法國南部的Chauvet巖洞里,有三萬年前的原始壁畫,還有冰河時期的哺乳動物化石,但洞口一直被落石封住,直到1994年被科學(xué)家偶然發(fā)現(xiàn)。這個寶貴的洞穴被嚴(yán)密保護(hù)著,赫爾佐格只獲準(zhǔn)進(jìn)洞拍攝六天,每天四小時,他還采訪了相關(guān)研究的科學(xué)家們,用他特有的方式,探索史前人類對事物的認(rèn)知和表達(dá)方式、藝術(shù)和文明史的誕生、以及現(xiàn)今圍繞在洞穴四周的好奇人群。他還注意到現(xiàn)代工業(yè)對史前遺跡的侵蝕——Chauvet巖洞附近恰有一個核電站,已經(jīng)因為溫水匯流形成生態(tài)圈,里面連鱷魚都有了,Chauvet未來可能受到被淹沒的威脅。
這是沃納·赫爾佐格首次用3D形式拍攝他最熱衷的紀(jì)錄片。
你知道嗎。臺灣人就像踏著浪花跳躍的白鷗 是嗎 西班牙人總是在一輪紅陽里現(xiàn)出剪影 是在攀登海崖 是的 英國呢 英國人可愛。因為總是多云到雨,整座島就像一個巨大的露天體育場,無數(shù)難懂的厚厚的云層壓在頭頂上肆意變化。他們也就安詳躺在下午茶里休憩,說一說邏輯顛倒的笑話,發(fā)發(fā)幻想,或者認(rèn)真起來準(zhǔn)備幾個預(yù)言什么的。 印度人就很不同了,闊葉雨林的沉靜生命把他們的生命都熏透了。萬里土地的悶熱干燥里的忍耐讓他們終于嗅到了時空中那些彌漫著的永恒的密語。 而,阿拉伯的土地上卻只有一汪無垠的星潭,所以它們的心靈是蕩漾在夢幻里的。周期性的神秘光芒都紋在他們的被毯與屋頂上。皮膚和駱駝一起在粗礪的風(fēng)之沙丘里堅韌。 你這個學(xué)究,那你說說法國 浪漫的法國?肖維巖洞的壁畫和那條阿克什河就可以說明一切了。古典樂的基因,溫白馨甜的靈魂,都在那個干凈夢幻的河谷和兩旁的方峭石里了。在無數(shù)個流淌著星碎的夜里靜靜地編織著生靈們未來的模樣
從結(jié)構(gòu)上說,和所有的赫爾佐格紀(jì)錄片一樣,無聊極了。
這個洞穴在法國南部的阿爾代什省,是20年前發(fā)現(xiàn)的,必須通過法國文化部批準(zhǔn)才能夠進(jìn)洞。金屬步道做得很好,天然的石筍都讓出來了。其中一處黑色的巖畫,外層有硬硬的鈣,至少要數(shù)千年才能形成,所以他32,000年的洞穴歷史認(rèn)為可信,不是偽造的。從馬戲團(tuán)雜耍改行當(dāng)考古的隊員,說他每天都會夢見獅子。山洞里靜謐得可以聽到自己的心跳。墻壁上還有熊的爪印。
外面形成的這個天生橋,可能是他們充滿想象力的地標(biāo)。這個地方的生態(tài),出現(xiàn)了各種各樣的動物,也是他們繪畫的靈感所在。還有一個未完成的女性的下體。在拜仁的博物館,與維倫多夫的維納斯進(jìn)行比較。實驗考古人員展示皮衣和笛子,5個音階和現(xiàn)在是一樣的。香料大師毛寧。舊石器時代的狩獵技巧,跟科技沒關(guān)系,比如說刺殺斑馬的矛,就很有力量。
后面總算做了一點高清資料,否則我真要打他了。而且做出了或明或暗的燈光,還挺有神秘感。把豹子或獅子的兩只眼睛畫在同一個側(cè)面,很有點畢加索的感覺。
Chauvet cave in southern France contains 30,000 years old primitive frescoes and fossilized ice age mammals, but the opening was sealed by falling rocks until scientists stumbled upon it in 1994. A team of scientists and documentary makers entered the cave. In their own method, they explore the prehistoric way of knowing and expressing things, the birth of art and civilization, and the curious people who surround the caves today. The documentary Cave of Forgotten Dreams records one such incident in Chauvet Cave.
The documentary made viewers feel the beauty of art thousands of years ago, but also expressed their concerns about the development of industry today. Modern industry has eroded prehistoric sites, a nuclear power plant has been built near Chauvet cave, and hundreds of crocodiles live in an ecosystem of cooling water. Chauvet cave is threatened with future flooding. To convey the feeling of beauty and call for the protection of the ecological environment is the main theme of this film.
