哈斯的彩色電影,《薩拉戈薩手稿》的姊妹篇,個人覺得他的風格更適合彩色,此片要比《薩》更為出色。這是一次內心的歷險。故事背景設在二戰(zhàn)前期,一位年輕人乘坐一輛奇怪的列車去看望住在療養(yǎng)院中垂死的父親。但這個即將拆毀的地方喚起了他許多過去的回憶。他被過去的士兵、殖民地的雇傭兵、昔日生活中的女孩,以及他的父母所包圍...
獲獎:波蘭電影獎最佳產品設計獎
戛納電影節(jié)評審團獎并提名金棕櫚
THE HOURGLASS SANATORIUM
We’ve almost arrived.
How will I get there?
You’ll find the way.
You don’t need help.
I’ve come a long way.
I booked a room by telegram.
Who can I see?
Everybody is sleeping.
I’ll tell the doctor when he wakes up.
Sleeping?
It’s daytime not night.
They sleep all the time.
You didn’t know?
Night never comes here.
You can wait downstairs.
In the restaurant.
The doctor will see you now.
Where is he?
We received your telegram yesterday.
We sent our coach to the station.
You must have arrived
on a different train.
The station?
We don’t have a good train connection here.
How are you feeling?
Is my father alive?
Of course.
I mean to an extent
allowed by the situation.
You know, just as I do,
that from the perspective
of your home, your country,
you father is dead.
This cannot be fully reversed.
His death casts a shadow
on his existence here.
But he doesn’t know or suspect?
Don’t worry.
Our patients don’t suspect anything.
They can’t.
You probably want to see your father.
I’ll take you there.
We reserved a bed for you
in his room, as you requested.
The trick is that we moved back time.
Time is late here by an interval
which I can’t precisely define.
It all boils down to relativity.
Here, your father’s death
hasn’t occurred yet.
But he met with his death
in your country.
So my father is dead.
- Or is close to death.
- You don’t understand.
We reactivate past time
with all its possibilities.
Including recovery.
We let our patients sleep
for a long time.
We spare their vital energy.
They have nothing better
to do anyway.
Why don’t you lie down?
There’s nothing more
you can do now.
Goodbye.
Goodbye.
I came to talk to you.
Go on.
Why are you spreading lies
and gossip about father?
- What lies?
- I know you’re behind them.
I didn’t lie.
You remember how he went
missing for many days.
He avoided us.
Who knows whether
he’s still alive somewhere?
I have to know the truth.
Stop tormenting me.
It’s hard to communicate with him.
How can I cope
with everything myself?
How can I answer questions
which God keeps asking me?
It’s too much for me.
His complaints terrify me.
- Don’t cry.
- I have a migraine.
You won’t go to school today.
To school?
Mom, I’m not a little boy anymore.
Yes, you are.
You’ve got ink on your hands.
Your knees are bruised.
You’re a naughty, unruly boy.
You hang out
with God knows whom.
Wake those good-for-nothings.
It’s time to open the shop.
- But I’m sure...
- Stop tormenting me.
I told you that your father
travels around as a salesman.
Sometimes
he returns home at night
only to go off again before dawn.
I’m sure he’ll come back.
You’re tossing and turning
like fish out of water.
- You sleep a bit, doze off a bit...
- Yawn a bit.
And you rest again.
You should learn wisdom
from an ant, lazybones.
An ant? Go to hell.
That ant of yours knows
no teacher, boss or shegetz.
And it’s doing fine.
What’s he talking about?
I walked the fields of a lazy man.
I walked the vineyards
of a stupid man.
Where is that from?
Our Lord didn’t say that.
Don’t listen to it!
Nettles grew over everything.
Thorns covered his land.
And the stonewall
collapsed to pieces.
Clap your hands
and call out His name
while rejoicing.
Call out his name to the sounds
of songs and trumpets.
Praise Him with harps,
praise Him with lyres.
Praise Him with the drums
and dancing.
Praise Him with stringed
instruments and horns.
Praise Him with the cymbals.
Praise him
with loud clanging cymbals.
Let everything that
has breath praise the Lord.
Alleluia.
Clap your hands and sing.
Sing.
Sing wisely.
In a dream he saw a ladder
that reaches from earth to heaven.
And God’s angels
were going up and down on it.
Is it possible?
It’s our little Józef!
Did you get lost on
your way to school?
Well?
Rascals! They’re everywhere.
When I want to go down
to get bread in the morning,
I can’t even....
...open the door.
They squeeze through cracks.
And try to get into the kitchen.
They ogle me.
They can hardly wag their tails.
They’re overjoyed
when they see a fire.
They clap their hands
and dance like savages.
They’re hopeless
at putting out fire.
But they like to celebrate.
- Who are you talking about?
- Those idle firemen.
They get lazy in autumn.
They sleep while standing.
I think you’re prejudiced.
They’re nice boys.
An old stove-fitter told me
that when he repairs chimneys,
he finds them attached
to the smoke vent,
motionless like the larvae.
They sleep like that being
drunk from raspberry juice.
And they whine in their sleep:
"Sugar, sugar".
If I glance at one of them,
his face swells and becomes
obscenely red like a turkey.
I heard that it’s a way
of strengthening the inner self.
And rejuvenating colours
when firemen eject fireworks,
rockets and Bengali lights.
I won’t give them
any juice anyway.
I didn’t ruin my complexion
hovering over the stove to make it,
so those rascals could drink it.
Unfortunately, Adela,
you never understood things
which go beyond the mundane.
Look.
Is it possible to grow hair
to the ground?
You look so different.
