事先說明 我是個實打?qū)嵉?TeamNoel 所以其實我把它看完是很煎熬的 也不知道發(fā)了多少罵Ben的彈幕(這里teamben求不揍)
但我來看這部劇完全是因為Keri Russell 或許她也是我堅持下來的理由
她說過自己現(xiàn)在還很愛這個角色 然而我看到很多人說Felicity婊 我是不覺得 可能我沒經(jīng)歷過什么感情糾葛 但我就是喜歡Felicity 第一 她太好看了 她不用那么努力就可以那么好看 驚艷時光的美
這個派對上的她真的是言語無法表達的美 永遠不會忘記這個造型
再加上當(dāng)時的年代 我都還沒出生 一大堆只有小時候才有的東西 那種笨重的電腦 磁帶機…整個片子對于我就是很有年代感 一想想有這么個故事在自己還沒出生的時候發(fā)生 就覺得好神奇
第二 她身上有很多我沒有的東西 她學(xué)習(xí)好 很獨立 也很堅定很勇敢 有兩個男孩子愛著她 身邊有這么一群超級棒的朋友 而且很浪漫 很感性 她真的是個值得被愛的好女孩
第三 她身上也有我的影子 例如大學(xué)遇到的迷茫 不知道自己想要什么 F到大四了還在糾結(jié)這個問題 雖然我現(xiàn)在大一 但未來我或許也和她一樣
最后的幾集F的穿越感覺有點多余 但是也有它的妙處 這是F對自己的大學(xué)生活 對自己的感情 以及這部劇本身的自我總結(jié) 當(dāng)然 在我非常激動的以為F和N終于要在一起時 編劇又給我潑了盆冷水 導(dǎo)致原本應(yīng)該是淚點滿滿的大結(jié)局 看到Ben被原諒 Noel又和別人結(jié)婚 我實在是感動不來 只是有一種恍惚感 仿佛我也和F一起做了個夢一樣 畢竟是一口氣看完四季 還是不希望這么結(jié)束的 盡管一路走來真的很多twists and turns 但是有愛的人怎么樣都會在一起 注定的還是會發(fā)生
當(dāng)初來紐約是Felicity的頭腦一熱 這個決定其實真的很傻 但她還是收獲了友情愛情 收獲了美好的四年 收獲了成長 所以有的時候人生就是需要沖動 青春就是需要沖動 才能精彩吧 一些看似很糟糕的決定 live with it 照樣能帶給你驚喜
接下來的內(nèi)容就是主觀感受了 不喜歡就跳過吧
我覺得Ben不值得原諒 他是有成長 但是還不夠 配不上F 四季以來他不知道跟F道歉了多少次 結(jié)尾這一次又和前面有什么區(qū)別呢 F和Noel在一起的時候 氛圍明顯和跟Ben在一起不一樣 Noel才是真正能給她快樂 保護她的人 他冒著生命危險把F從火災(zāi)中救出來 他送給F分手大禮包逗她開心 給她做牛排 陪她過一個人的生日 給她找工作 Noel默默付出了這么多 小心翼翼地守護 而Ben感覺帶給F的只有麻煩 而且他每次犯錯 說句Sorry就能被原諒 真的為Noel感到不值 所以即便大結(jié)局是他們在一起了 我覺得未來他們一樣還是很曲折 畢竟還有個多出來的兒子 這件事以后會很麻煩
這里我直接哭了 我太心痛了
Anyway 這部劇還是很美好的 劇中的人故事還在繼續(xù) 很高興Keri在現(xiàn)實找到了自己的幸福
或許很久很久以后 我就把這部劇忘了 忘了它的情節(jié)它的臺詞 忘了意難平 但有一些美好的碎片還是能回憶起 暖黃色的陽光 Dear Sally 那條紅裙子 Dean&Deluca 神奇8號球 梅根的盒子 還有Keri Russell的笑…
I will remember you,Felicity. Felicity Porter和周圍的所有人
希望我也能活成她真誠又勇敢的樣子
//ww2.kqed.org/pop/2014/04/29/felicitys-ben-or-noel-conundrum-how-the-side-you-took-predicted-your-entire-love-life/Felicity’s Ben or Noel Conundrum: How The Side You Took Predicted Your Entire Love Life
By Meghan Lewit
There’s a rather famous deleted scene from the film Pulp Fiction in which Mia Wallace quizzes hit-man Vincent Vega on whether he’s a Beatles man or an Elvis man, whether he prefers The Brady Bunch or The Partridge Family, and other character-defining questions. “My theory is that, when it comes to important subjects, there’s only two ways a person can answer. Which way they choose tells you who that person is,” she states.
I’ve always found this to be a profoundly wise observation. My own cultural litmus test revolves around the love triangle at the heart of the late ’90s college drama Felicity. Or, more specifically, Ben or Noel?
