The Right Stuff
Basic information:
1983 (release date: February 17, 1984)
Production Company: The Ladd Company (financed by Warner Bros)
Director: Philip Kaufman
Writers: Philip Kaufman (written for the screen by), Tom Wolfe (based on the book by)
Genres: History, Biography, Drama
Certification: PG
Top Cast: Sam Shepard, Scott Glenn, Ed Harris
Taglines: By flying higher and faster than any other man had ever dared before, Chuck Yeager set the pace for a new breed of hero. Those that had just one thing in common…THE RIGHT STUFF.
Box Office:
Budget: $27,000,000 (estimated)
Gross US & Canada: $21,192,102
Gross Worldwide: $21,192,315
Academy Awards, USA, 1984:
Winner: Best Sound; Best Film Editing; Best Effects, Sound Effects Editing; Best Music, Original Score.
Nominee: Best Picture, Best Art Direction-Set Decoration, etc.
Comments:
(From IMDb top reviews) The Right Stuff is terrific: exciting, complex, funny, crammed with memorable scenes, unforgettable lines, and wonderful actors…
If you believe the Age of Heroes is past, watch 'The Right Stuff', and you might change your mind! This is a film to treasure!
Characters:
The Right Stuff tells a story that once truly happened in the American history, the Project Mercury, the first manned space program in the USA. It’s a story of seven brave astronauts as well as uncountable fearless pilots, a story about how they punch through the barrier and how they break the edge of human beings. With a running time of 3 hours 13 minutes, this movie stresses the spirits of those pilots and astronauts again and again.
There are many people with different character and positions in this film. It’s a necessary to understand this movie from some typical roles.
Yeager: The protagonist of the movie, fearless, strong-willed, emulative.
When he saw the Bell Aircraft for the first time after attending a funeral of the pilot who sacrificed in the test flying, Yeager knew that he must have a try to break the sound barrier (a phenomenon that aircraft can’t work when its speed is close to the velocity of sound). Even though he realized that is extremely dangerous. He is fearless and determined. Finally, he made it, becoming the fastest man on earth.
But when the government asked him to become one of the Mercury’s astronaut, Yeager refused. At that time, He didn’t believe in the space mission’s reliability. However, in my opinion it’s the former great success he made in the test flying that makes him be afraid of failing, trying new challenge. He lived in his former glory.
Then after his pilot teammates, Gordon, Gus and Slayton succeeded in the space mission, he realized that he couldn’t dwell on past successes with his wife’s words (the old Beer bar’s being burned in the fire symbolizes Yeager’s former glory was gone and he had to go forward). “I guess I liked the kind of man who could push the outside of the envelope. But I never could stand a man who was one of those, ‘remember-whens’.” So, Yeager flied again. He was going to find where the limit of human beings lay.
Gordon: supporting role, the Mercury astronaut, hubris, confident.
When the press asked Gordon who was the best pilot in the world at the beginning of the movie, he said, “You are looking at him”. He is hubris that time. But then after he saw his teammates finish those dangerous missions and saw clearly what is hidden behind the government officers’ public masks—no respect for the lives of astronauts and pilots, he changed his words. He said, “It’s those who put their hides out on the line, hang the aircraft out over the edge, push back the outside of that envelope and haul it back here.” The best pilots are those can be fearless and determined.
The astronaut’s wife: fearless as well.
Their husband is engaged in one of the most dangerous job, risking life every time on mission. Gus’s wife, for example, she was looking forward to meeting president’s wife after Gus returned from space mission. But things went contrary to her wises, and she collapsed. Astronauts’ wives suffered great pressure. Fearless pilot needs fearless wife. At the same time, without their wives’ support, those astronauts won’t be such brave and determined.
In conclusion the movie is not going to figure out just one hero character. It stresses that the spirit of bravery in human beings. In addition, the director wants to tell us that the advance of human civilization is achieved not only through scientists’ hard work but also those who explore with their life, fearlessly.
Theme:
Main theme:
Americanism
This movie talks about a story, a group of American people about individualistic heroism. In another word, it’s a film of American “Main Melody”. And individualistic heroism in the movie is expressed as bravery, challenging the limit, and sacrifice.
By setting some big challenges like breaking the sound barrier, flying to the space and landing safely for the characters in the movie, and describing their feelings as well as behaviors when facing those challenges, the director makes the people such as Yeager become fearless and eager to challenge the limit.
Other themes:
The history of Cold War
Anyway, this is a history movie. The movie’s story is mainly in the 1982-1965, when the cold war between USSR and USA was on. The Project Mercury as well as the Star War Program, was outcome of that time.