Just wonderful!
The captain of rascals!
"I, Anna Csillag, born in Moravia,
had poor hair growth".
I wish I had hair like that.
Would you like some water?
- With raspberry juice.
- No, thanks.
Too bad.
Her poor hair growth
was divine retribution.
But prayers and penance
took the curse off her.
She was graced with enlightenment.
She received signs
and made this miraculous remedy.
Look.
These are her brothers,
cousins and brothers-in-law.
Who’s he?
Another brother-in-law.
She made a whole town happy.
Really?
"Elsa. The fluid with a swan".
It’s a balm for all afflictions.
It works wonders.
Where did you get this book?
It’s been here all the time,
scattered around.
"Smoke all you want".
"Sexual Neurasthenia".
"Gramophones".
You silly thing.
We use its pages to wrap meat
and your father’s lunch.
It’s degradation of an original book.
You’re late.
There’s no more juice.
I have some rose preserve.
It’s not bad.
Adela!
- Try it.
- Thank you.
- It’s not a preserve.
- So what? It tastes sweet.
Is your name Jakub?
No, I’m Józef.
Jakub is my father.
I see.
Can you come out?
We can’t talk like this.
- Excuse me.
- It’s all right.
I have a valuable delivery.
Where can I find your father?
I’m looking for him myself.
Allow me to introduce
Honduras and Nicaragua.
Come closer.
It’s spotted.
That’s right.
It’s perishable.
- Birds of paradise?
- Not only.
For hatching, it’s best to let
Belgian hens sit on them.
Or you can do it yourself.
I think I see your father.
Over there!
Don’t you think he’s behaving
in a strange way?
He’s demonstrating.
Father!
Father...
You should beware of things
like narrow-mindedness,
pedantry and blind literalism.
Have you noticed that
in some books flocks of swallows
are flying between the verses?
Stanzas of swallows.
You should learn to read
from the flight of these birds.
Father. I have to tell you something.
It’s a secret.
I found an original.
- An original?
- Yes.
Look.
It’s worthless!
It’s a book!
It’s just a myth.
A book is a myth
we believe in when we’re young.
We stop treating it seriously
as we get older.
Books live a borrowed life.
Every book has a moment
when it soars into the air like
a phoenix with its pages on fire!
Look.
We love them for that moment.
But they turn to ashes.
Thank you.
Why doesn’t anybody
offer goldfinch?
Where?
A book is a myth, my son.
It soars into the air
like a phoenix.
Hyderabad.
Guatemala.
Tasmania, San Domingo.
Sierra Leone.
Labrador, Barbados,
Trinidad, El Salvador,
Borneo, Sumatra, Pernambuco.
Hiporabundia.
You’re talking nonsense.
You could say Panfibras.
Haleiwa, Abracadabra.
Why do I get the feeling
that I’ve been there before?
A long time ago.
What if we know all landscapes
that we come across in life?
Can anything new happen?
Something we can’t sense?
Do you hear me?
I want to know if all this
could have happened.
Answer me.
Did it happen or not?
Yes and no.
There are some things
that can’t fully happen.
They are too grand and magnificent
to fit into an event.
They just try to happen.
Tell me if they really exist.
She did exist.
And nothing can
take away my certainty.
Don’t be afraid.
She can’t hear us.
It’s my dead mother,
she lives here.
She’s inhabited by ghosts,
phantoms, larvae and chrysalises.
Helpless and naive,
she takes them into her dream
and sleeps with them.
She wakes up half-conscious
at dawn and remembers nothing.
That’s why she’s so sad.
She has to live so many lives.
Do you know a story
that time cannot change?
There is one that
you haven’t heard.
It belongs to the night.
Will you find the patience
to listen to it?
Somebody will walk
across the sky,
cuddling a baby in a coat.
Constantly on the way,
on a endless journey.
He’ll pass us with long steps.
That’s what’s going to happen.
Over and over again.
Bianca, you can count on me!
Till the last drop of blood!
Well?
It’s a riddle.
What about her?
She’s all grey.
The touch of her hand must
be beyond imagination.
What did you see there?
Something colourful,
colonial terrifying.
Abductions, pursuits, betrayals.
It’s a story about an abducted
and switched princess.
You’re making it up.
Java.
Sumatra.
Borneo.
I can appoint you as coregent.
Anonymously.
Together with the stamp album
we’ll form a triumvirate.
We’ll be responsible
for this unsolved affair.
With the stamp album?
What a naive question.
It’s a universal book.
A compendium of knowledge
about human life containing
allusions and understatements.
This story will be interspersed
with dashes, ellipses and sighs.
It requires a bit of intelligence
and imagination.
Your words are delirious,
ridiculous, insane.
I was fond of you, Rudolf,
because you own this album.
Now your outbursts of
envy put me off.
Don’t forget that you’re
dependent on me.
I have to get to the other side.
I know.
Her father is a ship’s doctor.
A small steam boat
with wheels at the sides
is waiting for her
every night at the pier.
It’s lights are off.
Don’t go there.
I have a bad feeling.
Don’t worry. I may seem excited,
but I have my fears.
Won’t it be safer to look through
the stamp album?
You haven’t seen New Mexico.
Remember that there
is no final Mexico.
Behind every Mexico
there is a new one.
They only seem dead.
The don’t have to breathe
for a longer period.
These villains won’t be
characters in novels.
They’re just a makeshift creation,
a one-time thing.
They were caught at a moment
when their obsession,
their madness was real.
Skilfully prepared, it became
the core of their new existence.
A new man was created
in the image of a mannequin.
