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劇照
更新時(shí)間：2024-04-11 17:05
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本片改編自暢銷奇幻小說(shuō)，從亞瑟王身后以精神信仰操控國(guó)家興亡的三位女性的觀點(diǎn)，一窺在亞瑟王傳奇背后的眾多陰謀門(mén)ddd。在片中，安潔莉卡休斯頓飾演迷霧之城亞法隆的主祭司－薇薇安，她是一位大湖女神，以維亞法隆的崇高地位，為其終身職志；茱莉安娜瑪格莉絲飾演摩可兒，為欽定祭司繼承人；瓊安艾倫飾演兇殘的摩可思，企圖奪取王位，接掌千秋盛業(yè)。在重重的迷霧及流言詭計(jì)紛擾之下，國(guó)家存亡的局勢(shì)已悄然底定……
長(zhǎng)篇影評(píng)
1 ) the mists of Avalon
The Mists of Avalon
The movie “the mists of Avalon” is a very different movie to tell the Arthurian legends from the perspective of the female character including his mother Igraine; his half-sister Morgaine; his aunt Viviane, the Lady of the Lake and his wife, Gwenwyfar. The film also shows the decline of people’s faith in Avalon. The film is set in the period when Christian invaded England and people’s faith in Avalon gradually declined.
The distinction between this film and others is that rather than casting Arthur as a distant, unknown person with little or no explanation but from the perspective of the female characters to show a different Arthur. On the other hand, the focus of this film is Arthur’ sister, is presented as a woman with unique gifts and responsibilities at a time of enormous political and spiritual upheaval who is called upon to defend her indigenous matriarchal heritage against impossible odds. The film stands as a watershed for feminist interpretation of male-centered myth by articulating women's experiences at times of great change and shifts in gender-power. The typical battles, quests, and feuds of King Arthur's reign, however, act as secondary elements to the women's lives.
The movie “the mists of Avalon” is a very different movie to tell the Arthurian legends from the perspective of the female character including his mother Igraine; his half-sister Morgaine; his aunt Viviane, the Lady of the Lake and his wife, Gwenwyfar. The film also shows the decline of people’s faith in Avalon. The film is set in the period when Christian invaded England and people’s faith in Avalon gradually declined.
The distinction between this film and others is that rather than casting Arthur as a distant, unknown person with little or no explanation but from the perspective of the female characters to show a different Arthur. On the other hand, the focus of this film is Arthur’ sister, is presented as a woman with unique gifts and responsibilities at a time of enormous political and spiritual upheaval who is called upon to defend her indigenous matriarchal heritage against impossible odds. The film stands as a watershed for feminist interpretation of male-centered myth by articulating women's experiences at times of great change and shifts in gender-power. The typical battles, quests, and feuds of King Arthur's reign, however, act as secondary elements to the women's lives.
2 ) 亞瑟王 女性
看時(shí)介紹說(shuō)是一部迷你電視連續(xù)劇，是用女性特有的細(xì)膩為我們講述了有關(guān)女神和她如何在歷史的長(zhǎng)河中失落的故事。我想應(yīng)該是這樣的，最令我印象深刻及心疼的應(yīng)該就是莫根了，她是亞瑟王的姐姐，也許因?yàn)槭巧衲附痰膫魅耍兄匠Ｈ说膱?jiān)強(qiáng)，但同樣的她也只是一個(gè)徘徊在信仰與情感之間的柔弱女子，但在經(jīng)歷了粉身碎骨的痛苦之后，她明白了自己的使命并擁有了心靈，但正是因?yàn)檫@樣，才讓人更覺(jué)得心疼，心疼她所經(jīng)歷的一切，心疼她的身不由己。最終，迷霧籠罩了整個(gè)阿瓦隆，死亡和失落終結(jié)了這個(gè)時(shí)代，雖然有太多的不舍，但又何嘗不是這個(gè)時(shí)代該有的命運(yùn)呢。這個(gè)時(shí)代的終結(jié)其實(shí)與任何人都無(wú)關(guān)，人類文明的進(jìn)步毀滅的又豈止是這些。
3 ) 對(duì)宗教的終極詮釋
一部很有深度的影片！
借助歷史傳說(shuō)，傳達(dá)出在宗教圣潔的光影后隱藏的精神內(nèi)涵，圣母就在人性的光輝中，短短的一句話，指明了宗教的產(chǎn)生，發(fā)展，與歸宿
借助歷史傳說(shuō)，傳達(dá)出在宗教圣潔的光影后隱藏的精神內(nèi)涵，圣母就在人性的光輝中，短短的一句話，指明了宗教的產(chǎn)生，發(fā)展，與歸宿
4 ) clear away the mists of Avalon 撥開(kāi)阿瓦隆的迷霧
亞瑟王的故事，是一段歷史，也是一段傳奇。拋開(kāi)沉重的不一的歷史與宗教學(xué)說(shuō)，單從影片所展示出的故事，我們可以看到人性與宗教神學(xué)之間的聯(lián)系與沖突，看到宗教神學(xué)背后的光明和陰暗面。
全片以亞瑟的姐姐摩根的一生為線索，通過(guò)不同代表性的人物為枝蔓展開(kāi)，而影片的內(nèi)涵也隱藏在人的身上。