And in this movie, director uses a method of editing that mixing the movie picture with some real historic videos in order to make the film look more real. For example, a piece that vice president Kennedy standing with the astronauts. Also, there are some pieces trying to satirize the soviet union’s space project. Of course, the story itself is based a real history in 1980s.
The relationship between human beings and universe
This is not an apparent theme. Human and universe are connected in some ways. And as human beings explore the outer-space with great bravery, the universe is waiting for humankind to find out its beauty and mystery.
It’s a small detail. In the latter part of the movie, when the astronaut John Glenn flying in the low-earth orbit, there appeared a lot of sparks like glowworm outside of his spacecraft. And at the same time on earth, some aborigines who specialized in observing the stars were performing mysterious rituals around the campfire. And the campfire was reeking of many sparks just like that in the space outside of John Glenn. It is trying to express some connection, I think.
Conclusion:
It’s a movie about bravery, exploration and heroism. With excellent editing, music and score as well as amazing frame, it tells story based on the real history. It’s a “Main Melody” movie. But what makes it special is that while telling a integrated story about American heroism it also raises some question about humankind, universe, and love.
References:
Douban (豆瓣), //www.douban.com/.
“The Right Stuff.” Ladd/WB, 1983.
“Ratings, Reviews, and Where to Watch the Best Movies & TV Shows.” IMDb, IMDb.com,
大框架是美式主旋律,呈現(xiàn)了個(gè)人對(duì)國(guó)家的榮譽(yù)感,國(guó)家對(duì)個(gè)人的英雄主義歌頌,政府對(duì)個(gè)人的剝削壓制,個(gè)人對(duì)壓迫的反應(yīng)。無(wú)論是宇航員還是飛行員,想要飛得高一點(diǎn)再快一點(diǎn)的想法和行為都是挑戰(zhàn)極限的體現(xiàn),沒(méi)有這些人的果敢和犧牲,也不會(huì)有科技的不斷進(jìn)步。特別是在戰(zhàn)后冷戰(zhàn)時(shí)期的特殊條件下,緊張的壓迫感隨時(shí)貫穿于這批首次進(jìn)入太空的美國(guó)宇航員身上。先救人還是先救返回艙?家國(guó)和個(gè)人之間孰重孰輕的博弈也再次被架于懸崖邊上。艾德·哈里斯下了火箭和妻子電話溝通時(shí)說(shuō)的那番話,也是直接跑出觀點(diǎn):沒(méi)有人,甚至是政府、國(guó)家都不能打擾和侵犯我的家庭。別忘了這也應(yīng)該是公民愿意奉獻(xiàn)的前提啊。
好久沒(méi)有這么浪漫,云淡風(fēng)輕,燦爛陽(yáng)光,笑、怒、和你相伴。無(wú)需形容,每樣事物都是該有的樣子。多么好的年代啊,天那么藍(lán),人那么意氣風(fēng)發(fā),都平凡,又氣度非凡;目光所及盡翱翔。澳洲土著之火、那個(gè)飛行員,多好的劇本啊。今日神來(lái)之筆當(dāng)時(shí)只是尋常。已經(jīng)沒(méi)有這樣的電影了。天在那兒,我已經(jīng)準(zhǔn)備好了
本片獲第56屆奧斯卡最佳剪輯、音效、音效剪輯和配樂(lè)獎(jiǎng),并獲最佳影片、男配角、攝影和藝術(shù)指導(dǎo)提名。也許在航空航天設(shè)施的研發(fā)人員眼里,這些只有匹夫之勇的先鋒不過(guò)是能夠說(shuō)話的猴子。然而就是這些隨時(shí)準(zhǔn)備犧牲生命的死士,前赴后繼地實(shí)現(xiàn)了人類征服太空的夢(mèng)想。
一部樸素且冗長(zhǎng)的愛(ài)國(guó)主義教育片,某種意義上,那個(gè)屬于太空奧德賽的年代也是真正科幻的年代。
恩,了解一下。作為史料它是不夠嚴(yán)謹(jǐn)?shù)?,作為?lì)志篇,勉強(qiáng)吧。它說(shuō),很多時(shí)候做雞頭也會(huì)成為鳳頭,所以在做鳳尾的時(shí)候要時(shí)刻準(zhǔn)備接受新的機(jī)遇。
1.剛健昂揚(yáng),兼顧浪漫氣質(zhì)和理想主義,前半段頗有老西部片遺風(fēng),整部片子的精神氣質(zhì)相當(dāng)cocky,但的確又不乏迷人之處。2.影片身處里根年代,尚不能預(yù)見(jiàn)冷戰(zhàn)的終結(jié),對(duì)太空競(jìng)賽的政治色彩倒也毫不避諱;艾克一閃而過(guò),JFK也戲份寥寥,林登·約翰遜倒是占據(jù)了不少篇幅,而且影片把他往那樣一個(gè)方向去塑造,相當(dāng)有意思了。3.《太空先鋒》對(duì)后世太空題材的影響被大大忽視了,從《星際穿越》到《登月第一人》,《太空先鋒》方方面面的印記隨處可見(jiàn)。4.實(shí)拍+紀(jì)實(shí)影像+模型土法特效的保值性實(shí)在遠(yuǎn)超想象,對(duì)比觀看90乃至00年代前后的諸多特效大作,不難體會(huì)到實(shí)拍的價(jià)值與CG的局限。真想在大銀幕再看一遍這樣的片子?。?/p>
好看,有很多大牌年輕的時(shí)候,都很帥氣啊。并且可以看出考夫曼后來(lái)片子的影子,聲音剪輯加跟歷史資料的混剪都牛逼!