This is anarchist Luccheni,
assassin of Empress Elisabeth.
And this is Draga,
the demonic Queen of Serbia.
Edison and Bismarck.
"Leatherstocking".
This is a young genius,
the pride and hope of his family.
Addiction to masturbation
ruined his life.
Unfortunately, they’re not authentic.
But we put a lot of effort
into making them look good.
Their faces are pale,
flushed from
the illness they died of.
Now take a look at
Emperor Franz Joseph.
Wrinkles on his face make him
look like he’s smiling.
But when you come closer,
you see that
his smile is just a grimace
of bitterness and terseness.
He had a younger brother,
so different spiritually
and ideologically.
This unfortunate antagonist,
disadvantaged by birth,
was Archduke Maximilian.
The emperor loved him secretly,
but planned to get rid of him.
He appointed him commander
of the Levantine Ship Squadron,
hoping that he’d go under.
Later he signed a secret alliance
with Napoleon III.
That’s him.
He used deception to involve
Maximilian in the Mexican incident.
This creative young man
renounced his Habsburg title
only to ride aboard
the French liner "Le Cid"
right into a trap.
Some sources say
he was just a cousin.
Others that he was never born.
He was conjectured from the fears
and hallucinations the emperor
experienced while sleeping.
We had problems putting
him back together
after his execution in Vera Cruz.
Unfortunately,
he still suffers from amnesia.
I had to teach him everything
about his life again.
My only success is that
at the sound of the name
of Emperor Franz Joseph
he draws his sword.
He wounded Victor Emmanuel.
The latter didn’t manage to get out
of his way quickly enough.
Bianca...
and Maximilian?
It’s a simple mechanical trick.
When wound up he moves
and acts like a live person.
A simple mechanical trick,
my foot!
A cynic in the tropics.
No, a tropical cynic.
And Rudolf said I exaggerated
and made things up.
They should take their medicine
and be in bed by now.
It’s not good to keep them
on stands for so long.
I can smell curare.
Would you like to see
my collection of weapons?
So my intuition was right after all.
Under the cover of law
and order hair-rising things
are happening here.
Will you tell me who Bianca is?
Her mother was a Creole.
Archduke Maximilian called her
lovingly Conchita.
She went down in history under
that name, through the back door.
Her mother?
You mean grandmother?
Mother.
After Maximilian’s downfall,
she took her daughter to Paris.
She lived on a widow’s pension.
That’s where history loses track
of our touching character.
Allow me to finish for you.
It’s confidential!
Keep calm and control yourself.
100,000 pesos.
My business is not going well.
It’s an expensive project.
In 1900 a Mrs. de V,
a woman of exotic beauty,
leaves France and goes to Austria
with her daughter and husband,
having fake passports.
They get arrested in Salzburg,
while changing trains to Vienna.
After checking his fake passport,
Mr. de V is free to go.
But he does nothing to get
his wife and daughter released.
That very day he goes back
to France and is never seen again.
I will be the one to identify him.
150,000 pesos.
You’re so uncompromising.
What do you want?
Your decisions will show
if you’re aware of the situation.
- I want facts!
- Stop!
I think Bianca’s origin
has been confirmed.
Negroes!
Hordes of Negroes!
Negroes at this time of the year?
The barometer
must be at its lowest point.
Bianca?
I thought you’d never get here.
- Sit down.
- No, infanta.
I have to do duties
which fate has assigned to me.
I have to carry out my plan.
Did you bring anything to read?
Decrees. Sign them.
"Daisy, Daisy give me your answer".
Barrel organs everywhere!
Real marvels of technology.
They may come in handy.
Things went so far that
I got involved in the dynastic
affairs of great monarchs.
I think we’re in trouble.
Let’s think about betrayal.
- Betrayal?
- Yes.
- Betrayal?
- That’s right.
Do you have a better idea?
I don’t understand.
It must be a wonderful feeling.
To penetrate the depths
of villainy and erase oneself
from one’s own memory.
Wouldn’t you like to be defiled
or repulsive for a moment?
But totally renewed.
Do it.
You’ll become one of them.
One of those black Negroes.
Now that things are at the final
stage you want me to betray?
You’re ridiculous with your
faithfulness and sense of mission!
- What if I chose Rudolf?
- No.
I prefer him a thousand times
over you, a boring pedant.
He would be obedient.
Even when it came to crime
or self-destruction.
Rudolf obedient?
Do you remember Lonka,
the washerwoman’s daughter?
You played with her
when you were a little boy.
- Yes.
- It was me.
Only I was a boy at that time.
Did you like me then?
Bianca, I feel everything
is going the wrong way.
Must you disappoint me?
May I see your tickets, please?
Conductor...
What is going on here?
Take it easy. Don’t panic.
We’ll fix everything quietly.
We don’t need help.
Normal facts are arranged in time.
They are threaded on it...
...like onto a string.
It’s important for
narration and continuity.
Fine.
What about events
which have no place in time?
Events which
have occurred too late,
when time has been allocated?
Is time too tight
to take in all events?
Time has its side offshoots,
somewhat illegal and dubious.
But we can’t be too fussy
when dealing with events
that cannot be classified.
Who knows? Maybe all the dirty
manipulation is behind us.
We’re heading to a dead end.
Exactly.
How can I get out of here?
Why don’t you try going
under the bed again?
- Excuse me, I have to go.
- Coward!
I hope to come back again.
Coward!
Stupid coward.
It’s you.
You don’t look well.
Everything is mixed up, father.
Father?
It takes a lot of patience to find
the right words in this confusion.