薇薇安，湖泊女神，阿瓦隆最高女祭司。在我看來(lái)，她對(duì)神母卻有著病態(tài)的尊崇，為達(dá)目的不擇手段，甚至可以說(shuō)六親不認(rèn)，代表著一種對(duì)宗教的盲目崇拜。她妄圖通過(guò)控制皇室維護(hù)阿瓦隆的地位，卻適得其反，神母逐漸被遺忘。宗教，只是人們的一種信仰，是個(gè)人的事情，不是控制人們的一種手段更不是政治手段，宗教之間的斗爭(zhēng)其實(shí)是毫無(wú)意義的。只有人們認(rèn)識(shí)到一種宗教的優(yōu)越性，從心底里信奉，才能使之永存。舉個(gè)不太美好的例子，清朝時(shí)的太平天國(guó)運(yùn)動(dòng)，領(lǐng)帶人洪秀全創(chuàng)立拜上帝教，開(kāi)始時(shí)受到廣大人民群眾的信奉，就是因?yàn)樗木锼枷肷钊肴诵模藗儽阕园l(fā)支持他信仰他。后來(lái)教義改變，變成為掌權(quán)者說(shuō)話，失敗接踵而至。再如基督教，傳教士向民眾傳播它的思想，從而廣為流傳。梅林臨終前對(duì)薇薇安說(shuō)的話，就是想告訴她不要再妄圖以人力控制人們的信仰。時(shí)代在變化，宗教也在不斷進(jìn)化演變，阿瓦隆的消亡只能說(shuō)明她已經(jīng)不適應(yīng)新的社會(huì)，她的思想已經(jīng)不被新時(shí)代的人們接受。那么，消亡不過(guò)是一種必然。
摩根，亞瑟同母異父的姐姐，從小背負(fù)著母親害死父親的事實(shí)，被設(shè)計(jì)與弟弟亂倫產(chǎn)子，被設(shè)計(jì)嫁給心愛(ài)的人的父親，最后目睹弟弟與兒子的死亡，見(jiàn)證阿瓦隆的消亡。但命運(yùn)的磨難并沒(méi)有打倒她，她的心中裝滿了對(duì)親人的愛(ài)，選擇自己承擔(dān)一切來(lái)保護(hù)弟弟，是一個(gè)堅(jiān)強(qiáng)、智慧并充滿純真的女子。從母親嫁給烏瑟潘龍到姐弟兩個(gè)被梅林和薇薇安帶走，中間這段天真爛漫無(wú)憂無(wú)慮的時(shí)光，是摩根心中渴望的東西，是她沉重的一生中少有的歡樂(lè)，但也襯托了后來(lái)的悲劇。堅(jiān)強(qiáng)是她留給我的最深印象，不管遇到什么事情，甚至很多在我們看來(lái)根本無(wú)法接受的，她都默默承受了。很多時(shí)候，她會(huì)哭，或默默流淚，或嚎啕大哭，但從來(lái)不曾尋死覓活，不曾放棄愛(ài)放棄自我，而是一直在苦難背后尋找道路，在打擊中磨練智慧。這種堅(jiān)強(qiáng)，是很多男兒都不曾達(dá)到的，我甚至覺(jué)得亞瑟不過(guò)是生活在她的保護(hù)傘下的君王。她對(duì)神母的信仰才是一種真正的信仰，她曾對(duì)薇薇安大喊“我侍奉的是神母不是你！”。影片最終以“神母不過(guò)換了一個(gè)名字存在于人們心中”結(jié)束，正是揭示了宗教存在的意義，所謂宗教，所謂信仰，只是人們的心而已，她替薇薇安理解了什么叫做“all god is one god”。
摩葛絲，薇薇安的妹妹，從頭到尾，其野心都不曾掩飾。這讓我想起了一句古話，貪心不足蛇吞象。她與薇薇安本質(zhì)上是一樣的，起碼在我看來(lái)是的，只不過(guò)一個(gè)為了宗教一個(gè)為了自己。貪婪，是人之常情，是人的一種劣根性。貪婪不可恨，可恨的是為達(dá)目的不擇手段。原著中有一句話，“女神還有第四張臉，讓我們祈禱摩葛絲不要戴上”。很顯然，她戴上了。人無(wú)完人，每個(gè)人背后都有黑暗的一面，女神也不例外，就看你是否能夠戰(zhàn)勝它。有人說(shuō)，人之初性本善，也有人說(shuō)，人之初性本惡。其實(shí)我們本就是善惡矛盾的綜合體，辯證法不只對(duì)事還對(duì)人，只是大多數(shù)時(shí)候我們都希望光明戰(zhàn)勝黑暗，也確實(shí)需要這么做。
最后，讓我們看看亞瑟，不客氣的說(shuō)，影片中的是我看過(guò)的最不欣賞的亞瑟，透過(guò)他我認(rèn)識(shí)到，我命由我?？偟膩?lái)說(shuō)，他不過(guò)是一個(gè)傀儡，懦弱、遵從。也許正因?yàn)槿绱耍鞭卑膊胚x擇了他。王位是在阿瓦隆的幫助下得到的，妻子是為了維護(hù)宗教平衡娶的。他的命運(yùn)一直都在由別人控制，遇到喜歡的女子也不去追尋只在心底留念。得知事情真相也只是選擇了逃避，任由兒子為非作歹，最終還是在摩根的勸說(shuō)下覺(jué)醒。命運(yùn)真是個(gè)奇妙的東西，總會(huì)有人控制它，不是你就會(huì)是別人，與其做一個(gè)傀儡受別人擺布，不如努力抗?fàn)?，自己選擇前進(jìn)的道路。正如西漢武帝，盡管從小沒(méi)有實(shí)權(quán)一直受祖母控制，卻不曾屈服，一直想辦法抗?fàn)?，最終成功奪得實(shí)權(quán)，創(chuàng)造了漢王朝的輝煌。最近剛看了一部影片，Invictus，講述了曼德拉不向命運(yùn)屈服的故事。是的，我命由我不由人，不管是高貴還是低賤的出身，命運(yùn)的齒輪只能由自己轉(zhuǎn)動(dòng)。
我還是給這部影片冠以“沉重”的標(biāo)簽，也許是因?yàn)樗v述的是歷史與宗教，也許是因?yàn)樗且粋€(gè)悲劇，看完之后心里面就像有東西堵著，不禁想到自己是多么幸福，不曾被這些沉重的內(nèi)容壓迫和束縛。平靜下來(lái)，會(huì)發(fā)現(xiàn)其實(shí)影片中的每個(gè)人都能給你思考，他們本身就是一部部啟示書(shū)，正如上面提到的，撥開(kāi)縈繞阿瓦隆的迷霧，宗教的自發(fā)信仰，人心的堅(jiān)強(qiáng)，貪婪的邪惡，命運(yùn)的控制，純正的愛(ài)情……這些迷霧背后的內(nèi)容，才是值得我們深入思考的。
The story of King Arthur is a history and also a legend. Without regard to heavy mixed history and religious doctrines, only from this film, we can see the connection between the human nature and religious theology and conflict. We can also see the religious dark side behind the light.
The life of Arthur's sister Morgan is the clue. And the story is stated through different typical characters and the connotation of it is hidden in the human nature.
Vivian, the goddess of lakes, the highest priestess of Avalon, in my opinion, has a morbid respect to goddess. She represents a kind of blind worship of religion, machiavellian and indifferent. She wants to control royal to maintain the status of Avalon. On the contrary, the Avalon goddess gradually is forgotten by people. I think Religion is only a kind of faith and a personal thing. Therefore, it is not a way to control people, or politics. Religious conflict between different religions is meaningless. Only the advantages of a religion was realized, can it exist forever. For example, not too good, when the Tai Ping movement burst in Qing dynasty, the leader Hong Xiuquan created a religion called “Baishangdi” and it was embraced by the masses of people. At the beginning, the Juntian thought was deeply rooted in the hearts of people, spontaneous to support his beliefs. Teachings later changed, becoming the speaking for the ruler, and failure followed. Besides, such as Christianity, missionaries spread it to the people, thus it widely circulated. Merlin said to Vivian when he died. Do not control people's beliefs by her power. Times are changing with evolution of religion. And the death of Avalon just means she has not been adapted by the new society. Her mind is not accepted by people in a new era. So, disappearance is a necessity.