The show, which first aired on the now-defunct WB network in 1998, starred Keri Russell (currently kicking ass on The Americans) as a good girl who thwarts her parents’ expectations by following her high school crush to college in New York City. (Also worth noting, Felicity was the first foray into television for a then-unfamous J.J. Abrams.) The show became a watershed cultural moment for me — partly because I was, at the time, at home in Illinois plotting my own escape to an East Coast university, but mainly because Felicity cemented my attitude toward romance for my entire adult life.
As heroines go, Felicity wasn’t particularly cool. She studied a lot, clothed herself in an unending parade of giant fuzzy sweaters, and recorded long, embarrassingly earnest messages to her absent friend Sally on a voice recorder. For a smart girl, she made the dubious choice to follow an 18-year-old boy across the country. But viewers who saw themselves in Felicity understood that the move to New York was about much more than a guy — it was about making a brash stab at independence, about carving out a place in the world where her uncoolness and her romanticism and penchant for oversized wool could flourish. In her insane, ill-considered moment of bravery, Felicity became the patron saint of nice girls who got good grades, followed the rules and more or less listened to their parents, and sometimes wondered what the hell it was all for.
And in the halls of the fictional University of New York, she found love in the form of two appealingly floppy-haired choices: Ben Covington (Scott Speedman), the mumbly, emotionally inscrutable crush she followed to college; and Noel Crane (Scott Foley), the charmingly geeky, nice-guy resident advisor. Although the Felicity love triangle came along before fans identifying themselves as “Team X” or “Team Y” had entered the vernacular, the Ben vs. Noel question became the basis of a four-season love triangle, the outcome of which can still spark heated debate among those who came of age at the turn of the millennium.
As Felicity Porter felt like my fictional spirit sister back in 1998, so her love life has provided the framework of a theory that has guided my beliefs about romance for the past 16 years: that every straight woman in the world is either a Ben-girl or Noel-girl.
Noel established his good-guy cred early in the show when he became Felicity’s confidante and Boggle partner. In the pilot, when Felicity is close to throwing in the towel on her New York adventure, he makes an endearing plea for her to stay:
Photo: FanPop
Photo: FanPop
“You’ll be the fancy doctor, with the fancy practice. You’ll be married and you’ll have like four phone lines in your home. And then, boom, it’ll grip you like a blast of freezing cold air. You know, ‘what the hell is my life?’ And you’ll be able to trace it back to this instant…when that geek RA gave you [these] words of advice: stay in New York or perish.”
From that moment we knew that Noel understood her particular brand of romantic idealism, and that he would have her back. And throughout their first season courtship and over the course of the show (with the exception of an out-of-character quickie marriage and divorce to the Doritos Girl in season 3), he remained a steadfast presence in her life.
The Noel/Ben choice reached its most dramatic climax fairly early in the show’s run, at the end of the first season when Felicity has to choose between spending her summer break in Germany with Noel, or on a cross-country road trip with Ben. The season ends on a cliffhanger with Felicity — in slow motion of course — getting into a cab en route to an undisclosed destination.
“I didn’t have to make a decision between Ben and Noel,” she tells Sally in voiceover. “But I did.”
A decade and a half later, it’s not a spoiler to report that she chose Ben, and that in season 2, just a couple of episodes into their nascent romance, he broke her heart. This event launched the infamous hair chop, and a series of forgettable romances with randoms until Ben eventually wins her back by tracking down a copy of the movie that had been playing when he stood her up (Charlie Chaplin’s The Gold Rush). In his most swoon-worthy moment, he describes the film canister as a time machine that would allow them to rewrite their history.
Photo: Tumblr
Photo: Tumblr
And that was the trick with Ben. He wasn’t a bad guy. He wasn’t cruel or dismissive, although he could often be thoughtless. He was a little too good looking; a person for whom things had always come a little too easily. He was someone we have all known, and probably dated at some point. Even in the midst of their on-and-off coupledom, he remained, on some level, tantalizingly unavailable.
“You want something with me, but you’re not strong enough to have it,” Felicity tells him at the beginning of their relationship.
She had a point because in the fourth season — after Felicity and Ben have graduated and moved to Palo Alto together for grad school — Ben cheats. This earnest and heartfelt drama then takes a bizarre turn into the supernatural when Felicity’s former roommate, Meghan, casts a spell that allows a devastated Felicity to travel back in time and live out an alternate reality where she chooses Noel instead. The storyline, which is just about as absurd as it sounds, sets off a sequence of events that results in Noel’s tragic death in a fire on campus, but Felicity is ultimately able to make things right by reversing the spell and returning to her life with Ben.
It’s a deeply unsatisfying conclusion to a show that had dealt so thoughtfully with the college experience. At the end, we’re supposed to accept that she made her choice not necessarily because it was the right one, but because choosing Noel would directly lead to his untimely demise.