You can do it by grammatical
analysis of sentences and tenses.
What? I don’t remember.
I am, he is, she is...
I’ve got it!
You are, we are!
They are...
You need to eliminate
flirtatious chatter of birds,
their pointed adverbs, prepositions,
and timid personal pronouns
to find a healthy grain of time.
Legend books,
unwritten books, great epics,
pallid and monotonous
nameless novels,
faceless giants,
dark evening stories,
cloudy dramas,
errant and lost books.
You must have a lot of work.
The light on in your room
late at night.
Try. See if you can do it.
Fascinating!
What a beauty!
Remember. Paradisea apoda
or the bird of paradise.
Cardinalis cardinalis!
Chrysolophus pictus.
Upupa epops.
I want you to take
something with you.
Anything, at least a tiny bit.
Get it into your blood,
your life and save it.
And live with it.
Come in!
Go now.
They’re looking for you.
I don’t want to be disturbed.
Go.
Go!
Go!
Look at you.
You’re covered in cobwebs.
You ripped your coat.
You’ve been in the attic again.
Shop assistants steal from us,
people buy on credit only,
and you just play around.
Take it to the shop.
Your father must be hungry.
The shop!
They’re looking for you.
It’s hot.
Who?
The shop assistants,
especially Teodor.
I know. They’ll be climbing
the ladder up and down.
Up and down.
Józef!
I wish you
had been born earlier.
Come!
Take it to them.
It’ll scare them.
Adela, Holofernes was a man.
Whatever. I kept her in borsch
to make her look better.
I’ll buy it.
Lay off. It’s not for sale.
What? The head is in a shop,
so it’s for sale.
I’ll buy it.
Father!
Take it away.
There’s no room here.
Stop bothering me.
I’m busy.
Jakub! Go on, trade!
Father!
Wake up, Józef.
I know you’re exhausted.
It’s only a few steps more.
Father, you’re ill. You should
take care of yourself.
Can you hear him?
He’s coming.
I know him since childhood.
We went to school together.
That egoist disgusted me.
He devoured lots of buttered rolls.
Go and meet him.
He’ll think I ignore him.
Go!
If I’m not mistaken it’s Józef,
Jakub’s son.
May the sky over your heads
always be blue,
and the ground under
your feet moist with dew.
I don’t think I need to say that.
You can hear their shop
is as busy as a beehive.
It’s just appearances
and pitiful mystification.
Mother complains
that people buy on credit only.
- What did he say?
- Credit.
- I must have misheard.
- I could have expected it.
- They sell on credit.
- Enough! I don’t want to hear it.
Why do you keep bowing?
Turn your ear and listen
to the words of the wise.
Apply your heart to my teaching.
I sold for cash.
Help our fellow man
as much as we can,
but be vigilant
we don’t fall ourselves.
The seven years of plenty
will come to this land.
It was Christian Seipel and Sons,
owners of weaving mills.
The rich man laboured
in gathering riches,
and when he rests he shall
be filled with his goods.
The poor man laboured
in his low way of life,
and in the end he is still poor.
Come.
She doesn’t show up
in the park anymore.
They must be guarding her.
They smelled danger.
It’s nothing but humbug!
Extraterritoriality! Mexico!
Maximilian! Cotton plantations!
Enough!
Who told you that?
The files of this secret conspiracy
were never revealed.
I’m the owner of
this stamp album.
I won’t lend it to you again
for such purposes.
I must admit that
the whole thing is incredible.
Unbelievable.
What do you think, Rudolf?
Who could have conceived
such an evil idea,
which goes beyond any fantasy?
I’m amazed myself.
Tittle-tattle!
Our partnership is over!
Suit yourself.
I said I would prove
that it was all true.
- Where is Mr. de V?
- He’s left.
We’ll see.
Where is the infanta?
Her Highness has left too.
Nobody is here.
Right. Get out.
Somebody must have
betrayed me.
Abra...
Abra?
Abracadabra.
Great.
Come on. Get up!
Haleiwa!
Vienna!
Bravo!
Mount your horses, gentlemen!
Haleiwa!
- What’s going on here?
- This way, Your Highness.
Forward!
Gentlemen,
I troubled you in vain.
These people are free to go.
Don’t harm them.
In my blindness I wanted
to preach the scripture,
to interpret God’s will.
My false belief made me
pursue obscure clues
and make random conclusions.
Allow me, my friend.
Noble gentlemen and you, infanta.
I hand the regency to Rudolf.
I abdicate!
You’re free, noble gentlemen.
Thank you in the name
of our idea.
Our dethroned idea, which...
Hurry!
Hurry!
Father!
Call Garibaldi.
He’s an expert on wounds.
Bianca.
Get a stretcher.
Hurry!
What a fatal night.
I didn’t foresee it.
He had a noble heart after all.
I have wronged him.
Rudolf, you must comfort Bianca,
love her with double love
to replace her father.
You want to take him with you?
Let’s form a procession.
Form a procession!
One more thing, Rudolf.
I should be the one
to provide for the old age
of those homeless heroes.
Unfortunately I’m a pauper.
- How much?
- Ten thousand.
- Five.
- No.
Twelve.
Gentlemen! After what happened
no wax museum will take you in.
Competition is big.
As you have no practical skills,
my friend made a donation
to purchase twelve barrel organs.
Go around the world
and play to make people happy.
You can choose the music.
Now, dear friends
and noble gentlemen,
let’s cheer together:
Long live the newlyweds!
Farewell, gentlemen.
May what you see
be a warning to you.
Don’t ever try to guess
God’s intentions.
Ignorabimus, gentlemen.