Morgan, Arthur's half sister, burdens the fact that her mother participated in killing his father since childhood, designed with brother incest, designed to marry her lover’s father, finally seeing brother and son's death, witnessing the death of Avalon. But fate doesn't beat her. Her heart is full of love. She chooses to undertake all to protect the younger brother. From my perspective, she is a tough, wise and pure woman. From mother married Uther to she and Arthur were taken away by the Merlin and Vivian, the middle period of childlike carefree time, is her rare joy in heavy life. But it is also the foil of later tragedy. Strong will is what she left me the deepest impression. No matter what things, even those we cannot accept a little, she silently bears. Most of the time, she would cry, or tears, or cry, but never attempt to suicide, never give up love or herself. She suffered them and found the future roads, using intelligence to fight. Lots of boys would never achieve this kind of strong will. I even think Arthur is a king under her umbrella. Her faith in god mother is a true belief. Once she yelled to Vivian "My service is god mother not you!" Film ends with "the goddess does not disappear but changes a name". It reveals the meaning of religious existence. The religion is just the hearts voice of people. She understands what is called "all god is one god" replacing Vivian.
Morgause, Vivian's sister, from beginning to end, her ambition is never hidden. This reminds me of the old saying, “greed has no limits”. She and Vivian are essentially same, at least, in my opinion, just one for religion one for herself. Greed is one of human nature. And it is a deep-rooted bad habit. Greed is not a hate. But Machiavellian is. There's a phrase in the book, "the goddess has the fourth face, let's pray the Morgause will not wear it". It is obvious that she wear .No one is perfect, everyone has a dark side. The goddess is not exceptional. What is important is whether you can overcome it. Some people say that people is good at the beginning, but others say we are bad at the beginning. Actually we are the complex of conflict between good and evil. And dialectics is not only suitable to the thing but also to people. And most of the time we hope that the light can win darkness and we really need to do so.
Finally, let's take a look at Arthur. I have to say the Arthur in the movie is the most inappreciative I have ever seen. Through him I realize that my life should be arranged by myself. Generally speaking, he is just a puppet, coward, and only following. Perhaps because of this, Vivian chooses him. His throne is with the help of Avalon, and his marriage is to maintain religious balance. His fate has been controlled by others, even won’t to pursue his lover only missing her at the bottom of heart as a souvenir. Found the truth about his son he just chooses to escape, letting the son do bad things. Eventually Morgan awakes him. Fate is a wonderful thing. Someone will control it, your will or other’s. Rather than become a puppet at the mercy of others, why not fight? Choose the future way on your will. For example, Han emperor Liuche, though real power has been controlled by his grandmother , never yielded. He struggled to find a way to, managed to obtain power, creating the brilliance of the Han dynasty. Recently I saw a film called “invictus”, telling the story of Nelson Mandela who refused to bow to the fate. Obviously, my fate is controlled by myself. Whether someone is noble or humble, the gear of his fate turns only by himself.
I still give the film a "heavy" label ,perhaps because it tells the history and religion, perhaps because it is a tragedy. After watching it, something stuck in my heart. I can not help but think about I am how happy without the content of these heavy oppression and bondage. Calm down, you will find that in fact every characters in the movie can drive you to consider something. They produce many apocalypses, as mentioned above. Through the mist around the lingering Avalon , you can touch the spontaneous religious beliefs, the heart of the strong will, the greedy evil, and the control of fate, the pure love...Behind these mists of content, is worthy of our deep thinking.
全片以亞瑟的姐姐摩根的一生為線索，通過(guò)不同代表性的人物為枝蔓展開(kāi)，而影片的內(nèi)涵也隱藏在人的身上。
薇薇安，湖泊女神，阿瓦隆最高女祭司。在我看來(lái)，她對(duì)神母卻有著病態(tài)的尊崇，為達(dá)目的不擇手段，甚至可以說(shuō)六親不認(rèn)，代表著一種對(duì)宗教的盲目崇拜。她妄圖通過(guò)控制皇室維護(hù)阿瓦隆的地位，卻適得其反，神母逐漸被遺忘。宗教，只是人們的一種信仰，是個(gè)人的事情，不是控制人們的一種手段更不是政治手段，宗教之間的斗爭(zhēng)其實(shí)是毫無(wú)意義的。只有人們認(rèn)識(shí)到一種宗教的優(yōu)越性，從心底里信奉，才能使之永存。舉個(gè)不太美好的例子，清朝時(shí)的太平天國(guó)運(yùn)動(dòng)，領(lǐng)帶人洪秀全創(chuàng)立拜上帝教，開(kāi)始時(shí)受到廣大人民群眾的信奉，就是因?yàn)樗木锼枷肷钊肴诵模藗儽阕园l(fā)支持他信仰他。后來(lái)教義改變，變成為掌權(quán)者說(shuō)話，失敗接踵而至。再如基督教，傳教士向民眾傳播它的思想，從而廣為流傳。梅林臨終前對(duì)薇薇安說(shuō)的話，就是想告訴她不要再妄圖以人力控制人們的信仰。時(shí)代在變化，宗教也在不斷進(jìn)化演變，阿瓦隆的消亡只能說(shuō)明她已經(jīng)不適應(yīng)新的社會(huì)，她的思想已經(jīng)不被新時(shí)代的人們接受。那么，消亡不過(guò)是一種必然。
摩根，亞瑟同母異父的姐姐，從小背負(fù)著母親害死父親的事實(shí)，被設(shè)計(jì)與弟弟亂倫產(chǎn)子，被設(shè)計(jì)嫁給心愛(ài)的人的父親，最后目睹弟弟與兒子的死亡，見(jiàn)證阿瓦隆的消亡。但命運(yùn)的磨難并沒(méi)有打倒她，她的心中裝滿了對(duì)親人的愛(ài)，選擇自己承擔(dān)一切來(lái)保護(hù)弟弟，是一個(gè)堅(jiān)強(qiáng)、智慧并充滿純真的女子。從母親嫁給烏瑟潘龍到姐弟兩個(gè)被梅林和薇薇安帶走，中間這段天真爛漫無(wú)憂無(wú)慮的時(shí)光，是摩根心中渴望的東西，是她沉重的一生中少有的歡樂(lè)，但也襯托了后來(lái)的悲劇。堅(jiān)強(qiáng)是她留給我的最深印象，不管遇到什么事情，甚至很多在我們看來(lái)根本無(wú)法接受的，她都默默承受了。很多時(shí)候，她會(huì)哭，或默默流淚，或嚎啕大哭，但從來(lái)不曾尋死覓活，不曾放棄愛(ài)放棄自我，而是一直在苦難背后尋找道路，在打擊中磨練智慧。這種堅(jiān)強(qiáng)，是很多男兒都不曾達(dá)到的，我甚至覺(jué)得亞瑟不過(guò)是生活在她的保護(hù)傘下的君王。她對(duì)神母的信仰才是一種真正的信仰，她曾對(duì)薇薇安大喊“我侍奉的是神母不是你！”。影片最終以“神母不過(guò)換了一個(gè)名字存在于人們心中”結(jié)束，正是揭示了宗教存在的意義，所謂宗教，所謂信仰，只是人們的心而已，她替薇薇安理解了什么叫做“all god is one god”。