The scientists used technology to create a 3D map of the cave, which is about 1,300 feet long from front to back.But technological restoration is not the ultimate goal of scientists. Their ultimate goal is to reconstruct the past and let the present know what happened here. Scientists are not only using technology to find the cave, but are also going back to ancient times, using the backs of their hands and faces to sense the wind blowing out of the cave.Exploration here every day thoughts and emotions of scientists the impact caused by staff in the cave feel himself become small, artificial light to illuminate the whole cave, some scientists felt a strange, irrational feeling, like a pair of eyes, and they, as they enter the disturb of the paleolithic artists' creation. The cave is an organic combination of the landscape outside, and in this landscape, there is a musical atmosphere that not only modern romantics, but Stone Age people may have felt in the same way, like cave painters, who seem to be speaking to us from a familiar but distant universe. The most notable features of the cave are the frescoes, animal skulls and stalactites of various shapes. Murals are the most characteristic of the three landscapes.Imagine the ancients lighting a fire in the cave, casting shadows on the mural, and dancing with the mural in the glow and moving natural light.Since the cave itself is not flat, ancient artists used it to create in 3D painting. What is more amazing is that the ancient artists showed the dynamic movement of animals by drawing many legs, which undoubtedly made the murals more vivid. The most impressive picture in the mural is that of four horses running at the same time, it reminds me of the galloping horse drawing by the Chinese painter Xu Beihong. The two paintings share the same characteristics, both of which adopt bold and unconstrained lines and freehand brushwork, and focus on depicting the charm and temperament of horses. The horse in the painting is vigorous and light. It has the aesthetic feeling. The skulls in the caves were arranged in a deliberate way, probably representing a place of worship that had been eroded by water and soil to resemble pieces of fine porcelain.
The process of making this documentary was also difficult. The cave is under the watchful eye of the French government and is completely off-limits to the public. Herzog had special permission from the French culture ministry to enter, but it was also strictly controlled: they had to wear certain clothes and shoes, could not communicate with the outside world, could not touch anything, and could only move within the built walkway. The crew can't be more than four people, which means that only the director, cameraman, sound engineer and an assistant are allowed in. Each person has their own job, and the director has to operate portable, non-heating lighting equipment. All equipment must be battery-powered, no wires. After the 3D camera assembly is large, it is difficult to enter the hole, so it is assembled in the hole. Under such conditions they were allowed to film for six days, four hours a day.
Herzog's documentary, shot in a narrow space, also has a dramatic effect. It is a pilgrimage through French cave paintings 30,000 years ago, which makes the film more surreal and artistic style beyond time and history.Background music is creative, it is full of wildness and power, combined with the documentary images so that the audience better back to the ancient times.When those prehistoric murals unfold before your eyes, in addition to beauty, is shocked, we marvel at the greatness of human creativity.
Whoever decide to make this 3D is a genius
讓人感動!
Cave of Forgotten Dreams,多好的名字?。?/p>
看不進(jìn)去
感覺就是深夜昏昏欲睡的看了一部關(guān)于史前藝術(shù)的紀(jì)錄片。
估計是看太多自己吃不消了。
3.5 結(jié)語挺讚。
3d docu. sheer beauty.
3D
3D好看
極簡 迷人 配樂贊 能看3D就更完美了 尼姆計劃不如預(yù)期的好 竟然更喜歡這部
荷素是個神經(jīng)質(zhì),只有他才能給這個紀(jì)錄片配上這樣一個結(jié)局。
3D
將巖畫類比大銀幕。借助巖壁的起伏作畫并重復(fù)相疊,形成立體感與動感,仍然是比對電影。
制作精良的,介紹法國南部的Chauvet巖洞里,有三萬年前的原始壁畫的3D紀(jì)錄片,那些史前的壁畫是令人驚嘆,喜歡這類題材的可以看看。
解釋避無可避的錯時性,更惱人的是解釋通達(dá)的建構(gòu)之終點與摧毀只是一紙之隔。赫爾佐格通往電影之途總是將鏡頭瞄準(zhǔn)遙遠(yuǎn)本身,這么說是因為他不一定是前往了地理上的世界終點,更有人文地標(biāo)的所謂的世界終點。
赫爾佐格什么時候開始拍這么工整的紀(jì)錄片了啊?
有點做作,略失望
粗獷的肩扛和手提攝影配上3D技術(shù)估計可以讓人眩暈,光影中洞內(nèi)的壁畫配著華麗的女高音相當(dāng)迷人。赫爾佐格依舊執(zhí)迷于對未知神秘的探索,關(guān)于3000年前古人的靈魂和認(rèn)知,但更多的只是停留在表面上的美景上?!铩铩?/p>
多加1星給那些巖壁上的畫,古人們竟有如此高超的技巧,印象派畢加索!