Ignorabimus.
Are you Józef, Jakub’s son?
Maybe. Yes.
Did you dream the standard
dream of biblical Joseph?
Maybe.
Well?
Do you know that your dream
was noticed at the highest level
and was severely criticized?
I’m not responsible for my dreams.
Yes, you are.
You are under arrest in the name
of His Imperial and Royal Majesty.
I’m at your disposal.
His Imperial and Royal Majesty’s
bureaucracy is a bit slow.
I have surpassed that early dream
with more serious deeds.
I wanted to do justice
and kill myself.
Now that obsolete dream
has saved my life!
- Don’t cry.
- I have a migraine.
Come. We’ll make tea.
Is Adela at home?
Adela left to America.
She left?
She went by ship and it sank.
All passengers died.
We never heard from her again.
What about father?
Where is he?
He left many times,
but it was never final.
It had its good points.
This way he prepared us
for his ultimate departure.
Take me to him.
All right.
I think it’s time for you
to see him.
The shop is closed for good.
Sometimes I go down there
to sell the remnants.
But the shutters
are only half-open.
He was one of those
whose face was touched by
the hand of God while sleeping.
They know
what they don’t know.
They become speculative
and suspicious.
Through closed eyelids
they see images of distant worlds.
For man goes to his eternal home,
while mourners go about
in the street.
Before the silver cord is broken,
and the golden bowl is crushed.
The pitcher by the well is broken,
and the wheel at
the cistern is crushed.
Then the dust will return
to the earth as it was.
And the spirit will return
to God who gave it.
I’m so glad to see you, Józef.
What a surprise.
I feel so lonely here.
Although I can’t complain.
I’ve been through worse things.
I must tell you something.
But don’t laugh.
I rented a place for a shop here.
It’s nothing much.
Back home I’d be ashamed
to have a stall like that.
But here we had to pull
in our horns.
Isn’t that right, Józef?
Life goes on.
I must have overwound it.
I see you’re sleepy.
Go back to sleep.
You have no idea
how hard it was to get a loan.
People here
don’t trust old merchants.
Merchants with past experience.
Do you remember the optician’s
shop in the market square?
Our shop is right next door.
We don’t have a sign yet.
But you’ll find it.
You’re going out without your coat?
I couldn’t find it in my trunk.
They forgot to pack it.
Take my coat.
No. See you.
Jakub! Go on, trade.
Why don’t you sit down, father?
You’re ill. You should
take care of yourself.
Stop bothering me.
I’m busy.
A letter came for you.
It’s on my desk among papers.
On my first day here
I was served
an excellent fillet of beef
with mushrooms.
It was a hell of a piece of meat.
I have to warn you.
If they ever want to
serve you fillet of beef...
Fillet of beef...
I still feel fire in my stomach.
I have diarrhea after diarrhea.
It’s really tough.
Or take, for instance,
hunter-style roast,
stuffed with pate with gravy.
Here we don’t have to deny
ourselves anything.
We can afford
to indulge big style.
An angel of a boy.
So precious.
You must admit he’s charming.
Got a light?
Even schoolgirls here wear
bows in a special manner.
If you as much as glance at them,
you get that sultry look...
which fills us with desire.
I have to see the doctor.
He’s at the restaurant.
I’ve just been there.
Sorry.
I meant the operating room.
We’re evidently in a trap.
Ever since I came here,
the sanatorium personnel
hasn’t done anything
to provide proper care.
We’re left to ourselves.
I can’t get a bed,
not to mention clean linen.
Those secrets and discreet looks
of yours are just a mystification.
I feel like opening all those
doors to expose the intrigue
we got involved in.
Get some sleep.
You can hardly keep on your feet.
Józef, Józef...
I’ve been lying in bed here,
left without any care.
The wires have been cut.
Nobody comes to see me.
Nobody can make me
a cup of tea.
My own son has
abandoned his sick father
to chase girls in town.
Józef, you should go
to our shop more often.
The shop assistants
are stealing from us.
Our shop will go to waste
if nobody takes care of it.
Look, my heart is pounding.
My strength is leaving me.
Józef, was there
any mail from home?
Doctor...
You’re not looking well.
Take your jacket off.
I’ll examine you.
Your irritation is justified.
Your body,
especially your nervous system
has to adjust to new conditions.
We were deceived by an ad.
It wasn’t a good idea
to send my father here.
Moving back time!
It sounds good.
But what is it in fact?
Do we get fully valuable
and credible time here?
No. We get time
used up by people.
It’s frayed and full of holes.
It’s vomited, secondhand time!
You may question the quality
of your father’s existence,
but you can see him
and talk to him.
You should be
very grateful to the doctor.
Enough! Space is for people.
In space you can swing around,
turn somersaults,
jump from one star to another.
But don’t tamper with time!
The blame for this lies
in fast decomposition...
Of time.
We all know that
this chaotic element can be
kept within certain bounds
if regulated continually.
If not, it begins to play
all kinds of tricks.
Isn’t that right?
You should take better
care of yourself.
Wear warmer clothes.
To start with, get some exercise.
Later we’ll see.
Chin up!
It’s lucky that father
is no longer alive.