摩葛絲，薇薇安的妹妹，從頭到尾，其野心都不曾掩飾。這讓我想起了一句古話，貪心不足蛇吞象。她與薇薇安本質(zhì)上是一樣的，起碼在我看來(lái)是的，只不過(guò)一個(gè)為了宗教一個(gè)為了自己。貪婪，是人之常情，是人的一種劣根性。貪婪不可恨，可恨的是為達(dá)目的不擇手段。原著中有一句話，“女神還有第四張臉，讓我們祈禱摩葛絲不要戴上”。很顯然，她戴上了。人無(wú)完人，每個(gè)人背后都有黑暗的一面，女神也不例外，就看你是否能夠戰(zhàn)勝它。有人說(shuō)，人之初性本善，也有人說(shuō)，人之初性本惡。其實(shí)我們本就是善惡矛盾的綜合體，辯證法不只對(duì)事還對(duì)人，只是大多數(shù)時(shí)候我們都希望光明戰(zhàn)勝黑暗，也確實(shí)需要這么做。
最后，讓我們看看亞瑟，不客氣的說(shuō)，影片中的是我看過(guò)的最不欣賞的亞瑟，透過(guò)他我認(rèn)識(shí)到，我命由我?？偟膩?lái)說(shuō)，他不過(guò)是一個(gè)傀儡，懦弱、遵從。也許正因?yàn)槿绱耍鞭卑膊胚x擇了他。王位是在阿瓦隆的幫助下得到的，妻子是為了維護(hù)宗教平衡娶的。他的命運(yùn)一直都在由別人控制，遇到喜歡的女子也不去追尋只在心底留念。得知事情真相也只是選擇了逃避，任由兒子為非作歹，最終還是在摩根的勸說(shuō)下覺(jué)醒。命運(yùn)真是個(gè)奇妙的東西，總會(huì)有人控制它，不是你就會(huì)是別人，與其做一個(gè)傀儡受別人擺布，不如努力抗?fàn)?，自己選擇前進(jìn)的道路。正如西漢武帝，盡管從小沒(méi)有實(shí)權(quán)一直受祖母控制，卻不曾屈服，一直想辦法抗?fàn)?，最終成功奪得實(shí)權(quán)，創(chuàng)造了漢王朝的輝煌。最近剛看了一部影片，Invictus，講述了曼德拉不向命運(yùn)屈服的故事。是的，我命由我不由人，不管是高貴還是低賤的出身，命運(yùn)的齒輪只能由自己轉(zhuǎn)動(dòng)。
我還是給這部影片冠以“沉重”的標(biāo)簽，也許是因?yàn)樗v述的是歷史與宗教，也許是因?yàn)樗且粋€(gè)悲劇，看完之后心里面就像有東西堵著，不禁想到自己是多么幸福，不曾被這些沉重的內(nèi)容壓迫和束縛。平靜下來(lái)，會(huì)發(fā)現(xiàn)其實(shí)影片中的每個(gè)人都能給你思考，他們本身就是一部部啟示書(shū)，正如上面提到的，撥開(kāi)縈繞阿瓦隆的迷霧，宗教的自發(fā)信仰，人心的堅(jiān)強(qiáng)，貪婪的邪惡，命運(yùn)的控制，純正的愛(ài)情……這些迷霧背后的內(nèi)容，才是值得我們深入思考的。
The story of King Arthur is a history and also a legend. Without regard to heavy mixed history and religious doctrines, only from this film, we can see the connection between the human nature and religious theology and conflict. We can also see the religious dark side behind the light.
The life of Arthur's sister Morgan is the clue. And the story is stated through different typical characters and the connotation of it is hidden in the human nature.
Vivian, the goddess of lakes, the highest priestess of Avalon, in my opinion, has a morbid respect to goddess. She represents a kind of blind worship of religion, machiavellian and indifferent. She wants to control royal to maintain the status of Avalon. On the contrary, the Avalon goddess gradually is forgotten by people. I think Religion is only a kind of faith and a personal thing. Therefore, it is not a way to control people, or politics. Religious conflict between different religions is meaningless. Only the advantages of a religion was realized, can it exist forever. For example, not too good, when the Tai Ping movement burst in Qing dynasty, the leader Hong Xiuquan created a religion called “Baishangdi” and it was embraced by the masses of people. At the beginning, the Juntian thought was deeply rooted in the hearts of people, spontaneous to support his beliefs. Teachings later changed, becoming the speaking for the ruler, and failure followed. Besides, such as Christianity, missionaries spread it to the people, thus it widely circulated. Merlin said to Vivian when he died. Do not control people's beliefs by her power. Times are changing with evolution of religion. And the death of Avalon just means she has not been adapted by the new society. Her mind is not accepted by people in a new era. So, disappearance is a necessity.
Morgan, Arthur's half sister, burdens the fact that her mother participated in killing his father since childhood, designed with brother incest, designed to marry her lover’s father, finally seeing brother and son's death, witnessing the death of Avalon. But fate doesn't beat her. Her heart is full of love. She chooses to undertake all to protect the younger brother. From my perspective, she is a tough, wise and pure woman. From mother married Uther to she and Arthur were taken away by the Merlin and Vivian, the middle period of childlike carefree time, is her rare joy in heavy life. But it is also the foil of later tragedy. Strong will is what she left me the deepest impression. No matter what things, even those we cannot accept a little, she silently bears. Most of the time, she would cry, or tears, or cry, but never attempt to suicide, never give up love or herself. She suffered them and found the future roads, using intelligence to fight. Lots of boys would never achieve this kind of strong will. I even think Arthur is a king under her umbrella. Her faith in god mother is a true belief. Once she yelled to Vivian "My service is god mother not you!" Film ends with "the goddess does not disappear but changes a name". It reveals the meaning of religious existence. The religion is just the hearts voice of people. She understands what is called "all god is one god" replacing Vivian.
Morgause, Vivian's sister, from beginning to end, her ambition is never hidden. This reminds me of the old saying, “greed has no limits”. She and Vivian are essentially same, at least, in my opinion, just one for religion one for herself. Greed is one of human nature. And it is a deep-rooted bad habit. Greed is not a hate. But Machiavellian is. There's a phrase in the book, "the goddess has the fourth face, let's pray the Morgause will not wear it". It is obvious that she wear .No one is perfect, everyone has a dark side. The goddess is not exceptional. What is important is whether you can overcome it. Some people say that people is good at the beginning, but others say we are bad at the beginning. Actually we are the complex of conflict between good and evil. And dialectics is not only suitable to the thing but also to people. And most of the time we hope that the light can win darkness and we really need to do so.
