某站把電影翻譯成了《戰(zhàn)地情人》，我還是更喜歡它本來的名字《上尉的曼陀鈴》。潘潘素淡了眉眼仍然美的不可方物，凱奇還在當紅的上升期，甚至男二竟然是貝爾，現(xiàn)在回看真是頂級陣容。貝爾和凱奇的人物塑造都很豐滿立體，唯一遺憾的是潘潘的心路歷程太突然了，應該再刻畫細膩一點的，肯定評分會比現(xiàn)在高。不過潘在有限的戲份空間內(nèi)已經(jīng)竭盡全力用那雙會說話的眼睛去表達和詮釋了，在演技方面潘是滿分的，人設(shè)薄弱是導演的問題。全片真靈魂主角是女主爹，簡直是行走的金句機，太通透太智慧。 其實本片的劇情非常簡單，加分項是音樂和攝影。凱奇一出場莫名想笑，想想他演的是意大利人又覺得很合理。前半部分電影的氛圍都是輕松的、愉快的，凱奇的演繹甚至給這部反映二戰(zhàn)的片子增添一分喜劇效果，直到后半部分德軍的到來終于撕下侵略者最后的假面，露出戰(zhàn)爭猙獰的本來面目。前半部分的所有歡樂與和諧化作慘烈的現(xiàn)實，導演一種荒誕的形式表達了反戰(zhàn)的最終命題。不過最終還是回歸愛情片的本質(zhì)，或者說導演想表達的是一種人性的思考，而戰(zhàn)爭只是反映人性的一個載體。浪漫狂野的意呆和古典端莊的希臘，很完美的結(jié)合。就像曼陀鈴的歌聲和希臘小島的景色一樣完美。 私以為全片的核心金句是女主爹的幾處臺詞，比如關(guān)于愛的思考，關(guān)于地震帶來的影響。也許這不是一部愛情片，但這確實是一部討論愛的片子。

補充：本片中的一些經(jīng)典臺詞

（1）

Dr. Iannis: I wanted her to understand how a land so peaceful could be shattered by earthquakes and war. I wanted her to understand why sometimes the gods bless us and why they sometimes become angry and shake us, and fill our lives with pain. I want her to learn the lesson that nature teaches us, that we should not ask why we are wounded only if the wound can be healed.

（2）

Dr. Iannis: What on earth are you doing?

Corelli: I was just about to start.

Dr. Iannis: Well, about time, too, I should think.

Corelli: The first 45 1/2 bars are for the orchestra. “Allegro moderato e grazioso.” You have to imagine the orchestra.

Dr. Iannis: I’m damned if I can sit through all that tapping again. Just play your part.

Corelli: If I do that, I’ll start getting confused about when I’m supposed to come in, and that in a concert hall, would be a disaster.

Dr. Iannis: I apologize for disrupting the concert; I apologize to each and every one of you, to those in the cheapest seats in the gods, to Your Majesties in your royal boxes draped in your jewelry and your fine furs. But I’m damned if I can imagine an orchestra.

（3）

Corelli: I’ve never aimed a gun at anybody, never in my life. It must be very difficult for you to have to put up with us.

Pelagia: It must be very difficult for you to have to live with yourself. You lie in the sun and swim in the sea and flirt with your prostitutes. And there are people I know, people I grew with who are fighting for their lives and dying for what they believe in. And all you do is singing. What’s there to sing about? We are in the middle of a war, not an opera house. And you, you think you are so cultured with your pasta and your panettone and your puffed-up opera. Why don’t you take your holiday on somebody else’s island?

Corelli: What is there to sing about? There is singing when babies are baptized, when you celebrate a marriage. Men sing as they work, soldiers sing as they march into battle. And there is singing when people die. I always found something in life worth singing about and for that I couldn’t apologize. For the fact that I’ve caused you pain I cannot apologize enough.

（4）

Pelagia: You must be one of the most stupid people I’ve ever met. You wanted to show off so you nearly get us all killed.

Corelli: I can see your lips moving but I can’t hear a word you’re saying.

Pelagia: It should pass in a day or two.

Corelli: Your father says it will pass in a day or two.

Pelagia: Does he? Is that what the great doctor says?

Corelli: What are you saying? Are you saying how beautiful life is since Italians arrived?

Pelagia: All my life I’ve been waiting. I don’t know how I survived before you came.

Corelli: Are you saying how much you missed having me around?

Pelagia: I miss you so much I can’t sleep at night.

Corelli: The other night when you were dancing, the way you were moving, the turn of your head……I thought I could watch you forever

Pelagia: You think you can come here and turn my whole world upside-down?

（5）

Dr. Iannis: This is a very ancient land and we had nothing but earthquakes and slaughter for 2,000 years. We’ve had massacres at Sami and Fiskardo and God knows where else. There will be more. It’s only a question of time. So don’t make any plans.

（6）

Dr. Iannis: Do you love him?

Pelagia: We are engaged to be married.

Dr. Iannis: I am not talking about Mandras.

——When you fall in love it is a temporary madness. It erupts like an earthquake and then it subsides. And when it subsides, you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness. It is not excitement. It’s not the desire to make every second of the day. It is not lying awake at night imagining that he is kissing every part of your body.

——NO, don’t blush. I’m telling you some truths.

That is just being in love which is any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away. Doesn’t sound very exciting, does it? But it is. Do you think that you could begin to imagine that is how you will come to feel with Captain Corelli?

（7）

Corelli: I don’t belong here, Pelagia! I never belonged here! Ever since I came, look what has happened all around you.

Pelagia : I love you.

Corelli: I had no right to make you love me when you weren’t mine to love

（8）

Pelagia: Why did you save him? Why didn’t you leave him to die?

Mandras: I wanted you to love me again.

——In Albania, I made them read every one of these to me. “Mandras, I love you. Mandras, I want you. Mandras, when are you coming back?” And then one day a different letter, “I don’t know how to describe my feelings. It’s as if I’ve been waiting a hundred years to hear from you, waiting a hundred years for you to return. Once I thought my heart was overflowing with love for you, but now all I feel is emptiness. And I think all the time it was a pretense that I never loved you at all.”

（9）

Dr. Iannis: If there is a wound, we must try to heal it. If there is someone whose pain we can cure, we must search till we find them. If the gods have chosen that we should survive, it will be for a reason.