It won’t affect him anymore.
|
百講這次為我們帶來了波蘭導演、新現實主義大師沃伊??!す垢木幾圆剪斨Z·舒爾茨短片 小說的電影。兩小時的電影中,哈斯在支離破碎的沙漏時間里,編制構建起了一場主人公約瑟夫的 夢。從哥特式支離破碎的列?上下?,到墓碑前的凝視,我們跟著約瑟夫一起,在瑰麗的色彩和華 麗的轉場中,感受到了導演在時間紐結的載體下,對于戰(zhàn)爭、宗教、政治、命運等多個議題的討 論。任何試圖用情節(jié)分析去詮釋這章華彩的時間詠嘆調的嘗試都會是徒勞,筆者在這里就電影中幾 處視聽感官上觸動人心之處進行探討,嘗試寫下自己的拙?和感觸。
影片的開頭和結尾很有意思,以一個窗外景物的固定鏡頭開始,變焦到環(huán)視整個陰暗的哥特 列?,影片的現實冷色調在此埋下了基礎;結尾是一個下搖鏡頭,導演讓我們把目光從療養(yǎng)院下降 到墓碑里,和開頭如出一轍的色彩象征著衰敗和死亡。整個電影在男主到達療養(yǎng)院進入房間之后, 直到一片白光夢醒時分,主要部分都在瑰麗的想象世界中進行,色彩的轉移也讓我們很好地察覺電 影情緒的轉移變化。
約瑟夫的夢,他擺弄時間的沙漏,我們是在一個個華麗的轉場中感受到的。哈斯很巧妙的借 用一些空間上分割表意的媒介,來呈現情節(jié)時間情景場所的變化。導演三次讓男主?從床鋪餐桌底 下爬出,每次爬出就回到了一個時間上全新,空間上熟知的場所。第一次是從故事開始時間點范疇 的家鄉(xiāng)小鎮(zhèn),在情婦阿黛拉的家里出逃到繁榮的集市碰?父親,從而引出電影夢境段落中最絢爛荒 誕的場景;第二次是在比安卡的床下面再一次逃離到家中,再一次對父親的尋找,引出小鎮(zhèn)上對于 宗教的討論;最后一次是從小鎮(zhèn)的圣餐桌子下面回到療養(yǎng)院,目睹蠟像復活的圣跡。每次利用狹窄 空間的轉場都象征著約瑟夫對于破碎的沙漏時間的全新認知。另一個令人拍案叫絕的轉場方式是利 用水平上的視?移動來切換空間。男主第一次就是在破窗縫隙之間窺視,看到女護士帶領新的家屬 來到療養(yǎng)院進而鏡頭平推來到男主的夢境,再次摘開遮擋已經是母親的家中。之后的電影夢境文本 中也多次出現平移視?帶來空間轉場的效果,每一次都是導演給觀眾心理上對于情節(jié)跳切的暗示和 準備,約瑟夫既是自己時空夢境幻想的主體也是平行鏡面的觀測者,他在擺弄時間的同時也逃不過 時間紐結的作用。
影片最出彩之處自然是關于時間和空間的探討,不論是視覺直觀的呈現方式還是借由男主人 公臺詞留下的哲學思考都令人印象深刻。視覺上哈斯多用?鏡頭,不同時空維度的景別設置色彩分 明,讓觀眾隨著約瑟夫一起夢境遨游,感受時空交替。電影從引路的列?員作為開始,男主來到父 親的療養(yǎng)院尋找自我,最后夢醒,約瑟夫從床上起身,被醫(yī)生和護士穿戴上吊燈,繼承了列?員和
父親的雙重身份。最后對于墓地的收場鏡頭和男主與醫(yī)生的爭辯,也是很明顯的對于沙漏時空下約 瑟夫走向死亡的情節(jié)暗示。醫(yī)生一開始暗示父親已經死亡,但療養(yǎng)院想辦法凍結時間;在夢境中約 瑟夫和大象?戲團關于偉大的討論;最后對于“可以擺弄空間卻沒法操縱時間”的疾呼。都讓觀眾很 容易與約瑟夫感同身受,在視覺奇觀中敬畏感受時間,同時也超脫于電影文本反思自己對于時間紐 結的把握。
當然,影片中隨處可?的政治宗教議題以及多處隱喻也是頗為精彩。筆者對于波蘭的政治及 宗教歷史不甚了解,但哈斯用?類、?物、蠟像等多處隱喻,既達成了電影場景意項的構建,也完 成了對于戰(zhàn)爭歷史的指向討論。整個電影就很容易讓觀眾置身于二戰(zhàn)前后的波蘭去理解歷史的輪 回,而其中兩次在蠟像處約瑟夫的停留是最為直白明顯的典范。首先,蠟像對于人物形象的凍結和 療養(yǎng)院對于時間沙漏的把玩不謀而合,蠟像超越簡單的機械原理開始運動,也構成約瑟夫夢境中對 于時間操作的一個互文。其次,蠟像歷史人物的設置也讓電影故事放置介于戰(zhàn)爭歷史背景之中。最 后,蠟像的運動,形成視覺奇觀,和?類的靜止構成了令人嘆為觀止的對比。