Finally, let's take a look at Arthur. I have to say the Arthur in the movie is the most inappreciative I have ever seen. Through him I realize that my life should be arranged by myself. Generally speaking, he is just a puppet, coward, and only following. Perhaps because of this, Vivian chooses him. His throne is with the help of Avalon, and his marriage is to maintain religious balance. His fate has been controlled by others, even won’t to pursue his lover only missing her at the bottom of heart as a souvenir. Found the truth about his son he just chooses to escape, letting the son do bad things. Eventually Morgan awakes him. Fate is a wonderful thing. Someone will control it, your will or other’s. Rather than become a puppet at the mercy of others, why not fight? Choose the future way on your will. For example, Han emperor Liuche, though real power has been controlled by his grandmother , never yielded. He struggled to find a way to, managed to obtain power, creating the brilliance of the Han dynasty. Recently I saw a film called “invictus”, telling the story of Nelson Mandela who refused to bow to the fate. Obviously, my fate is controlled by myself. Whether someone is noble or humble, the gear of his fate turns only by himself.
I still give the film a "heavy" label ,perhaps because it tells the history and religion, perhaps because it is a tragedy. After watching it, something stuck in my heart. I can not help but think about I am how happy without the content of these heavy oppression and bondage. Calm down, you will find that in fact every characters in the movie can drive you to consider something. They produce many apocalypses, as mentioned above. Through the mist around the lingering Avalon , you can touch the spontaneous religious beliefs, the heart of the strong will, the greedy evil, and the control of fate, the pure love...Behind these mists of content, is worthy of our deep thinking.
5 ) 永遠(yuǎn)的王·霧中的島
《The mists of Avalon》（《亞瑟王傳奇》/《阿瓦隆迷霧》）
不是今年那部票房慘淡的《King Arthur》（《亞瑟王》）,而是2001年，根據(jù)魔幻小說(shuō)家Marion Zimmer Bradley1982年的同名小說(shuō)改編的迷你劇集。是屬于目前為止，我所見(jiàn)到的對(duì)有關(guān)亞瑟王傳奇及其人物體系交待最為豐富和完整的影視作品了。亞瑟、桂妮蔚、蘭斯洛特、梅林、湖中夫人等等人物都有出現(xiàn)，并且如蟠龍?jiān)诿妨謪f(xié)助下幽會(huì)伊格琳生下壓瑟、亞瑟和姐姐摩根結(jié)合生下毛德列、蘭斯洛特和湖中夫人的關(guān)系、毛德列軾父等平時(shí)罕見(jiàn)有出現(xiàn)的情節(jié)也一一交待，算是讓我這個(gè)準(zhǔn)亞瑟迷過(guò)了些癮頭。
相比今年出品的《亞瑟王》，這部《阿瓦隆迷霧》的氣質(zhì)要陰柔迷離的多，雖然也有些戰(zhàn)場(chǎng)廝殺血肉橫飛的鏡頭，但重點(diǎn)卻決非于亞瑟大一統(tǒng)的征戰(zhàn)過(guò)程。所有的男性角色都隱藏在了女性背后，亞瑟和蘭斯洛特因?yàn)榇钪鹉嵛档年P(guān)系，還稍多一些鏡頭，其他的圓桌騎士，統(tǒng)統(tǒng)成了只會(huì)在餐桌上大塊朵頤的食客。
其實(shí)這從片名《the mists of Avalon》已經(jīng)可以了解，為什么不是《the mists of Camelot》？Camelot（卡米洛城）是亞瑟統(tǒng)一不列顛建立豐功偉業(yè)的城堡，而Avalon則是傳說(shuō)中亞瑟和毛德列決戰(zhàn)后，靈魂歸處的神秘島嶼。
“岸邊，月光里駛來(lái)一艘披著黑紗的帆船；船上清一色黑衣女子，為首三人頭戴鳳冠，啼哭不止。亞瑟命伯畏將自己背上船放下，三女王迎上前來(lái)，其中個(gè)頭高高，面目皎潔的那位將國(guó)王的腦袋靠在自己懷里，稱他兄弟?！?br>
Marion Zimmer Bradley大概就是從“三女王接歸亞瑟”中得到了靈感，干脆以在傳說(shuō)中“云霞明滅或可睹”的阿瓦隆島為源，把大不列顛王蕩氣回腸的征戰(zhàn)史寫(xiě)成一段亦真亦幻的傳奇。
阿瓦隆，隱藏在大霧彌漫的湖中，她是湖中夫人的居所，是女神的圣地。當(dāng)基督教在大不列顛島如火如荼的遍布開(kāi)的時(shí)候，從前崇拜the Godness（女神）的人民紛紛投向the God（上帝），湖中夫人對(duì)未來(lái)的擔(dān)憂、焦慮一天天的增加。為了維護(hù)女神的地位，她和梅林策劃了蟠龍王和伊格林的邂逅，帶走亞瑟同母異父的姐姐摩根教授其法術(shù)，協(xié)助亞瑟取得“削鋼劍”，設(shè)計(jì)亞瑟和姐姐摩根亂倫生下毛德列……湖中夫人傾其一生乃至性命，皆是為了能讓“女神”信仰在人世間永駐，能讓傳承Avalon血液的亞瑟和摩根在中土繼續(xù)維護(hù)阿瓦隆的勢(shì)力，能讓女神的尊嚴(yán)在世間永遠(yuǎn)歌頌。
這是一場(chǎng)古老神祗在新文明到臨前爭(zhēng)取生存的斗爭(zhēng)，是新舊兩個(gè)時(shí)代交鋒的一場(chǎng)迷霧。顯然其中隱隱象征/比喻著母系氏族的沒(méi)落（但是如果按照年份來(lái)考，又不足信），或者更加確切的說(shuō)，是人類在歷經(jīng)了自然原始力量的崇拜后，隨著對(duì)未知越來(lái)越多的的掌控，開(kāi)始擯棄野性的力量，崇尚文明的一番歷程。
亞瑟在之前的諸多藝術(shù)作品中，一直是以一個(gè)虔誠(chéng)的基督徒形象出現(xiàn)，還有發(fā)動(dòng)圓桌騎士尋找圣杯的行為。在片中，他雖然繼承著純正阿瓦隆血統(tǒng)，卻娶了信仰基督教的桂尼蔚，他是一個(gè)試圖在女神和上帝中尋找平衡的王，但這種結(jié)合原本就脆弱，甚至連他自己都無(wú)法同時(shí)對(duì)兩個(gè)神保持相等的愛(ài)和信仰！而女神祭祀的繼承者摩根得知自己中計(jì)和亞瑟結(jié)合，羞愧憤怒地和阿瓦隆/湖中夫人斬?cái)嚓P(guān)系。這是湖中夫人始料未及的結(jié)果，孤注一擲的她，去依靠毛德列，卻不知道他早已在養(yǎng)母的教唆下背棄了阿瓦隆的真義。
父子倆在戰(zhàn)場(chǎng)上的廝殺毀滅了阿瓦隆最后的繼承人，當(dāng)上帝的子民越來(lái)越多，也就意味著阿瓦隆的魔力在人世間越來(lái)模糊。阿瓦隆不可避免的消失在了茫茫的白霧中。
阿瓦隆的衰滅是片子的主線，穿插其中的，才是亞瑟王和他的騎士們：蘭斯洛特的騎士之愛(ài)，毛德列的大逆不道，卡米洛城，圓桌，戰(zhàn)爭(zhēng)……
這還是不是原汁原味的亞瑟王？或許，像克里夫·歐文那樣浴血疆場(chǎng)的才是更加貼近歷史的真實(shí)（《亞瑟王》）；或許，像肖恩·康納利那樣莊嚴(yán)凜然才是“永遠(yuǎn)的王”（《第一騎士》）；或許……
誰(shuí)知道呢，誰(shuí)又曾知道呢？The mists of Avalon!
