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01 你的每一次呼吸Every Breath You Take，演唱：警察樂(lè)隊(duì)The Police。影片4分40秒至6分12秒幾個(gè)損友打牌抽雪茄時(shí)的背景音樂(lè)。這首是警察樂(lè)隊(duì)最著名的的大金曲，公告牌年度冠軍。收錄在1983年5月發(fā)行的樂(lè)隊(duì)第五張專(zhuān)輯《同時(shí)發(fā)生Synchronicity》。

02 我的心告訴我My Heart Tells Me，演奏：生動(dòng)弦樂(lè)The Living Strings。影片7分44秒至8分39秒老爸珍愛(ài)的HI-FI音響中放出的音樂(lè)。這是一支老牌通俗交響樂(lè)隊(duì)。

03 舊時(shí)代搖滾樂(lè)Old Time Rock & Roll，演唱：鮑勃 西格Bob Seger。上世紀(jì)70年代最受歡迎，也是最有特點(diǎn)的硬搖滾歌手之一。收錄在1978年專(zhuān)輯《城市里的陌生人Stranger in Town》。影片10分39秒至11分45秒阿湯哥在家中半裸狂舞時(shí)的背景音樂(lè)。

04 輕舞鞋The Pump，演奏：杰夫.貝克Jeff Beck，搖滾樂(lè)歷史上最具影響力的吉他手之一。收錄在1980年專(zhuān)輯《往返來(lái)回There And Back》。影片15分11秒至17分13秒兩個(gè)損友偷開(kāi)保時(shí)捷時(shí)的背景音樂(lè).

05 饑餓的心Hungry Heart，演唱：布魯斯·斯普林斯汀Bruce Springsteen，全球唱片銷(xiāo)量1億2000萬(wàn)張。收錄在1980年專(zhuān)輯《河流The River》。影片51分48秒至53分15秒男女主角聊天時(shí)的背景音樂(lè)。

06 成熟的男孩Mannish Boy，演唱：馬迪.沃特斯Muddy Waters，著名的歌手和吉他手、頂級(jí)布魯斯音樂(lè)家。這首歌收錄在1986年專(zhuān)輯《繼續(xù)努力Hard Again》，本片上映時(shí)還未發(fā)行。影片1小時(shí)5分03秒至1小時(shí)8分30秒二人開(kāi)始聯(lián)手做生意時(shí)的背景音樂(lè)。

07 沼澤Swamp，演唱：傳聲頭樂(lè)隊(duì) Talking Heads，美國(guó)著名新浪潮樂(lè)隊(duì)。收錄在1983年專(zhuān)輯《講俚語(yǔ)Speaking in Tongues》。影片1小時(shí)8分37秒至1小時(shí)12分20秒狂歡時(shí)的背景音樂(lè)之一。

08 舞蹈音樂(lè)性感浪漫 D.M.S.R，演唱：王子Prince（1958-2016），發(fā)行近40張個(gè)人專(zhuān)輯，創(chuàng)作歌曲超過(guò)千首，精通各類(lèi)樂(lè)器，絕大部分專(zhuān)輯的詞曲創(chuàng)作、樂(lè)器演奏都由他自己一人包辦。收錄在1982年專(zhuān)輯《1999》中。影片1小時(shí)12分27秒至1小時(shí)15分02秒狂歡時(shí)的背景音樂(lè)之一。

09 今晚的空氣中In the Air Tonight，演唱：菲爾.柯林斯 Phil Collins，收錄在1981年專(zhuān)輯《面值Face Value》，這是他的首張個(gè)人專(zhuān)輯。影片1小時(shí)18分14秒至1小時(shí)20分31秒狂歡結(jié)束時(shí)的背景音樂(lè)。

In Paul Brickman’s teen comedy RISKY BUSINESS, Joel Goodson (Cruise) is a diligent high schooler, who is actually seen swotting at home even during his parents’ absence, but abetted by his friend Miles (Armstrong), sometimes one simply needs to hang loose and pursue some sexual gratification, Joel contacts a call girl Lana (De Mornay), soon things start to get out of his control, it is easy to invite her in, but ask her to leave, that’s an entirely different matter.