最后,影片充盈的想象力,對于后世影史作品的影響也是顯而易?的。第一次出現于小鎮(zhèn)上 的工人歌舞表演,炫目的詠嘆旋轉鏡頭,在匈牙利詩意電影導演?拉塔爾的電影中可以多次找到對 應,如《鯨??戲團》;對于奇觀的塑造,恰到好處的環(huán)境背景音和色彩拿捏似乎在科波拉的《現 代啟示錄》中得到了傳承;對于夢境的現實的交織、荒誕的宗教隱喻、特別是樓梯上房間里的裸女 情色暗示,又很難讓人不想到南斯拉夫導演庫斯圖里卡的史詩巨作《地下》等等。哈斯將奇觀的完 美展現和政治哲學的探討隱喻融為一體,讓觀眾徹底沉浸于他編織出的奇幻世界。
#本影評修訂版發(fā)布于北京大學百周年講堂官網以及公眾號#
沒有看過小說原著,也沒有了解過導演風格以及創(chuàng)作背景,僅僅被它瑰麗的畫面吸引過來,簡單記錄一下粗糙的感覺。
第一感受是灰塵味和發(fā)霉的甜膩氣息。
一定是那種長久無人問津的城堡才特有的灰塵味兒和樹上唯一一個快要腐爛掉的蘋果所散發(fā)出來的甜膩氣息?;覔鋼溆謸u晃晃的開場,是疲憊旅程的引子。一進入療養(yǎng)院,鼻子口腔都被迫吸入了灰塵 ,接著主人公的四處闖入游走,一直被那種不適的發(fā)霉的甜膩氣息包裹,直到故事結束。父親離去,而唯一一顆蘋果掉落。
其次是思緒被切碎,邏輯遭遇阻礙,遠在個人體驗之外的奇特感覺。
邏輯經驗無法在這里得到任何有效回應,這是夢里也不曾有過的場面。門和床底是觸發(fā)思緒游走的開關,或者是把眼睛閉上在重新睜開,非常意識流的表達。療養(yǎng)院是大型的時間沙漏,約瑟夫在自己的時間里隨意游走,到處都是蜘蛛網和厚厚的灰塵,這些部分也許是他平日里極少觸碰的記憶,封閉在某個角落,很久遠也很少打開。這些記憶思緒圖像是我完全沒整明白的地方,但以倒推的方式往回看,沒有誰能真正把握自己。無邏輯的表達,錯亂的圖像,詩話的語言在意識里是非常合理的。通過無法被完美整合的表面,可能會更接近真相或者是真實。這份真相對于觀眾我而言是無意義的,或者我并不在意,但對我們每個人而言,那些看起來無邏輯又混亂卻不斷在沙漏里重新撿起來的瞬間都暗藏著每個人的內心。
第三感受是來自于父親,也或許除了約瑟夫,印象最深刻的人是父親,我的感觀體驗,灰塵味兒,發(fā)霉的腐爛,很大程度都是瀕死的父親賦予,約瑟夫的時間里,父親在各個場合都顯得從容睿智,被眾人圍繞,唯獨最后的獨白,他訴說了隱秘的孤獨。
暫時就這樣吧,有時間看看原著。
五光十色,怪異詭譎的夢境!
將現實、幻覺、夢境、回憶雜糅于一體,通過詭異的蒙太奇手法轉場,讓人摸不著頭腦。
好吧,說實話,我沒看懂........
我連看了三遍,同時將《沙漏做招牌的療養(yǎng)院》看了大半本,才模糊地理解了導演想表達的情感。
時間啊……
父親母親啊……
戰(zhàn)爭啊……
書籍啊……
一切似乎都失去了意義,留下的只有麻木的我們。
幻像在回憶中盲目遊走,時間就像是沙漏,不斷地倒置,不斷地流瀉。
村上當年是否看過這部電影,那里多像初冬的阿美寮。這是夢,所以劇情銜接完全凌亂,但可以感知到主線和背景:尋找晚年的父親,家鄉(xiāng)的店鋪,小鎮(zhèn),童年的歷險,隱秘的欲望,交織糾纏。日有所思,夜有所想,他的鄉(xiāng)愁濃烈。美術超贊超花心思,73年的電影,且都是物理設景不會有電腦特技的侵襲。2014.5.17
太強大了。很多處看得非常感動,快刀的字幕翻譯雖然有點別扭,但可以自行腦補其中詩意,畫面感很好。對父子的感情描寫得抽象又細致,有個遞進的過程,個人感覺更像是一個心中有愧的青年來到養(yǎng)老院看望臨終父親的精神描摹,但視角有些利用父親的神志不清。全片太有夢的狀態(tài)了,要知道還原夢有多難。
很奇幻很詭異,不知道波蘭還曾拍過這種片子,那是1973年啊,很可惜原著沒看過,不是很能搞懂其中的意思,但大致還算分明,鏡頭很有意思,音樂和美術十分出色,場景也很迷幻!