導(dǎo)演：Uli Edel
編?。篗arion Zimmer Bradley (novel)/Gavin Scott (teleplay)
演員:
Anjelica Huston ..... Viviane
Julianna Margulies ..... Morgaine
Joan Allen ..... Morgause
Samantha Mathis ..... Gwenwyfar
Caroline Goodall ..... Igraine
Edward Atterton ..... Arthur
Michael Vartan ..... Lancelot
Michael Byrne ..... Merlin
Hans Matheson ..... Mordred
官方網(wǎng)站：http://tnt.turner.com/movies/tntoriginals/mists/
注：根據(jù)資料，得知1998年，美國(guó)曾出品《Merlin》（《梅林》），想來(lái)是另一種視角，根據(jù)評(píng)價(jià)“瑰麗的愛(ài)與魔法”猜測(cè)，寫(xiě)的應(yīng)該是梅林與湖中夫人愛(ài)恨交織的一段，而布列松的《蘭斯洛特》不知道，什么時(shí)候能有機(jī)緣一睹
不是今年那部票房慘淡的《King Arthur》（《亞瑟王》）,而是2001年，根據(jù)魔幻小說(shuō)家Marion Zimmer Bradley1982年的同名小說(shuō)改編的迷你劇集。是屬于目前為止，我所見(jiàn)到的對(duì)有關(guān)亞瑟王傳奇及其人物體系交待最為豐富和完整的影視作品了。亞瑟、桂妮蔚、蘭斯洛特、梅林、湖中夫人等等人物都有出現(xiàn)，并且如蟠龍?jiān)诿妨謪f(xié)助下幽會(huì)伊格琳生下壓瑟、亞瑟和姐姐摩根結(jié)合生下毛德列、蘭斯洛特和湖中夫人的關(guān)系、毛德列軾父等平時(shí)罕見(jiàn)有出現(xiàn)的情節(jié)也一一交待，算是讓我這個(gè)準(zhǔn)亞瑟迷過(guò)了些癮頭。
相比今年出品的《亞瑟王》，這部《阿瓦隆迷霧》的氣質(zhì)要陰柔迷離的多，雖然也有些戰(zhàn)場(chǎng)廝殺血肉橫飛的鏡頭，但重點(diǎn)卻決非于亞瑟大一統(tǒng)的征戰(zhàn)過(guò)程。所有的男性角色都隱藏在了女性背后，亞瑟和蘭斯洛特因?yàn)榇钪鹉嵛档年P(guān)系，還稍多一些鏡頭，其他的圓桌騎士，統(tǒng)統(tǒng)成了只會(huì)在餐桌上大塊朵頤的食客。
其實(shí)這從片名《the mists of Avalon》已經(jīng)可以了解，為什么不是《the mists of Camelot》？Camelot（卡米洛城）是亞瑟統(tǒng)一不列顛建立豐功偉業(yè)的城堡，而Avalon則是傳說(shuō)中亞瑟和毛德列決戰(zhàn)后，靈魂歸處的神秘島嶼。
“岸邊，月光里駛來(lái)一艘披著黑紗的帆船；船上清一色黑衣女子，為首三人頭戴鳳冠，啼哭不止。亞瑟命伯畏將自己背上船放下，三女王迎上前來(lái)，其中個(gè)頭高高，面目皎潔的那位將國(guó)王的腦袋靠在自己懷里，稱他兄弟?！?br>
Marion Zimmer Bradley大概就是從“三女王接歸亞瑟”中得到了靈感，干脆以在傳說(shuō)中“云霞明滅或可睹”的阿瓦隆島為源，把大不列顛王蕩氣回腸的征戰(zhàn)史寫(xiě)成一段亦真亦幻的傳奇。
阿瓦隆，隱藏在大霧彌漫的湖中，她是湖中夫人的居所，是女神的圣地。當(dāng)基督教在大不列顛島如火如荼的遍布開(kāi)的時(shí)候，從前崇拜the Godness（女神）的人民紛紛投向the God（上帝），湖中夫人對(duì)未來(lái)的擔(dān)憂、焦慮一天天的增加。為了維護(hù)女神的地位，她和梅林策劃了蟠龍王和伊格林的邂逅，帶走亞瑟同母異父的姐姐摩根教授其法術(shù)，協(xié)助亞瑟取得“削鋼劍”，設(shè)計(jì)亞瑟和姐姐摩根亂倫生下毛德列……湖中夫人傾其一生乃至性命，皆是為了能讓“女神”信仰在人世間永駐，能讓傳承Avalon血液的亞瑟和摩根在中土繼續(xù)維護(hù)阿瓦隆的勢(shì)力，能讓女神的尊嚴(yán)在世間永遠(yuǎn)歌頌。
這是一場(chǎng)古老神祗在新文明到臨前爭(zhēng)取生存的斗爭(zhēng)，是新舊兩個(gè)時(shí)代交鋒的一場(chǎng)迷霧。顯然其中隱隱象征/比喻著母系氏族的沒(méi)落（但是如果按照年份來(lái)考，又不足信），或者更加確切的說(shuō)，是人類在歷經(jīng)了自然原始力量的崇拜后，隨著對(duì)未知越來(lái)越多的的掌控，開(kāi)始擯棄野性的力量，崇尚文明的一番歷程。
亞瑟在之前的諸多藝術(shù)作品中，一直是以一個(gè)虔誠(chéng)的基督徒形象出現(xiàn)，還有發(fā)動(dòng)圓桌騎士尋找圣杯的行為。在片中，他雖然繼承著純正阿瓦隆血統(tǒng)，卻娶了信仰基督教的桂尼蔚，他是一個(gè)試圖在女神和上帝中尋找平衡的王，但這種結(jié)合原本就脆弱，甚至連他自己都無(wú)法同時(shí)對(duì)兩個(gè)神保持相等的愛(ài)和信仰！而女神祭祀的繼承者摩根得知自己中計(jì)和亞瑟結(jié)合，羞愧憤怒地和阿瓦隆/湖中夫人斬?cái)嚓P(guān)系。這是湖中夫人始料未及的結(jié)果，孤注一擲的她，去依靠毛德列，卻不知道他早已在養(yǎng)母的教唆下背棄了阿瓦隆的真義。
父子倆在戰(zhàn)場(chǎng)上的廝殺毀滅了阿瓦隆最后的繼承人，當(dāng)上帝的子民越來(lái)越多，也就意味著阿瓦隆的魔力在人世間越來(lái)模糊。阿瓦隆不可避免的消失在了茫茫的白霧中。
阿瓦隆的衰滅是片子的主線，穿插其中的，才是亞瑟王和他的騎士們：蘭斯洛特的騎士之愛(ài)，毛德列的大逆不道，卡米洛城，圓桌，戰(zhàn)爭(zhēng)……
這還是不是原汁原味的亞瑟王？或許，像克里夫·歐文那樣浴血疆場(chǎng)的才是更加貼近歷史的真實(shí)（《亞瑟王》）；或許，像肖恩·康納利那樣莊嚴(yán)凜然才是“永遠(yuǎn)的王”（《第一騎士》）；或許……
誰(shuí)知道呢，誰(shuí)又曾知道呢？The mists of Avalon!
