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ANDRZEJ WAJDA: LET'S SHOOT! is an extraordinary record of a few months of struggle on the set, showing an atmosphere of work and a picture of immense film machinery, and at same time presenting the truest and intimate portrait of the Master of Polish Cinema, the Oscar winner. In 1957 Andrzej Wajda won the Silver Palm in Cannes for his film 'Canal', along with 'Seventh seal' by Ingmar Bergman. We meet him 50 years later, as the author of many important films, such as 'Ashes and Diamonds', 'Man of Marble' or 'Danton', now directing one the most important films in his career, 'Katyń', about the massacre in which thousands of Polish officers, including Wajda's father, were murdered by the Soviets, during World War II - a tragedy left unspoken for decades.
達(dá)爺表情豐富，激素分泌旺盛，看監(jiān)的時(shí)候緊張的像個(gè)考0分的傻蛋
看了瓦伊達(dá)的《下水道》被徹底折服。沒(méi)想到他也是個(gè)愛(ài)在片場(chǎng)生悶氣的暴君??！
太難了。
瓦伊達(dá) 《卡廷慘案》幕后紀(jì)錄
瓦伊達(dá)真是一個(gè)可愛(ài)的暴躁老頭。
笑死，小孩和他合影，沒(méi)想到這么大陣仗，嚇壞小朋友。啊難道我們已經(jīng)發(fā)展到那種程度了，我必須在家里看他們的工作，哦不是啊，真讓我松一口氣。哈哈哈哈哈哈哈。選題和選演員。
捕捉的老頭子太生動(dòng)了，挑剔又火爆
一個(gè)紀(jì)錄片導(dǎo)演能在片場(chǎng)拍到多少絕妙的畫面與故事，取決于敏銳的洞察力，《卡廷慘案》電影的紀(jì)錄片導(dǎo)演做到了，尤其是瓦伊達(dá)各種專注的表情捕捉。監(jiān)視器畫面前的瓦伊達(dá)太可愛(ài)了。
脾氣暴躁的老頭兒，但也超級(jí)溫暖了，電影成功了是大家通力合作的功勞，有了合作才會(huì)有好的電影，否則失敗就是自己的鍋了，沒(méi)有選好題材，沒(méi)有選好演員。這么一看最近的也是，一部電影題材真的很重要。
你做導(dǎo)演就要一輩子有自覺(jué)意識(shí) 哎 那種對(duì)語(yǔ)言溝通手段的無(wú)力感
攝于《卡廷慘案》片場(chǎng)，自制中字subhd/B站在線已發(fā)布：BV1ds411j7Ub ，點(diǎn)擊就看瓦伊達(dá)這暴脾氣2333333
脾氣火爆的可愛(ài)老頭 我好愛(ài)他
《卡廷慘案》為什么會(huì)搜不到
補(bǔ)
跟大師學(xué)拍片，脾氣火爆有掉鏈子的劇組工作人員一半功勞。跟小演員合影都要打光，講究!看監(jiān)視器表情蜜汁豐富，哈哈哈!
“人是最難處理的材料”
監(jiān)視器前怒噴小女孩“臺(tái)詞好差，差到胃痛”，回頭小女孩邀他合影則盡力拍張最好的，甚至搬來(lái)燈光師，老爺子在片場(chǎng)時(shí)而猙獰，時(shí)而頑皮。原來(lái)他父親是卡庭摻案遇難的波蘭軍官之一。
感謝維哥字幕~
安杰伊·瓦伊達(dá)在《卡廷慘案》片場(chǎng)，看看大師是怎么工作的
《卡廷慘案》現(xiàn)場(chǎng)記錄，老爺爺盯片場(chǎng)的表情很逗