3.5/5 Americanism at its best. Respect for those who pushed the envelope. OST includes a variation of Tchaikovsky violin concerto and The Planets. (Christopher Nolan has explained in several interviews that the film was influenced by Stanley Kubrick and Steven Spielberg's family films. He also says he had his cast watch the film "The Right Stuff" by Philip Kaufman, and describes it as a "perfect film.")
無(wú)比洗腦的民族主義,各種方式宣揚(yáng)大美帝國(guó)前線英雄。配樂(lè),背景,場(chǎng)面調(diào)度無(wú)不充斥英雄主義的自豪感。拍這個(gè)片子時(shí),蘇聯(lián)還沒(méi)解散,還故意給蘇聯(lián)科學(xué)家的面孔扭曲。德國(guó)佬也是一群木木的,丑陋的面孔。
考夫曼在冷戰(zhàn)后期拍的美蘇瘋狂太空競(jìng)賽歷史的神作,配樂(lè)激昂音效爆棚但并非主旋律而是刻畫了一個(gè)個(gè)飽滿鮮活的人物,從牛仔似的試飛員破音速到NASA先驅(qū)混亂的多次失敗到成功,視角冷眼反思甚至對(duì)媒體國(guó)家行為充滿諷刺和冷幽默,獲獎(jiǎng)的多線剪輯把假拍與真實(shí)新聞片段和每次上天表現(xiàn)得都很驚險(xiǎn),資料館百子灣膠片版。
6/10。[星際穿越]開(kāi)頭也是從極速墜落的夢(mèng)中驚醒,怪熟悉的。配角和細(xì)節(jié)的巧妙安排是導(dǎo)演用心之處,如政府把太空艙的資料看得比宇航員生命重要,因?yàn)檫@次事故一名獎(jiǎng)?wù)戮桶讶思掖虬l(fā)了。卡本特對(duì)妻子拒絕副總統(tǒng)來(lái)訪的支持,以及轉(zhuǎn)述星空螢火蟲的奇景和指揮室的危機(jī)警覺(jué);遺憾過(guò)于完整的故事顯得多余冗長(zhǎng)。
美國(guó)式主旋律。但做的好看啊。
諾蘭可能偷學(xué)了太空艙墜海那場(chǎng)戲,至於只有星星知道我的心這麼高的姿態(tài)諾蘭是不會(huì)懂噠,脫衣舞女和烤牛排也比種玉米高到不知道哪裡去了
8.4/10。①美國(guó)的太空計(jì)劃和第一批宇航員的誕生的詳細(xì)故事。意在諷刺政客的好大喜功和彰顯宇航員的美式個(gè)人英雄主義(英勇無(wú)畏地探險(xiǎn))的主旋律。②攝影美術(shù)表演配樂(lè)等各種影像技法整體都很精準(zhǔn)嫻熟;插入一些歷史影像資料增強(qiáng)寫實(shí)感;戰(zhàn)斗機(jī)空中顛簸那段和最后飛機(jī)墜落那段處理(剪輯音響調(diào)度等)地很好很刺激。③作為傳統(tǒng)故事片有兩個(gè)問(wèn)題:一個(gè)是敘事節(jié)奏較拖,另一個(gè)是氣質(zhì)有些斷層(一會(huì)兒正劇一會(huì)兒喜?。??分。
