當(dāng)然會(huì)，而且會(huì)非常好看。前提是要有一個(gè)有趣的故事，扎實(shí)的劇本，睿智的臺(tái)詞，還要配上演員們爐火純青的演技。

這是一個(gè)看似俗套的愛情故事：男女主不打不相識(shí)，不得以同住屋檐下，于是像所有人預(yù)料的那樣，愛情在吵吵鬧鬧中降生了。

女主——過氣百老匯舞蹈演員，30+單親媽媽，事業(yè)上一路下坡，愛情中頻遇渣男，卻屢敗屢戰(zhàn)。

男主——風(fēng)趣風(fēng)騷嘴炮王者，實(shí)際上是個(gè)掙扎在溫飽線上的十八線路人甲，堅(jiān)信自己演技碾壓馬龍·白蘭度，卻又不得不去演gay版《查理三世》。

男女主之間還有一個(gè)潤滑劑——女主剛滿10歲的女兒lucy：冷靜早熟看盡世間百態(tài)。影片剛開頭，便借媽媽之口給了女孩最閃亮的標(biāo)簽“你生下來就26了”。這個(gè)敏感細(xì)膩的小女孩成了男女主關(guān)系進(jìn)展最重要的推手。

影片沒有一處閑筆，故事的推進(jìn)隨著男女主的感情進(jìn)展一氣呵成：從相互看不上到相互扶持，女主逐漸自立重新相信愛情，男主的才華終被業(yè)界認(rèn)可。即使是標(biāo)準(zhǔn)的好萊塢大團(tuán)圓結(jié)局，你也會(huì)覺得毫不刻意。

這就是編劇的功力。作為美國劇作史上最多產(chǎn)的作家之一，本片編劇尼爾·西蒙用幽默又不失溫暖的臺(tái)詞串起了生活中的雞毛蒜皮，變身為熟女的完美嘴替?！澳腥烁F困潦倒時(shí)，愛情最美好”“跳舞？我33歲了，走路都費(fèi)勁！”“你從最開始就相信男人，相信他會(huì)在電影結(jié)束時(shí)帶你走”……

尼爾·西蒙也借這個(gè)故事給戲劇、電影寫了一封飽含深情的情書。電影里的戲劇元素俯仰皆是：男女主同住的家里各個(gè)房間都貼著70年代當(dāng)紅演員海報(bào)；女主上一個(gè)渣男男友聲稱接到了貝托魯奇的片約（而不是不愿和正妻離婚）才不得不和她分手；男女主甚至連吵架都要用戲劇?！髯I諷剛剛從外地來紐約謀生的男主，“我在城里恰好認(rèn)識(shí)一位律師…你是坐欲望號(hào)街車來的吧？”為了哄lucy開心，男主雇了輛馬車去學(xué)校，高喊著“英格蘭是你的了”，儼然穿越到現(xiàn)實(shí)里的查理三世。

演員們各個(gè)演技在線，作為愛情喜劇的男主，理查德·德萊福斯像是個(gè)意外，他身材矮小、毛發(fā)濃密，和高大威猛毫不相關(guān)。但隨著影片的推進(jìn)，你會(huì)發(fā)現(xiàn)他會(huì)吉他懂浪漫甚至收拾家務(wù)也拿手，關(guān)鍵他還深情專一有擔(dān)當(dāng)。角色立體，演繹精準(zhǔn)，其貌不揚(yáng)但蘊(yùn)含巨大能量的德萊福斯在當(dāng)年打敗了《安妮·霍爾》的伍迪·艾倫，《特殊的一天》里的馬塞洛·馬斯楚安尼，問鼎第50屆奧斯卡金像獎(jiǎng)影帝。

愛情的美好在于愛情本身，這部70年代的老片告訴你，普通人的愛情也能浪漫至極，剝離了工業(yè)糖的愛情更甜。

The film tells the story of Paula sharing rent with another actor and falling in love again after being abandoned by her boyfriend Tony. Paula had lost her trust in men, but Eliot's sincerity moved her. They loved each other, but they also faced differences. Eliot promised her that he would come back, which was a perfect ending. Several scenes in the film moved me. After her boyfriend left, Paula tore up the things at home and said goodbye to a broken relationship. After falling in love with Eliot, they wanted to transform a new home together and painted the walls with successful colors, which was very warm. Eliot loved her daughter Lucy and respected her children's ideas very much. I think what this film conveys to us is not to lose the ability to love. Paula knew that she always falls in love easily and has no resistance to actors, so she was afraid of repeating the mistakes. However, the emergence of Eliot was a sunshine. He was romantic and responsible. He was humorous and intelligent. He cared about Paula and Lucy very much. He hoped to live with them all the time. In the end, he called Paula again in the heavy rain. This time, it was not a quarrel, but a commitment to love.