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米蘭九口徑

動(dòng)作片意大利1972

主演:Gastone Moschin  Barbara Bouchet  Mario Adorf  

導(dǎo)演:費(fèi)爾南多·迪·萊沃

 劇照

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更新時(shí)間:2024-04-11 05:05

詳細(xì)劇情

Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

 長(zhǎng)篇影評(píng)

 短評(píng)

費(fèi)爾南多·迪·萊沃Milieu三部曲之一,風(fēng)格粗野冷厲的意大利黑幫片,警察們?cè)诰指哒勆鐣?huì)犯罪滋生的原因,黑幫們?yōu)榱私疱X和自由爾虞我詐,最后結(jié)局有日后銀河映像永恒的宿命感,定格在即將熄滅的香煙,也代表男主Ugo一生的落幕。

5分鐘前
  • 安大帥
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一般般

7分鐘前
  • William H D Lee
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挺好

12分鐘前
  • 小圓涼涼子
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3.5

17分鐘前
  • Redspur
  • 推薦

刑滿釋放想獲得寧靜而不能的前黑道,在意大利黑幫片里的結(jié)局更令人唏噓

19分鐘前
  • 小旗
  • 還行

在你背后開槍的人永遠(yuǎn)猜不著,人心才是永遠(yuǎn)贏不下來的

24分鐘前
  • обломов
  • 推薦

在homestay家里看完的第二部片子(我竟然忘記標(biāo)記第一部了),其實(shí)全程都比較懵逼,不過對(duì)于這種黑幫片來說,情節(jié)也就那么回事,倒是音樂、布景和那場(chǎng)脫衣舞(嗯真的)讓我印象深刻,期待看電影學(xué)英語第三期(電影之夜已經(jīng)成了定期課程了么)

25分鐘前
  • 焦躁的皮納爾
  • 還行

非常價(jià)值虛無:好人壞人罪人無辜的人都在殺來殺去中紛紛死掉。還是挺酷的。中間兩個(gè)警察關(guān)于政治的討論還挺應(yīng)景,關(guān)于黑幫、關(guān)于貧富、關(guān)于學(xué)生運(yùn)動(dòng)、關(guān)于南北差距……一種70年代感迎面而來。以及,在片中又看到了米蘭的Velasca大廈,粗野主義的代表性建筑,之前在Dino Risi的《鰥夫》里看到過了。

28分鐘前
  • 昵稱
  • 還行

意式警匪片中較有名的,外表莽漢的出獄男主人不可貌相頗為特別,末尾20分鐘反轉(zhuǎn)高能,借Luigi演的左派學(xué)者型警探與警長(zhǎng)弗蘭克沃爾夫的對(duì)立指出犯罪增長(zhǎng)洗錢橫行是源自南方貧民進(jìn)城后窘境和權(quán)力層轉(zhuǎn)移資產(chǎn)需求、警方只治標(biāo)之荒謬,總之不缺角色復(fù)雜性和社會(huì)批判性,演員都往流氓外形上靠攏(就是說,不好看- -)但執(zhí)導(dǎo)方面毫無超越類型片的野心,暴力度高卻沒啥藝術(shù)性比如末段血洗的鏡頭調(diào)度就缺乏亮點(diǎn)。前搖名盤Osanna的這一枚原來是巴卡洛夫第二次交響樂加電聲樂隊(duì)合作成果,theme依然夠煽,必須指出男女主纏綿時(shí)特地播放了前作New Trolls的Concerto Grosso也就是La vittima designata里只用在男主角們相會(huì)時(shí)的音樂,不好意思我又要大笑三聲了!

29分鐘前
  • paradiso
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脫衣舞印象深刻

30分鐘前
  • 海藍(lán)色的七七
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21/9/20

31分鐘前
  • 2046小馬
  • 較差

劇情完成度挺高,懸疑一直維持到最后揭曉。贏得敵人的尊敬和崇拜,卻挽不回舞女的心,敗于小白臉背刺,濃濃的宿命感和米蘭的粗野與陰郁交織,可堪咂摸回味。四星半。

33分鐘前
  • 無趣
  • 力薦

意大利式警匪片的特點(diǎn)(問題),用喧嘩吵鬧的氣氛來講述已經(jīng)爛俗的英雄故事,其中必然還有絮絮叨叨、拖泥帶水的愛情故事,這種豬肉注水的方式被運(yùn)用得如此嫻熟,以至于對(duì)于故事創(chuàng)作起到喧賓奪主的作用。

36分鐘前
  • 451?°F?
  • 較差

費(fèi)爾南多·迪·萊沃,意大利的深作欣二,極其粗野的幫派動(dòng)作片,比起同時(shí)期美國與日本的同類型電影要更加時(shí)髦和性感而缺乏圓滑的幽默元素,但也更加的憤怒,警察署里大肆抱怨和空談階級(jí)差異導(dǎo)致的犯罪滋生和執(zhí)法困難,而剛出獄的邊緣人則依然鋌而走險(xiǎn)只為生存與自由,誰也沒有在真正找尋社會(huì)問題的出口,依然在僵化的己方陣營中落空和破滅,結(jié)尾加斯通·莫辛臨死前打向情婦的那一拳,伴隨著沖進(jìn)屋來的伊沃·加拉尼對(duì)他荒誕的突然崇拜與歡呼,極其諷刺而落寞,這場(chǎng)亢奮的收尾戲一氣呵成,最終定格于桌邊被點(diǎn)燃的半截香煙,灼燒在看完電影的觀眾心頭。

39分鐘前
  • 文森特九六
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102分鐘

42分鐘前
  • 康凱
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又打仗………

44分鐘前
  • Choi小雅
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Cool crime drama!

48分鐘前
  • 無所謂
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http://avaxhome.cc/video/genre/thriller/Caliber-9-1972-BRRip-480p-TinyBearDs.html

50分鐘前
  • 赱馬觀?
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開頭不錯(cuò),中后期節(jié)奏太慢,配樂、布景不錯(cuò),結(jié)尾雖然各種反轉(zhuǎn),也落得俗套了

51分鐘前
  • 地下室人
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應(yīng)該也是香港電影風(fēng)格學(xué)習(xí)案例之一。

54分鐘前
  • 同黨
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