3.5。三小時(shí)的電影的確極難乏味,考夫曼將所有人物鋪陳開(kāi)來(lái)、同時(shí)融合并平衡西部、浪漫愛(ài)情、喜劇、諷刺、偽記錄、特效等各類表現(xiàn)形式提升了不少花樣和娛樂(lè)感,然而電影其實(shí)一直反復(fù)地描繪并歌頌一個(gè)母題——美國(guó)個(gè)人英雄主義。很優(yōu)雅的雞血片。勇氣、突破人類極限的精神和有時(shí)只是巨大的自尊心被無(wú)限放大,同時(shí)身邊還會(huì)有一個(gè)妻子全身心支持,有時(shí)甚至還會(huì)要挾他說(shuō)如果一旦他放棄了就馬上分手。這場(chǎng)“科技競(jìng)賽”過(guò)度贊揚(yáng)個(gè)人使得當(dāng)中國(guó)家、政治甚至科學(xué)都是丑角。很難說(shuō)這樣的人物是否真實(shí),但至少編劇認(rèn)為這都是值得用兩條并行敘事線大書特書的故事,用以建立一種人物、職業(yè)(pilot)和精神復(fù)合的不朽和浪漫主義。機(jī)艙飛到外太空看到七彩云煙和火光太神棍了,仿佛看到2001的影子,我想就是眼花了吧,也看得出好萊塢對(duì)外太空未知一向的心馳神往。
1.航天版七武士。2.諷刺美蘇太空競(jìng)賽的目的、政客顯擺及虛偽、對(duì)航天系統(tǒng)設(shè)計(jì)和航天員的非人性化處理等等,而航天員則比較客觀現(xiàn)實(shí)化刻畫,突出勇敢、進(jìn)取、追求突破、團(tuán)結(jié)互助精神。結(jié)局的艷舞與耶格沖擊噴氣飛機(jī)記錄表現(xiàn)的其實(shí)是太空人只是一群傭兵牛仔(猩猩)。
如果電影節(jié)沒(méi)錯(cuò)過(guò)這部的話,應(yīng)該就是“本屆最佳”了。全程觀感就是“反面例子《登月第一人》的正面教材”,含混西部片/通俗喜劇元素,美式風(fēng)味純正,極度深入地完成人物群像敘事。甚至于,真正的男一號(hào)并不是宇航員七子中的任何一個(gè),而是一位飛行員,從而演繹出時(shí)代變遷。所傳遞出的時(shí)代風(fēng)貌、糙而有趣的諷喻、激情澎湃的熱血感,達(dá)成了一種主旋律又反主旋律的表達(dá)。
三個(gè)小時(shí)跌宕起伏。若一定說(shuō)影片歌頌了什么,是一種勇氣、超越極限的精神,他們像一群孩子一樣爭(zhēng)強(qiáng)好勝,卻也像男人一樣勇敢的站出來(lái)。不只是簡(jiǎn)單的記錄第一次登上太空,有很多關(guān)于這種精神來(lái)自于何處的鋪墊
1.5 導(dǎo)演沒(méi)才華 就別亂拍 別用尷尬和自以為是的“幽默”填補(bǔ)調(diào)度水平的不足 后半段的情節(jié) 已經(jīng)累贅啰嗦到不行了 最后火中涅槃重生 美國(guó)版戰(zhàn)狼?/如今再回頭看美國(guó)當(dāng)年的奧斯卡提名片 尷尬程度不亞于現(xiàn)在:無(wú)政治正確 男人都被塑造成一副玩世不恭浪蕩子的形象(是被當(dāng)年詹姆斯?迪恩影響了嗎)除了片中涉及非常多的大男子主義黃色笑話外 “航天事業(yè)”也基本沒(méi)女人什么事 感嘆一下 好萊塢這十幾年的時(shí)間真的天翻地覆 以及 鼓吹英雄主義和個(gè)人主義的意識(shí)形態(tài)在83年就如此明顯地顯露出來(lái)了 加上處處cue俄羅斯 民族主義太明顯#SIFF2019
#SIFF# 《登月第一人》的另一種風(fēng)格,放大了諷刺的喜劇部分,對(duì)時(shí)任政府進(jìn)行全方面調(diào)侃,但也因此流失了人物的情感邏輯,七個(gè)航天員都比較扁平。但在190分鐘超長(zhǎng)篇幅下,電影的野心不止于“展望”,同時(shí)也不忘“回顧”,通過(guò)牛仔-飛行員-航天員的演變看到時(shí)代變遷,英雄也隨之更迭。而結(jié)尾直通登月計(jì)劃,意味著這場(chǎng)變遷還將繼續(xù)。