導(dǎo)演：Uli Edel
編?。篗arion Zimmer Bradley (novel)/Gavin Scott (teleplay)
演員:
Anjelica Huston ..... Viviane
Julianna Margulies ..... Morgaine
Joan Allen ..... Morgause
Samantha Mathis ..... Gwenwyfar
Caroline Goodall ..... Igraine
Edward Atterton ..... Arthur
Michael Vartan ..... Lancelot
Michael Byrne ..... Merlin
Hans Matheson ..... Mordred
官方網(wǎng)站：http://tnt.turner.com/movies/tntoriginals/mists/
注：根據(jù)資料，得知1998年，美國(guó)曾出品《Merlin》（《梅林》），想來(lái)是另一種視角，根據(jù)評(píng)價(jià)“瑰麗的愛(ài)與魔法”猜測(cè)，寫(xiě)的應(yīng)該是梅林與湖中夫人愛(ài)恨交織的一段，而布列松的《蘭斯洛特》不知道，什么時(shí)候能有機(jī)緣一睹
6 ) 命運(yùn)半點(diǎn)不由人
個(gè)人記錄，隨便瞎說(shuō)說(shuō)。
—— —— —— ——
感覺(jué)80%的鉆人都會(huì)喜歡阿瓦隆迷霧。
所有人都試圖與命運(yùn)抗?fàn)?，所有人都失敗??
（以及所有人都在亂搞男女關(guān)系??
本來(lái)是沖著阿瓦隆骨去的，沒(méi)想到是個(gè)大??院，更喜歡了。
骨科人超級(jí)滿足，亞瑟連老婆被蘭斯洛特拐跑了都不介意，但看到姐姐和蘭斯洛特說(shuō)兩句話就開(kāi)始眉頭緊鎖，姐姐嫁人他也百般推脫。摩根是他的血親，是他的愛(ài)人，是他出生時(shí)的迎接者，是他死亡時(shí)的送行人，他一生的起點(diǎn)和終點(diǎn)都是摩根。旁觀者都清楚他對(duì)姐姐有奇怪的情愫，只有他自己一直看不清。
這版小莫選角好牛，陰鷙狠戾。他告訴亞瑟他的身世那段戲看得我爽死了，演的真好。第一句“I am your son”的時(shí)候他還不敢直視父親，然后才敢轉(zhuǎn)眼看亞瑟，又堅(jiān)定地說(shuō)出了第二遍“I, am your son”。他迫不及待地向亞瑟揭露殘酷的真相，說(shuō)到“you coupled with her”的時(shí)候他笑了，帶著復(fù)仇的快感，我就是你們亂倫的產(chǎn)物，也是你唯一的繼承人，這是你無(wú)法反駁的事實(shí)，是你永遠(yuǎn)無(wú)法洗清的罪惡。
后面戰(zhàn)場(chǎng)上他的眼神戲也好棒，年輕的狼王在與父親決斗時(shí)眼神兇狠，卻在弒父的那一刻留下眼淚。倒在母親懷里的時(shí)候他終于露出了真心的笑容。我看到這滿腦子都是“母親，你也會(huì)為我流淚嗎？”??好苦啊小狼。
7 ) 境界不高
血統(tǒng)論，宿命論，這種論調(diào)是特別低級(jí)的，是人沒(méi)有從動(dòng)物進(jìn)化到文明所本能持有的思想，是平等的敵人，是自由的敵人。
而且，本片還體現(xiàn)了我所厭惡的一種特征：人物的缺心眼。一些人物（比如阿瑟的母親）往往聽(tīng)到一個(gè)消息，或者聽(tīng)到一種說(shuō)法，或遇到一件事情，就無(wú)限的惶恐和哀傷，絲毫沒(méi)有任何思考能力，沒(méi)有精神戰(zhàn)斗能力，遇到事情動(dòng)的是感情而不是頭腦，這種愚蠢我一直最為厭惡和最不能忍受。
所以，無(wú)論電影從情節(jié)上多么曲折，無(wú)論從細(xì)節(jié)上看多么動(dòng)人，無(wú)論從表現(xiàn)上看多么華麗，都是金玉其外、敗絮其中的垃圾。
本來(lái)看這部電影也是沖著魔法和異域看的，現(xiàn)在來(lái)看，看看它的魔法和異域也就算了，也不算是白看一場(chǎng)。
而且，本片還體現(xiàn)了我所厭惡的一種特征：人物的缺心眼。一些人物（比如阿瑟的母親）往往聽(tīng)到一個(gè)消息，或者聽(tīng)到一種說(shuō)法，或遇到一件事情，就無(wú)限的惶恐和哀傷，絲毫沒(méi)有任何思考能力，沒(méi)有精神戰(zhàn)斗能力，遇到事情動(dòng)的是感情而不是頭腦，這種愚蠢我一直最為厭惡和最不能忍受。
所以，無(wú)論電影從情節(jié)上多么曲折，無(wú)論從細(xì)節(jié)上看多么動(dòng)人，無(wú)論從表現(xiàn)上看多么華麗，都是金玉其外、敗絮其中的垃圾。
本來(lái)看這部電影也是沖著魔法和異域看的，現(xiàn)在來(lái)看，看看它的魔法和異域也就算了，也不算是白看一場(chǎng)。
迷霧湖泊，女性荒原。后段節(jié)奏加快，角色打造不細(xì)致，引子和前篇都有好看的元素。宗教和父權(quán)王庭進(jìn)退維谷，神女最先被浪潮推向前，再摒棄。摩根、格溫，甚至摩高斯都如出一轍，本該同呼吸的女性，被挑撥、嘲弄。不接納命定的母權(quán)主旨，一朝將權(quán)力付托自身，則被冠上了惡名。Joan Allen表演最佳，不同于薇薇安夫人盛氣凌人保全“神性”，或是摩根誠(chéng)惶誠(chéng)恐為人，她的殘酷始終決絕
