Set on the cusp of the 19th century in Delhi before the British ruled in that region, the drama depicts the fortunes of the residents of Beecham House, an imposing mansion surrounded by acres of exotic woods and pristine lawns.
Tom Bateman (Vanity Fair, Jekyll and Hyde) takes the role of enigmatic, soulful John Beecham, a handsome former soldier who has purchased the magnificent mansion, Beecham House, to begin a new life with his family.
Wealthy and distinguished, John has witnessed profiteering and exploitation during his time with the controlling East India Company and has resolved to conduct his business as a trader in a more equitable manner. Determined to escape his previous life, John appears haunted by his past, but is inspired to become an honourable member of the region’s trading community.
In spite of John’s good intentions his life is shrouded in mystery and when he arrives at the house with an ‘olive-skinned‘ child named August and two Indian nursemaids, Chanchal (Shriya Pilgaonkar) and Maya (Trupti Khamkar), it causes speculation and gossip amongst the servants that he may be the boy’s father. One of the Indian nursemaids, the beautiful Chanchal, is overly protective and particularly fond of the child. Could she be John’s lover and the mother of August?
Lesley Nicol (Downton Abbey) is John’s robust, interfering mother Henrietta who has travelled from England to India to stay with her son. She is accompanied by a young family friend Violet, played by Bessie Carter (Les Miserables) who she is determined to help form a union with John.
The pair are accompanied by an old friend of John’s, Samuel Parker, played by Marc Warren (Safe, Hustle) who has also left the East India Company and has returned to India for a fresh start. Samuel helps John to find his brother Daniel who he has not seen for 10 years. John convinces Daniel, Leo Suter, (Victoria) to leave the East India Company and join him at Beecham House.
Gregory Fitoussi (Mr Selfridge, Spiral) plays General Castillon, a French mercenary working for the Emperor at a time when the French are challenging the East India Company for India. Castillon is suspicious of John and his motives and conspires to stop John being granted a trading licence.
Adil Ray (Citizen Khan, Ackley Bridge) is John’s neighbour Murad Beg who dislikes General Castillon intensely and agrees to help John secure a trading licence. Murad’s daughter, Roshanara, (Kanika Kapur) has an English governess Margaret Osborne, played by Dakota Blue Richards (Endeavour) whose beauty and intelligence catches John’s attention. However, when beautiful Chandrika (Pallavi Sharda) arrives at Beecham House with her entourage she is shown to luxurious guest quarters and immediately insists on seeing August. What secrets does Chandrika bring with her to Beecham House?
a drama so lacking in drama
劇情太傻。
August的姨媽超正的啊。男主表達yes的時候輕微晃了晃頭,好評。
布景和色調(diào)太棒了
談不上好不好,短評里有個說的已經(jīng)特別好了。這片子仿佛是360夸耀自己閨女的美然后決心將自己閨女獻給殖民老爺還隱隱感到驕傲自得的感覺。全片智慧擔(dān)當就是弟弟啊,除了花花公子其他弟弟都是最靠譜最有責(zé)任感的一個。
故事比較簡單,異域風(fēng)情,有挖坑,不知道會不會有第二季
本質(zhì)是個狗血劇,風(fēng)景和道具不錯。
劇情一般般,常規(guī)套路,但是印度風(fēng)情太美,而且英倫視角的印度風(fēng)情里還有一丟丟唐頓style
好吧,這次輪到英國人yy我們的印度鄰居了。劇情腦殘但印度美女真美,想去印度~
英版印度狗血宮斗劇。
卡司都很養(yǎng)眼,但是演技不行
場景一流,但劇情太拉胯了,印度原來可以這么美
古典英倫+異域印度,好看!
老套別扭的劇情,華美虛假的外殼,充滿了東方主義色彩和為殖民主義洗白,如果說這是英國眼中的印度倒還可以理解,但尷尬的是導(dǎo)演是肯尼亞出生移民英國的印度裔,整個劇簡直是殖民地長大的被殖民者向宗主國的諂媚,是一個即不深刻了解母國又不想扎根出身地只想融入宗主國主流價值的“高級印度人”眼中的印度。那種別扭非常類似于美籍新馬華人的《摘金奇緣》《彼岸之嫁》等等老華人后代abc面對祖先文化和歐美沖突時表現(xiàn)出的卑微證明自己的兩不靠狀態(tài)。
走進黑暗第一集的男主主演的英劇,一堆阿三,第一集無亮點,棄了
1795年,印度德里,法國軍人和英國東印度公司都想在印度做貿(mào)易,顯然開始的時候是法國人占優(yōu)勢。男主角的設(shè)定很戲劇化,前東印度公司雇員卻脫離了公司單還有一個浪蕩子弟弟在公司弄得風(fēng)生水起/雞犬不寧,擁有一棟豪宅成了德里的老爺卻帶著一個小孩子和混血女妾(?)住在豪宅,緊接著卻認識了一個在印度的英國女教師,然后是他的母親不遠萬里從英國帶著新娘候選人來到豪宅。異域風(fēng)情,好戲開演。
劇情真挺弱的,但是演員們顏值真不錯,英國人鏡頭下的印度居然挺異域風(fēng)情
故事一般般,看點在于印度的異域風(fēng)情,但我直接看印度片不就行了?
印度風(fēng)情,景真美
為啥這樣結(jié)束了還要出第二季?Morse,你的妹子和印度白人大老爺走了啊,你為啥不珍惜她!