太奇幻的時空交錯哲學片了,沒能看懂,先標。。重看再更新。。這片production design、攝影什么的都太強了,修復版值得等
觀于歐盟電影展,天主教國家就是腦洞大,通向死亡的列車,由盲人列車員引路,最后主人公也成了列車員,別具一格的東歐猶太傳統(tǒng),波蘭小鎮(zhèn),奧匈帝國開國皇帝弗朗茨約瑟夫的王室爭斗,兩度穿越,倒敘個人的歷史和國家的歷史,討論時間和歷史的關系,到最后回歸主人公的成長史本身,要素很多,大開大闔。來時剛剛飄雪,前門樓子燈火輝煌,散場的時候已是燈火闌珊,只有雪還在下,觀影恍如隔世,一如電影本身。
8.0/10。FUCK?。。。?!瘋人院協(xié)奏曲。這片簡直太讓我想起祖拉斯基了。異端,恐怖,奇幻,隱喻,謎一般的賞心悅目;色調、服裝、布景、構圖、臺詞、鏡頭,如癡如狂,如夢如幻,牛逼得有些過份。|我借此火得度一生的茫茫黑夜。這是波蘭人自己的《格利佛漫游記》。
截止當下,本人看過的最詭異、怪誕、奇幻的電影,沒有之一。電影從不合常規(guī)的列車車窗外的枯樹杈開始,男主角下車經過亂葬崗步入所謂醫(yī)院的城堡,結滿蜘蛛網的餐桌,凌亂擺設與父親、母親、幼時偷窺的妓女、戀人……蠟像館、父親的病房、父親的布店……毫無邏輯,場景如同夢境版切換……是場夢?還是臨終前回光返照式的人生回溯?值得一提的是這部波蘭電影拍攝于1973年,編導的想象力實在豐富,但是這部肯定不能獲得大多數人的青睞。
說因為療養(yǎng)院是影射走下坡的波蘭政府,1973年其實不被允許選送戛納,是偷偷“走私”到了法國然后拿下的評審團獎。Has刻意用三個不同顏色濾鏡來拍三條時間線,勾兌編織在地獄靈界似的療養(yǎng)院里,處處詭異影射二戰(zhàn)法西斯對波蘭猶太人的迫害屠殺。時間不是直線,而以螺旋狀循環(huán)輪回在兩個平行世界。很妙。
波蘭“幻想現實主義”神作之一,某種關于歷史和國家的變形表述是這類影片的常態(tài)。這部影片根據布魯諾?舒爾茨的若干短篇小說改編(不只同名短篇),完全是夢的結構,失序的時間循環(huán)往復是其最大亮點。影片轉場極有想法,廣角鏡頭也用得很有風格??上е凶痔珷€看的云山霧罩的……
不知道畢贛和楊超看過這片子沒 但今年突然出現了兩個對時間的不確定性如此表達 不由得讓人聯想到這位波蘭大師 然而 如果說哈斯對時間不確定性與進入一個時間無法被限制的空間里的表達是優(yōu)秀的 那么國內某些人效仿的這個小套路所用的手法只能說是拙劣的
喜歡時空的穿梭。可是電影對白高度詩化,難以理解。
#2019歐盟影展##百老匯電影中心#EUFF沒有掌聲的一次放映,不是因為不好,相反是因為太“神”了。氣質獨特乃至詭譎怪誕堪比《卡里加里博士的小屋》,男主從墳墓一直爬到陽間的長鏡頭驚世駭俗,也是影史經典收尾之一??ǚ蚩ㄊ降墓终Q,浮生若夢亦真亦幻,那個氣氛詭異可以讓時間靜止甚至倒流的療養(yǎng)院,未嘗不是《魔山》的翻版,是生死愛欲的另一場放蕩投影。除了亦生亦死似瘋未瘋的男主約瑟夫,那個存活在回憶里的父親是影片的另一主角。過去乃至人類歷史都是鮮活荒誕的,而現世卻是死一樣的靜寂,宛如瘟疫過后的屠場。鳥的死亡預示著什么,人的消逝又有何種意義?電影主要還是在討論時間,操控時間本身值得商榷,讓腐爛的夢魘一般的過去重現更是罪惡,時間就像上帝的一張神秘之網,深陷其中的人們歡笑哀嚎卻無濟于事,時間永遠不可抗拒。
我的記憶,它們本是游蕩和迷失的書頁,如今在異象之間,它們終于結集,爾后引誘我進入沙漏滴成的泥潭,迫使我重返,迫使我面對:我是無人收聚的羊;我是蟲蛀的衣裳;我是滅絕的爛物。我制造的記憶如今制造了我,我穿行而過的語句如今穿行于我,最終它們一頁一頁,與我的一切一同消耗在無指望之中。
斷瓦殘垣營陰夢,踽踽獨行不可拒;命將終寢舊經復,氣若游絲冢前掙。
4.5 如果說看絕大多數電影購買的都是抵達某一處的單程票,而本片卻是屬于極少數的購買了往返票的電影,只不過回來之后的世界早已不是你出發(fā)時的那一個,不可思議的一個接一個的夢境之旅,將線性的一切都徹底顛覆,作為觀眾也需要拋卻一切線性的觀影定式,去嘗試加入一個瘋癲的恐怖狂歡節(jié)游行;這不是我讀過的那個舒爾茨,這是哈斯與舒爾茨所共同創(chuàng)造的荒誕而可怖的新世界,而兩人本分屬不同的時代,卻能展現共通的屬性,更可見時間、歷史、人性墳墓深處的那種枯朽、腐壞不會過時
一眼就被看穿了;布景、燈光太舞臺化了;表演差;劇本在耍猴
如同對陌生人的夢境毫無興趣。
2019-12-10歐盟影展重看,跟著長鏡在這座時間折疊朽壞、空間迷失迂回的迷宮里漫游,真的宛如做了一場長長的夢。改編自布魯諾?舒爾茨《用沙漏做招牌的療養(yǎng)院》,但也糅合了其他短篇的事件,完整復刻大量意象---在時間斷裂的錯層里,一個不斷出走、無限復活的父親,女王般的女管家阿德拉,丑陋鳥群(舒爾茨特別偏好)、變形蟑螂、由盛轉衰的布店。這座療養(yǎng)院是一列時光列車,事件充斥每個車廂,無關緊要的事無處安放,經常串聯到其他車廂(時空);更是一個巨大的放置時間切片的抽屜,可正反序放映或重組,每推開一扇門就是一個全新或已踏足過的時空黑洞。于是他重游經歷了各種大事件,近現代歷史被微縮進這個時間迷宮,這是「反芻的、二手的」時間。迷人的廢墟景觀,超棒的時空轉場,想象力澎湃瑰麗,無比強大的東歐超現實?。?/p>
我穿過一個瘋子的葡萄園,那里遍地橫陳著死亡的盛宴;從一個出口爬到另一個出口,詩歌和極樂鳥在頭頂盤旋,告訴我什么是永恒的