雖然并非改編自馬洛里的原著，但依然無(wú)礙于其成為迄今為止最好的亞瑟王題材影視作品。和大多數(shù)亞瑟王電影以亞瑟、梅林和圓桌騎士們?yōu)橹骶€不同，本片把湖中女仙薇薇安、伊格萊恩、摩高斯、摩根、吉娜薇等女性角色推到臺(tái)前，讓她們引導(dǎo)時(shí)代變幻。原凱爾特女神崇拜與基督教之間的沖突與融合作為大背景，賦予了整部電影為女性主義溯源的立意。傳說(shuō)時(shí)代雖然覆滅，但傳說(shuō)本身卻流傳下來(lái)，古老的女神崇拜在基督教圣母瑪利亞身上得到復(fù)活，似乎是很有意思的一個(gè)宗教史角度。
搞毛線啊那么亂
女主角是艾麗莎~這個(gè)故事是凄美還是悲壯，好像都是，又好像都不是。
絕對(duì)是目前為止對(duì)有關(guān)亞瑟王傳奇及其人物體系交待最為豐富和完整的影視作品，對(duì)我中學(xué)時(shí)候看的《圓桌武士》所養(yǎng)成的觀感有很大顛覆。喜歡這段傳說(shuō)的人不要錯(cuò)過(guò)，值得一看。
騎士和王后是一對(duì)狗男女，國(guó)王和姐姐很不錯(cuò)。最惡心的是那個(gè)亂倫子。哦，英國(guó)人的圣斗士星矢和清宮秘史……
出色的神話史詩(shī)。我熱愛(ài)凱爾特傳說(shuō)
看完之后略有失望，不是一個(gè)聰明的故事，卻是一個(gè)宿命的故事。
三星半吧。Morgaine這個(gè)角色還是挺討喜的，但是電影總體上來(lái)說(shuō)……既美好又神奇又狗血又囧orz，尤其是后半部分……不知道原著怎么樣。總之看完這部電影之后我對(duì)亞瑟王傳說(shuō)新近燃起的興趣小火苗基本上熄滅了一半……
Fantasy! Julianna Margulies在電影上的表現(xiàn)令人印象深刻!!
好好一個(gè)亞瑟王，你讓他和姐姐摩根亂倫就算了，畢竟傳說(shuō)里就這樣的，但你還讓他無(wú)比豪放地和桂妮薇兒蘭斯洛特3P，導(dǎo)演你是鬧哪樣……不過(guò)算是完整地還原了亞瑟王傳奇里的人物關(guān)系和故事脈絡(luò)吧，音樂(lè)很棒。
Arthur Pendragon又被Lancelot搶?xiě)颉?/p>
女性視角的亞瑟王傳說(shuō)，10年后的小摩根成了王后，10年后的大摩根成了good wife^_^，音樂(lè)狂贊，從沒(méi)想過(guò)麥姐的悲勁蒼涼的NewAge能和古老的亞瑟王傳說(shuō)如此契合。
看得我各種震驚，姐弟亂倫就算了，亞蘭滾3P又是鬧哪樣？這尺度令我不由得感慨BBC家的Merlin果然是兒童劇。演員都蠻靠譜，尤其Julianna，不算驚艷但很耐看。只是劇中人的邏輯都很有問(wèn)題，還有本來(lái)大可發(fā)揮的magic，除了千里傳音撥云散霧就沒(méi)別的用途了，阿瓦隆最高女祭司竟被小莫一劍刺死弱爆了簡(jiǎn)直！
看到了小Freddie 在這樣慘烈的新舊文明撞擊中，女神們不可避免地走向了衰敗。電影中湖夫人竭力維護(hù)的女神的最后尊嚴(yán)，但已無(wú)力回天。最終迷霧籠罩了阿瓦隆，一切歸于沉寂。阿法隆的消失是必然的，并不是叛逆的摩根造成的，也不是野心的莫德里德造成的。當(dāng)湖夫人死去時(shí)，有種美麗消失了。
親媽太懦弱，連自己帶一雙兒女被大姨媽小姨媽算計(jì)利用。女神們信誓旦旦要守住自己的信仰和土地，但親姐妹都不團(tuán)結(jié)，不尊重現(xiàn)實(shí)和人情，整天搞些僵化教條的預(yù)言，難怪舊宗教要滅亡了呀。
幾年前收集英格蘭歷史資料的時(shí)候找到這個(gè)片子，盡管很多不同的描述，但是仍對(duì)這部分傳說(shuō)很感興趣，屠龍勇士，圣杯騎士，巫師等等，不同的歷史決定了不同的文化，了解他們的文化就如同精神在旅游一樣。
尺度好大，哈哈。妻子幫別人弄死深愛(ài)的丈夫，然后與別人結(jié)婚、同母異父姐弟亂倫并生下逆子、國(guó)王老公指使皇后和屬下一起3p、母親拋棄初生嬰兒、愛(ài)兒子卻嫁給老爸、通奸私奔、子謀父之國(guó)、父子相殘雙雙斃命。。傲骨賢妻領(lǐng)銜主演，一切盡在本部電影，歡迎觀看。ps：美女不多，帥哥不少。配樂(lè)好聽(tīng)
6/10。亞瑟王一個(gè)宣揚(yáng)騎士制度的文本變成了新生基督教和原始宗教之間的斗爭(zhēng)，薇薇安逼迫已婚的妹妹嫁給尤瑟達(dá)到女神血統(tǒng)和世俗王權(quán)的妥協(xié)，但亞瑟和桂妮維爾的自由愛(ài)戀破壞了基督的禁欲含義，為了獲得上帝的寬恕能懷孕，以淚逼迫亞瑟放倒了父親尤瑟在戰(zhàn)場(chǎng)上高舉的異教龍旗，拋棄了女神信仰，最終拋入空中的石中劍被閃電賦形為十字架，湖心的阿瓦隆所代表的大地母神伴隨著基督教堂沉陰的鐘聲隱于迷霧。服化道粗疏，特效現(xiàn)在看來(lái)也十分可笑，場(chǎng)景的頻繁切換（摩根成為祭司與伊格雷恩想念女兒摩根，亞瑟和摩根做愛(ài)與篝火舞蹈的場(chǎng)景切換）并沒(méi)有避免情緒的平面化，把女巫摩根重新翻案成喪父、亂倫、生子和錯(cuò)嫁的可憐女子，把亞瑟王及其騎士們放于一個(gè)宗教斗爭(zhēng)中的傀儡位置和犧牲品，亞瑟像是周旋于女色、被迫父子相殘的愚者，喪失了宏大冒險(xiǎn)敘事的傳奇色彩。
我看過(guò)的最好的一部關(guān)于亞瑟王的片子