But the fact that the Ben/Noel question still lingers is a testament to the viability of both characters. Unlike some other notable pop culture love triangles involving young people, Felicity’s choice never felt like a foregone conclusion. (By the end of their runs, was there anyone left who was still hoping that Joey would choose mopey Dawson over Pacey; that Katniss would pick volatile Gale over gentle Peeta; or thought there was a chance that Bella would end up with the werewolf instead of her creepily possessive vampire beau?) Felicity, for all its ’90s trappings, holds up as a contemplative and authentic portrayal of the coming-of-age experience and the choices that it presents. The power of the Ben/Noel divide was that neither felt like a plot device, but rather a choice between two valid real-life archetypes: the nice (albeit somewhat predictable) guy who adores you, or the soulful sort-of bad boy you’ll never be quite sure of.
It’s also important to note that the choice between Ben and Noel has less to do with the guys themselves than it does with the girl doing the choosing. Each type has its own distinct appeal, perhaps depending on where a woman is in her life. A Ben who seems irresistible at age 20 may feel like more trouble than he’s worth at 30. A friend of mine recently noted that, if she were going to write a memoir of her dating life, she’d title it: Too Many Bens, Not Enough Noels.
Although a staunch Noel devotee, when I rewatched the entire show recently, it was easier for me to understand the Ben appeal — possibly because I’m less self-serious about love now than when I was 17. Still, when I reached the end of the series, I had to conclude that my fundamental preference hadn’t changed. While Ben-girls will always crave the challenge and unpredictability, Noel-girls just don’t need that noise.
It may seem like an over-simplification of the vagaries of love and attraction, but some things really are that straightforward. Just like with the Beatles and Elvis, at some point you have to make a choice. You can like both characters — think they’re both cute, admire their overlapping taste in flannels — but no one likes them both equally. And the one you choose says everything about you.
So, this is what Ben Covington wrote:
“Dear Felicity, here it goes. I’ve watched you for four years. Always wondered what you were like… what was going in on your mind all the time that you were so quiet, just thinking, drawing in your notebook. I should’ve just asked you but I never asked you. So, now, four years later, I don’t even know you. But I admire you. Well, this makes me sound crazy, but I’m okay with that. So take care of yourself. Love, Ben. P.S. I would’ve said ‘keep in touch,’ but, unfortunately, we never were in touch.”
FELICITY; Hey! [Ben turns] What are you going to college?
BEN; New York, what about you?
FELICITY; That’s… pretty unclear.
前4集的感情經(jīng)歷很像我自己??吹臅r候不自覺的落淚。
最文藝美劇
這個電視劇擊中我了。
不是只有愛情能讓我們成長。
這片子在十幾年前估計非常經(jīng)典 但在美劇業(yè)如此發(fā)達的情況下 我就沒有繼續(xù)看下去的沖動了
Ben真是帥啊,笑起來的時候眼睛瞇瞇的,快要融化了。Felicity真是贊,溫和而堅定。
就這男主!滿分!
不娶何撩???
上半時偷偷看的,Keri Russell笑起來太美了。
看完了估計得難受個幾天...不是說她就是我而是我能找到太多太多的共鳴之處 友情愛情和未完成的愛情 大學(xué)不就是這樣嗎 【真是新年的禮物呢真是太幸運了我看了這個
初中的時候HK明珠臺每周六下午都會播,必追!這么多年,差點都忘記她了!很喜歡~
求這部劇的原聲!我愿意用吉爾莫女孩的全套原聲開換!
編劇是J·J·艾布拉姆斯(震驚==)98年30剛出頭的J.J.相比《迷失》、《危機邊緣》、《星際迷航》、《疑犯追蹤》、《碟中諜》等等題材居然有如此感性細膩特別的一面,有些難以相信。劇本挺好,略帶文藝的講述著青春、成長與迷茫,細膩溫情氣質(zhì)獨特,真實又迷人,但15集以后感情線走向有點刻意。Keri年輕時候好可愛,頭發(fā)果然漂亮,終于理解為什么剪發(fā)后收視率雪崩了
女神顏值爆表,但這劇我真的沒耐心看下去。
和October road、everwood一種感覺,雖然故事設(shè)定在NYC,但就是ordinary people的normal life,平緩的流動著。我也是felicity吧。單純魯莽的舉動,糾結(jié)的成長。ps.Noel好像巴拉克...F和N在一起之后就膩了...ps編劇想展現(xiàn)當(dāng)代大學(xué)生可能遇到的種種問題又無奈主角數(shù)量有限,所以啥破事都攤上了是嘛。
好早看的了 才找到
so moving. 死侍提到的劇,真的經(jīng)典 ,最愛美劇,沒有之一
Noel真的是好貼心(他們分手的時候心都要碎了),然而后來我也忽然明白了為什么Felicity會迷戀Ben,Ben笑起來太迷人了。
Keri Russell好可愛~~突然發(fā)現(xiàn)這部劇特別冷…配樂很少,大家都是靜靜地說話,靜靜地冷…
在我心里幾乎完美的首播集,可惜后面還是走了其他美式青春劇的老路,但是氣氛一直都是很清新的,一直貫穿全劇的吉他獨奏更是不可多得。