀眾都為Mae的魅力所折服，而我看完劇只有一個(gè)感覺，導(dǎo)演太會選演員了，要知道單口喜劇并不是那么好演的，而Mae在舞臺上自然到讓所有人相信她作為一個(gè)喜劇脫口秀演員的才華。后來一查資料才知道，Mae Martin不僅是《Feel Good》的女主，是本片編劇之一，同時(shí)自己也確實(shí)是一位知名喜劇脫口秀演員?！禙eel Good》不僅沿用了Mae的名字，故事也基本上是她現(xiàn)實(shí)生活的翻版。

和《Feel Good》中的女主角一樣，Martin來自加拿大。加入《The Young and the Useless》劇團(tuán)以后，Mae便開始了自己的喜劇生涯，16歲時(shí)便獲得Tim Sims Encouragement Fund Award（為鼓勵(lì)戲劇演員新秀設(shè)立的獎項(xiàng)）提名，是該獎項(xiàng)有史以來最年輕的提名人。

在脫口秀演出之余，Martin還是加拿大CBC電視臺電視喜劇小品系列《Baroness von Sketch Show》的編劇，并憑借出色的劇本撰寫才華獲得過2次加拿大銀幕獎最佳編劇獎。2011年，Martin移居英國，開始在英國參與一些電視和廣播節(jié)目。2018年，Martin首次出現(xiàn)在Netflix《全球喜劇人》系列中。

Martin的關(guān)鍵詞：性別流動

Martin雖然的確與男性和女性都交往過，但她拒絕被貼上“同性戀”或者“雙性戀”的標(biāo)簽，她一直談?wù)摰谋闶牵詣e是流動的，性傾向也一樣。如果你翻看Mae以往的脫口秀節(jié)目，你會發(fā)現(xiàn)她和劇中一樣，在各種各樣的舞臺上調(diào)侃自己的“年少無知”，自己沉迷毒品的黑暗經(jīng)歷，自己的愛情故事。

在BBC第4頻道，Martin有一檔專題欄目《Mae Martin's Guide to 21st Century Sexuality》（Mae Martin的21世紀(jì)性別指南），專門討論社會與性別問題。在另一些舞臺上，Martin也談?wù)撨^“為什么你是同性戀”、“與異性交往”、“生來如此”、“天性還是規(guī)訓(xùn)”，這些節(jié)目的碎片拼湊起來，便成了我們看到的《Feel Good》。

《迷醉倫敦》為什么這么戳心？

喜劇的內(nèi)核，是悲劇，《Feel Good》也一樣。劇中George在遇到Mae以前都是異性戀，因而難以跟父母和身邊的朋友啟齒自己有了女朋友的事，而這也成為了兩人矛盾的觸發(fā)點(diǎn)。Mae在自己的節(jié)目中吐露心聲，說自己不再穿顏色鮮艷的衣服，但更怕George將自己視為男性。

我們都知道，即使是在性少數(shù)群體中，也是存在“鄙視鏈”的，“雙性戀”在同性戀群體中其實(shí)是非常不受待見的?！禙eel Good》所反映的核心在于同性戀的性別認(rèn)同，可能與大多數(shù)人的認(rèn)知不同，許多同性戀并不認(rèn)為自己的社會性別與生理性別相反。

盡管取材于Martin的真實(shí)人生，George這個(gè)角色其實(shí)是許多人的集合體。

“搬來英國之后，我和一些女孩約會過，她們中的確有一些從來沒有和女生在一起過，我會和她們共同經(jīng)歷這個(gè)過程。實(shí)際上，這個(gè)過程是既辛苦又有趣的，同時(shí)很多事情也會給我們帶來很多壓力。我覺得我能夠理解這種動態(tài)的變化，我們只想要展示性別流動的事實(shí)。她從來沒有想過自己會變成這樣，但她突然愛上了一個(gè)女孩，然后立馬感受到了要重新建立自己的身份與認(rèn)同的壓力。其實(shí)她并不是必須要去面臨這些壓力，她只是愛上了一個(gè)人而已。她必須要重新去建構(gòu)自己的性別認(rèn)同，甚至是自己的世界觀。我們真的很希望觀眾能夠感受到劇集中體現(xiàn)的對George的同理心?！?

還有第二季嗎？

“我是個(gè)徹頭徹尾的浪漫主義者，我整個(gè)20歲的人生似乎都是圍繞愛情展開的，所以我想寫一個(gè)愛情故事。我們想寫一個(gè)充滿難堪但同時(shí)也很誠實(shí)的現(xiàn)代愛情故事，我希望人們重視感情。關(guān)于這些角色，我們想講的還有很多，我們很樂意拍第二季。”

采訪部分文字譯自Thrillist對Mae Martin的采訪：How Mae Martin Mined Her Life Story for Her Bingeworthy Netflix Comedy。