Sex and money make pat bedfellows in Brickman’s script, when Joel has an accident with his father’s Porsche (something is clearly off-limit for him, but even for a good boy, the temptation to flaunt is too hard to suppress), he is hurt for money to cover the repair cost, and Lana’s counsel of a one-night-only escort business is the quickest way to achieve that goal, as simple as that, the whole scheme operates swimmingly.

Immersed in the contentment of Chicagoan suburbia and the typical American value of capitalism and materialism - Joel attends an extracurricular activity called “Future Enterprisers” to prepare students for opening small business, and in the event, the yardstick of their scholastic achievement is purely monetary gain, by that standard, Joel’s one-time bash at that particularly shady walk of life is head and shoulders above his competitors, the film shamelessly revels in the instant gratification that the killer combo can offer, and runs away with the unflinching male gaze (it is a heteronormative boy’s club), it is also alarming that in spite of Joel’s easy-earned profit is ultimately extorted by Lana’s pimp Guido (Pantoliano), yet, he is only slapped on the wrist for the mischief and even being accepted by the Princeton University, which speaks volumes of the whole overachieving value the society at large insidiously espouses, that is a questionable move.

A 20-year-old Tom Cruise grabs this breakout opportunity with flying colors, an all-American teen throb is rolled out to market Ray-Ban Wayfarer, Porsche automobile and the call-girl fantasy, it is hard to imagine whoever else, among his peers, could’ve stepped in his shoes with more pizzazz, his dancing and lip-syncing in the tune of Bob Seger’s OLD TIME ROCK AND ROLL has become the iconic clip of teenage abandon.

Ms. De Mornay has a trickier role to pull off, gratuitously sexualized and perpetually aloof and indecipherable, her Lana is the girlfriend experience with a canny mind, the optimum idealization of a straight man’s fantasy towards a working girl, whose predilection of making love on board a zipping Chicago “L” train summarizes the sign of the times: attention, speed and pleasure, of which RISKY BUSINESS pins its colors to the mast.

referential entries: John Hughes’ FERRIS BUELLER’S DAY OFF (1986, 7.7/10); Olivia Wilde’s BOOKSMART (2019, 6.8/10).

危險(xiǎn)的行業(yè):神秘女郎拉娜

18.06.02★★★★☆//movie.douban.com/review/9410162/

配樂(lè)很棒,以前只記得阿湯哥跳舞那段,這次發(fā)現(xiàn)涉及情欲的暗潮涌動(dòng)的配樂(lè)也很動(dòng)人和撩人.

lana的角色還是云里霧里.照片中,皮條經(jīng)理和一個(gè)女孩似乎是姐弟關(guān)系,是viki?還是lana?

家居被偷又是怎么回事呢.

最后克魯斯和lana對(duì)話(huà).沒(méi)有現(xiàn)金收不收支票的問(wèn)題,又是什么含義?

借用劇中的旁白:她的想法總是那么奇特,沒(méi)有內(nèi)疚,沒(méi)有疑惑,沒(méi)有畏懼.

臺(tái)詞記錄:

聽(tīng)我說(shuō),時(shí)長(zhǎng)的,說(shuō)說(shuō)"去它的吧","去它的吧"給你帶來(lái)自由,自由才有機(jī)會(huì),而機(jī)會(huì),改變你的未來(lái).

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我看過(guò)這部電影 2012-07-28

我的評(píng)價(jià): ★★★★★

標(biāo)簽:湯姆·克魯斯 青春 美國(guó) 美國(guó)電影 tomcruise 喜劇 1983 電影 Tom.Cruise

也許是30年歷史的緣由，一部青春片子竟能有如此悠遠(yuǎn)的品味，懷念粗糙不做作的影視手法。